"The young patricians," Decoud began suddenly in his precise English, "have indeed been dancing before they started off to the war with the Great Pompey."
Young Scarfe stared, astounded. "You haven't met before," Mrs. Gould intervened. "Mr. Decoud—Mr. Scarfe."
"Ah! But we are not going to Pharsalia," protested Don Jose, with nervous haste, also in English. "You should not jest like this, Martin."
Antonia's breast rose and fell with a deeper breath. The young engineer was utterly in the dark. "Great what?" he muttered, vaguely.
"Luckily, Montero is not a Caesar," Decoud continued. "Not the two Monteros put together would make a decent parody of a Caesar." He crossed his arms on his breast, looking at Senor Avellanos, who had returned to his immobility. "It is only you, Don Jose, who are a genuine old Roman—vir Romanus—eloquent and inflexible."
Since he had heard the name of Montero pronounced, young Scarfe had been eager to express his simple feelings. In a loud and youthful tone he hoped that this Montero was going to be licked once for all and done with. There was no saying what would happen to the railway if the revolution got the upper hand. Perhaps it would have to be abandoned. It would not be the first railway gone to pot in Costaguana. "You know, it's one of their so-called national things," he ran on, wrinkling up his nose as if the word had a suspicious flavour to his profound experience of South American affairs. And, of course, he chatted with animation, it had been such an immense piece of luck for him at his age to get appointed on the staff "of a big thing like that—don't you know." It would give him the pull over a lot of chaps all through life, he asserted. "Therefore—down with Montero! Mrs. Gould." His artless grin disappeared slowly before the unanimous gravity of the faces turned upon him from the carriage; only that "old chap," Don Jose, presenting a motionless, waxy profile, stared straight on as if deaf. Scarfe did not know the Avellanos very well. They did not give balls, and Antonia never appeared at a ground-floor window, as some other young ladies used to do attended by elder women, to chat with the caballeros on horseback in the Calle. The stares of these creoles did not matter much; but what on earth had come to Mrs. Gould? She said, "Go on, Ignacio," and gave him a slow inclination of the head. He heard a short laugh from that round-faced, Frenchified fellow. He coloured up to the eyes, and stared at Giorgio Viola, who had fallen back with the children, hat in hand.
"I shall want a horse presently," he said with some asperity to the old man.
"Si, senor. There are plenty of horses," murmured the Garibaldino, smoothing absently, with his brown hands, the two heads, one dark with bronze glints, the other fair with a coppery ripple, of the two girls by his side. The returning stream of sightseers raised a great dust on the road. Horsemen noticed the group. "Go to your mother," he said. "They are growing up as I am growing older, and there is nobody—"
He looked at the young engineer and stopped, as if awakened from a dream; then, folding his arms on his breast, took up his usual position, leaning back in the doorway with an upward glance fastened on the white shoulder of Higuerota far away.
In the carriage Martin Decoud, shifting his position as though he could not make himself comfortable, muttered as he swayed towards Antonia, "I suppose you hate me." Then in a loud voice he began to congratulate Don Jose upon all the engineers being convinced Ribierists. The interest of all those foreigners was gratifying. "You have heard this one. He is an enlightened well-wisher. It is pleasant to think that the prosperity of Costaguana is of some use to the world."
"He is very young," Mrs. Gould remarked, quietly.
"And so very wise for his age," retorted Decoud. "But here we have the naked truth from the mouth of that child. You are right, Don Jose. The natural treasures of Costaguana are of importance to the progressive Europe represented by this youth, just as three hundred years ago the wealth of our Spanish fathers was a serious object to the rest of Europe—as represented by the bold buccaneers. There is a curse of futility upon our character: Don Quixote and Sancho Panza, chivalry and materialism, high-sounding sentiments and a supine morality, violent efforts for an idea and a sullen acquiescence in every form of corruption. We convulsed a continent for our independence only to become the passive prey of a democratic parody, the helpless victims of scoundrels and cut-throats, our institutions a mockery, our laws a farce—a Guzman Bento our master! And we have sunk so low that when a man like you has awakened our conscience, a stupid barbarian of a Montero—Great Heavens! a Montero!—becomes a deadly danger, and an ignorant, boastful Indio, like Barrios, is our defender."
But Don Jose, disregarding the general indictment as though he had not heard a word of it, took up the defence of Barrios. The man was competent enough for his special task in the plan of campaign. It consisted in an offensive movement, with Cayta as base, upon the flank of the Revolutionist forces advancing from the south against Sta. Marta, which was covered by another army with the President-Dictator in its midst. Don Jose became quite animated with a great flow of speech, bending forward anxiously under the steady eyes of his daughter. Decoud, as if silenced by so much ardour, did not make a sound. The bells of the city were striking the hour of Oracion when the carriage rolled under the old gateway facing the harbour like a shapeless monument of leaves and stones. The rumble of wheels under the sonorous arch was traversed by a strange, piercing shriek, and Decoud, from his back seat, had a view of the people behind the carriage trudging along the road outside, all turning their heads, in sombreros and rebozos, to look at a locomotive which rolled quickly out of sight behind Giorgio Viola's house, under a white trail of steam that seemed to vanish in the breathless, hysterically prolonged scream of warlike triumph. And it was all like a fleeting vision, the shrieking ghost of a railway engine fleeing across the frame of the archway, behind the startled movement of the people streaming back from a military spectacle with silent footsteps on the dust of the road. It was a material train returning from the Campo to the palisaded yards. The empty cars rolled lightly on the single track; there was no rumble of wheels, no tremor of the ground. The engine-driver, running past the Casa Viola with the salute of an uplifted arm, checked his speed smartly before entering the yard; and when the ear-splitting screech of the steam-whistle for the brakes had stopped, a series of hard, battering shocks, mingled with the clanking of chain-couplings, made a tumult of blows and shaken fetters under the vault of the gate.
CHAPTER FIVE
The Gould carriage was the first to return from the harbour to the empty town. On the ancient pavement, laid out in patterns, sunk into ruts and holes, the portly Ignacio, mindful of the springs of the Parisian-built landau, had pulled up to a walk, and Decoud in his corner contemplated moodily the inner aspect of the gate. The squat turreted sides held up between them a mass of masonry with bunches of grass growing at the top, and a grey, heavily scrolled, armorial shield of stone above the apex of the arch with the arms of Spain nearly smoothed out as if in readiness for some new device typical of the impending progress.
The explosive noise of the railway trucks seemed to augment Decoud's irritation. He muttered something to himself, then began to talk aloud in curt, angry phrases thrown at the silence of the two women. They did not look at him at all; while Don Jose, with his semi-translucent, waxy complexion, overshadowed by the soft grey hat, swayed a little to the jolts of the carriage by the side of Mrs. Gould.
"This sound puts a new edge on a very old truth."
Decoud spoke in French, perhaps because of Ignacio on the box above him; the old coachman, with his broad back filling a short, silver-braided jacket, had a big pair of ears, whose thick rims stood well away from his cropped head.
"Yes, the noise outside the city wall is new, but the principle is old."
He ruminated his discontent for a while, then began afresh with a sidelong glance at Antonia—
"No, but just imagine our forefathers in morions and corselets drawn up outside this gate, and a band of adventurers just landed from their ships in the harbour there. Thieves, of course. Speculators, too. Their expeditions, each one, were the speculations of grave and reverend persons in