Chapter XVIII.
“The Vicar of Bullhampton”—”Sir Harry Hotspur”—”An Editor’s Tales”—”Caesar”
In 1869 I was called on to decide, in council with my two boys and their mother, what should be their destination in life. In June of that year the elder, who was then twenty-three, was called to the Bar; and as he had gone through the regular courses of lecturing tuition and study, it might be supposed that his course was already decided. But, just as he was called, there seemed to be an opening for him in another direction; and this, joined to the terrible uncertainty of the Bar, the terror of which was not in his case lessened by any peculiar forensic aptitudes, induced us to sacrifice dignity in quest of success. Mr. Frederic Chapman, who was then the sole representative of the publishing house known as Messrs. Chapman & Hall, wanted a partner, and my son Henry went into the firm. He remained there three years and a half; but he did not like it, nor do I think he made a very good publisher. At any rate he left the business with perhaps more pecuniary success than might have been expected from the short period of his labours, and has since taken himself to literature as a profession. Whether he will work at it so hard as his father, and write as many books, may be doubted.
My second son, Frederic, had very early in life gone to Australia, having resolved on a colonial career when he found that boys who did not grow so fast as he did got above him at school. This departure was a great pang to his mother and me; but it was permitted on the understanding that he was to come back when he was twenty-one, and then decide whether he would remain in England or return to the Colonies. In the winter of 1868 he did come to England, and had a season’s hunting in the old country; but there was no doubt in his own mind as to his settling in Australia. His purpose was fixed, and in the spring of 1869 he made his second journey out. As I have since that date made two journeys to see him,—of one of which at any rate I shall have to speak, as I wrote a long book on the Australasian Colonies,—I will have an opportunity of saying a word or two further on of him and his doings.
The Vicar of Bullhampton was written in 1868 for publication in Once a Week, a periodical then belonging to Messrs. Bradbury & Evans. It was not to come out till 1869, and I, as was my wont had made my terms long previously to the proposed date. I had made my terms and written my story and sent it to the publisher long before it was wanted; and so far my mind was at rest. The date fixed was the first of July, which date had been named in accordance with the exigencies of the editor of the periodical. An author who writes for these publications is bound to suit himself to these exigencies, and can generally do so without personal loss or inconvenience, if he will only take time by the forelock. With all the pages that I have written for magazines I have never been a day late, nor have I ever caused inconvenience by sending less or more matter than I had stipulated to supply. But I have sometimes found myself compelled to suffer by the irregularity of others. I have endeavoured to console myself by reflecting that such must ever be the fate of virtue. The industrious must feed the idle. The honest and simple will always be the prey of the cunning and fraudulent. The punctual, who keep none waiting for them, are doomed to wait perpetually for the unpunctual. But these earthly sufferers know that they are making their way heavenwards,—and their oppressors their way elsewards. If the former reflection does not suffice for consolation, the deficiency is made up by the second. I was terribly aggrieved on the matter of the publication of my new Vicar, and had to think very much of the ultimate rewards of punctuality and its opposite. About the end of March, 1869, I got a dolorous letter from the editor. All the Once a Week people were in a terrible trouble. They had bought the right of translating one of Victor Hugo’s modern novels, L’Homme Qui Rit; they bad fixed a date, relying on positive pledges from the French publishers; and now the great French author had postponed his work from week to week and from month to month, and it had so come to pass that the Frenchman’s grinning hero would have to appear exactly at the same time as my clergyman. Was it not quite apparent to me, the editor asked, that Once a Week could not hold the two? Would I allow my clergyman to make his appearance in the Gentleman’s Magazine instead?
My disgust at this proposition was, I think, chiefly due to Victor Hugo’s latter novels, which I regard as pretentious and untrue to nature. To this perhaps was added some feeling of indignation that I should be asked to give way to a Frenchman. The Frenchman had broken his engagement. He had failed to have his work finished by the stipulated time. From week to week and from month to month he had put off the fulfilment of his duty. And because of these laches on his part,—on the part of this sententious French Radical,—I was to be thrown over! Virtue sometimes finds it difficult to console herself even with the double comfort. I would not come out in the Gentleman’s Magazine, and as the Grinning Man could not be got out of the way, by novel was published in separate numbers.
The same thing has occurred to me more than once since. “You no doubt are regular,” a publisher has said to me, “but Mr. —— is irregular. He has thrown me out, and I cannot be ready for you till three months after the time named.” In these emergencies I have given perhaps half what was wanted, and have refused to give the other half. I have endeavoured to fight my own battle fairly, and at the same time not to make myself unnecessarily obstinate. But the circumstances have impressed on my mind the great need there is that men engaged in literature should feel themselves to be bound to their industry as men know that they are bound in other callings. There does exist, I fear, a feeling that authors, because they are authors, are relieved from the necessity of paying attention to everyday rules. A writer, if he be making 800 a year, does not think himself bound to live modestly on 600, and put by the remainder for his wife and children. He does not understand that he should sit down at his desk at a certain hour. He imagines that publishers and booksellers should keep all their engagements with him to the letter;—but that he, as a brain-worker, and conscious of the subtle nature of the brain, should be able to exempt himself from bonds when it suits him. He has his own theory about inspiration which will not always come,—especially will not come if wine-cups overnight have been too deep. All this has ever been odious to me, as being unmanly. A man may be frail in health, and therefore unable to do as he has contracted in whatever grade of life. He who has been blessed with physical strength to work day by day, year by year—as has been my case—should pardon deficiencies caused by sickness or infirmity. I may in this respect have been a little hard on others,—and, if so, I here record my repentance. But I think that no allowance should be given to claims for exemption from punctuality, made if not absolutely on the score still with the conviction of intellectual superiority.
The Vicar of Bullhampton was written chiefly with the object of exciting not only pity but sympathy for fallen woman, and of raising a feeling of forgiveness for such in the minds of other women. I could not venture to make this female the heroine of my story. To have made her a heroine at all would have been directly opposed to my purpose. It was necessary therefore that she should be a second-rate personage in the tale;—but it was with reference to her life that the tale was written, and the hero and