'Ah,' he said, 'I was forgetting, I have got something to show you.' Austin unlocked the chest, drew out a thick quarto volume, laid it on the table, and resumed the cigar he had put down.
'Did you know Arthur Meyrick the painter, Villiers?'
'A little; I met him two or three times at the house of a friend of mine. What has become of him? I haven't heard his name mentioned for some time.'
'He's dead.'
'You don't say so! Quite young, wasn't he?'
'Yes; only thirty when he died.'
'What did he die of?'
'I don't know. He was an intimate friend of mine, and a thoroughly good fellow. He used to come here and talk to me for hours, and he was one of the best talkers I have met. He could even talk about painting, and that's more than can be said of most painters. About eighteen months ago he was feeling rather overworked, and partly at my suggestion he went off on a sort of roving expedition, with no very definite end or aim about it. I believe New York was to be his first port, but I never heard from him. Three months ago I got this book, with a very civil letter from an English doctor practising at Buenos Ayres, stating that he had attended the late Mr. Meyrick during his illness, and that the deceased had expressed an earnest wish that the enclosed packet should be sent to me after his death. That was all.'
'And haven't you written for further particulars?'
'I have been thinking of doing so. You would advise me to write to the doctor?'
'Certainly. And what about the book?'
'It was sealed up when I got it. I don't think the doctor had seen it.'
'It is something very rare? Meyrick was a collector, perhaps?'
'No, I think not, hardly a collector. Now, what do you think of those Ainu jugs?'
'They are peculiar, but I like them. But aren't you going to show me poor Meyrick's legacy?'
'Yes, yes, to be sure. The fact is, it's rather a peculiar sort of thing, and I haven't shown it to any one. I wouldn't say anything about it if I were you. There it is.'
Villiers took the book, and opened it at haphazard.
'It isn't a printed volume then?' he said.
'No. It is a collection of drawings in black and white by my poor friend Meyrick.'
Villiers turned to the first page, it was blank; the second bore a brief inscription, which he read:
Silet per diem universus, nec sine horrore secretus est; lucet nocturnis ignibus, chorus Ægipanum undique personatur: audiuntur et cantus tibiarum, et tinnitus cymbalorum per oram maritimam.
On the third page was a design which made Villiers start and look up at Austin; he was gazing abstractedly out of the window. Villiers turned page after page, absorbed, in spite of himself, in the frightful Walpurgis Night of evil, strange monstrous evil, that the dead artist had set forth in hard black and white. The figures of Fauns and Satyrs and Ægipans danced before his eyes, the darkness of the thicket, the dance on the mountain-top, the scenes by lonely shores, in green vineyards, by rocks and desert places, passed before him: a world before which the human soul seemed to shrink back and shudder. Villiers whirled over the remaining pages; he had seen enough, but the picture on the last leaf caught his eye, as he almost closed the book.
'Austin!'
'Well, what is it?'
'Do you know who that is?'
It was a woman's face, alone on the white page.
'Know who it is? No, of course not.'
'I do.'
'Who is it?'
'It is Mrs. Herbert.'
'Are you sure?'
'I am perfectly certain of it. Poor Meyrick! He is one more chapter in her history.'
'But what do you think of the designs?'
'They are frightful. Lock the book up again, Austin. If I were you I would burn it; it must be a terrible companion even though it be in a chest.'
'Yes, they are singular drawings. But I wonder what connection there could be between Meyrick and Mrs. Herbert, or what link between her and these designs?'
'Ah, who can say? It is possible that the matter may end here, and we shall never know, but in my own opinion this Helen Vaughan, or Mrs. Herbert, is only the beginning. She will come back to London, Austin; depend upon it, she will come back, and we shall hear more about her then. I don't think it will be very pleasant news.'
VI
The Suicides
Lord Argentine was a great favourite in London Society. At twenty he had been a poor man, decked with the surname of an illustrious family, but forced to earn a livelihood as best he could, and the most speculative of money-lenders would not have entrusted him with fifty pounds on the chance of his ever changing his name for a title, and his poverty for a great fortune. His father had been near enough to the fountain of good things to secure one of the family livings, but the son, even if he had taken orders, would scarcely have obtained so much as this, and moreover felt no vocation for the ecclesiastical estate. Thus he fronted the world with no better armour than the bachelor's gown and the wits of a younger son's grandson, with which equipment he contrived in some way to make a very tolerable fight of it. At twenty-five Mr. Charles Aubernoun saw himself still a man of struggles and of warfare with the world, but out of the seven who stood between him and the high places of his family three only remained. These three, however, were 'good lives,' but yet not proof against the Zulu assegais and typhoid fever, and so one morning Aubernoun woke up and found himself Lord Argentine, a man of thirty who had faced the difficulties of existence, and had conquered. The situation amused him immensely, and he resolved that riches should be as pleasant to him as poverty had always been. Argentine, after some little consideration, came to the conclusion that dining, regarded as a fine art, was perhaps the most amusing pursuit open to fallen humanity, and thus his dinners became famous in London, and an invitation to his table a thing covetously desired. After ten years of lordship and dinners Argentine still declined to be jaded, still persisted in enjoying life, and by a kind of infection had become recognized as the cause of joy in others, in short, as the best of company. His sudden and tragical death therefore caused a wide and deep sensation. People could scarce believe it, even though the newspaper was before their eyes, and the cry of 'Mysterious Death of a Nobleman' came ringing up from the street. But there stood the brief paragraph: 'Lord Argentine was found dead this morning by his valet under distressing circumstances. It is stated that there can be no doubt that his lordship committed suicide, though no motive can be assigned for the act. The deceased nobleman was widely known in society, and much liked for his genial manner and sumptuous hospitality. He is succeeded by,' etc., etc.
By slow degrees the details came to light, but the case still remained a mystery. The chief witness at the inquest was the dead nobleman's valet, who said that the night before his death Lord Argentine had dined with a lady of good position, whose name was suppressed in the newspaper reports. At about eleven o'clock Lord Argentine had returned, and informed his man that he should not require his services till the next morning. A little later the valet had occasion to cross the hall and was somewhat astonished to see his master quietly letting himself out at the front door. He had taken off his evening clothes, and was dressed in a Norfolk coat and knickerbockers, and wore a low brown hat. The valet had no reason to suppose that Lord Argentine had seen him, and though his master rarely kept late hours, thought little of the occurrence till the next morning, when he knocked at the bedroom door at a quarter to nine as usual. He received no answer, and, after knocking