One must lament, too, the destruction of the ancient earth-works, especially of the barrows, which is going on all over the downs, most rapidly where the land is broken up by the plough. One wonders if the ever-increasing curiosity of our day with regard to the history of the human race in the land continues to grow, what our descendants of the next half of the century, to go no farther, will say of us and our incredible carelessness in the matter! So small a matter to us, but one which will, perhaps, be immensely important to them! It is, perhaps, better for our peace that we do not know; it would not be pleasant to have our children's and children's children's contemptuous expressions sounding in our prophetic ears. Perhaps we have no right to complain of the obliteration of these memorials of antiquity by the plough; the living are more than the dead, and in this case it may be said that we are only following the Artemisian example in consuming (in our daily bread) minute portions of the ashes of our old relations, albeit untearfully, with a cheerful countenance. Still one cannot but experience a shock on seeing the plough driven through an ancient, smooth turf, curiously marked with barrows, lynchetts, and other mysterious mounds and depressions, where sheep have been pastured for a thousand years, without obscuring these chance hieroglyphs scored by men on the surface of the hills.
It is not, however, only on the cultivated ground that the destruction is going on; the rabbit, too, is an active agent in demolishing the barrows and other earth-works. He burrows into the mound and throws out bushels of chalk and clay, which is soon washed down by the rains; he tunnels it through and through and sometimes makes it his village; then one day the farmer or keeper, who is not an archaeologist, comes along and puts his ferrets into the holes, and one of them, after drinking his fill of blood, falls asleep by the side of his victim, and the keeper sets to work with pick and shovel to dig him out, and demolishes half the barrow to recover his vile little beast.
CHAPTER II
SALISBURY AS I SEE IT
The Salisbury of the villager—The cathedral from the meadows—Walks to Wilton and Old Sarum—The spire and a rainbow—Charm of Old Sarum—The devastation—Salisbury from Old Sarum—Leland's description—Salisbury and the village mind—Market-day—The infirmary—The cathedral—The lesson of a child's desire—In the streets again—An Apollo of the downs
To the dwellers on the Plain, Salisbury itself is an exceedingly important place—the most important in the world. For if they have seen a greater—London, let us say—it has left but a confused, a phantasmagoric image on the mind, an impression of endless thoroughfares and of innumerable people all apparently in a desperate hurry to do something, yet doing nothing; a labyrinth of streets and wilderness of houses, swarming with beings who have no definite object and no more to do with realities than so many lunatics, and are unconfined because they are so numerous that all the asylums in the world could not contain them. But of Salisbury they have a very clear image: inexpressibly rich as it is in sights, in wonders, full of people—hundreds of people in the streets and market-place—they can take it all in and know its meaning. Every man and woman, of all classes, in all that concourse, is there for some definite purpose which they can guess and understand; and the busy street and market, and red houses and soaring spire, are all one, and part and parcel too of their own lives in their own distant little village by the Avon or Wylye, or anywhere on the Plain. And that soaring spire which, rising so high above the red town, first catches the eye, the one object which gives unity and distinction to the whole picture, is not more distinct in the mind than the entire Salisbury with its manifold interests and activities.
There is nothing in the architecture of England more beautiful than that same spire. I have seen it many times, far and near, from all points of view, and am never in or near the place but I go to some spot where I look at and enjoy the sight; but I will speak here of the two best points of view.
The nearest, which is the artist's favourite point, is from the meadows; there, from the waterside, you have the cathedral not too far away nor too near for a picture, whether on canvas or in the mind, standing amidst its great old trees, with nothing but the moist green meadows and the river between. One evening, during the late summer of this wettest season, when the rain was beginning to cease, I went out this way for my stroll, the pleasantest if not the only "walk" there is in Salisbury. It is true, there are two others: one to Wilton by its long, shady avenue; the other to Old Sarum; but these are now motor-roads, and until the loathed hooting and dusting engines are thrust away into roads of their own there is little pleasure in them for the man on foot. The rain ceased, but the sky was still stormy, with a great blackness beyond the cathedral and still other black clouds coming up from the west behind me. Then the sun, near its setting, broke out, sending a flame of orange colour through the dark masses around it, and at the same time flinging a magnificent rainbow on that black cloud against which the immense spire stood wet with rain and flushed with light, so that it looked like a spire built of a stone impregnated with silver. Never had Nature so glorified man's work! It was indeed a marvellous thing to see, an effect so rare that in all the years I had known Salisbury, and the many times I had taken that stroll in all weathers, it was my first experience of such a thing. How lucky, then, was Constable to have seen it, when he set himself to paint his famous picture! And how brave he was and even wise to have attempted such a subject, one which, I am informed by artists with the brush, only a madman would undertake, however great a genius he might be. It was impossible, we know, even to a Constable, but we admire his failure nevertheless, even as we admire Turner's many failures; but when we go back to Nature we are only too glad to forget all about the picture.
The view from the meadows will not, in the future, I fear, seem so interesting to me; I shall miss the rainbow, and shall never see again except in that treasured image the great spire as Constable saw and tried to paint it. In like manner, though for a different reason, my future visits to Old Sarum will no longer give me the same pleasure experienced on former occasions.
Old Sarum stands over the Avon, a mile and a half from Salisbury; a round chalk hill about 300 feet high, in its round shape and isolation resembling a stupendous tumulus in which the giants of antiquity were buried, its steeply sloping, green sides ringed about with vast, concentric earth-works and ditches, the work of the "old people," as they say on the Plain, when referring to the ancient Britons, but how ancient, whether invading Celts or Aborigines—the true Britons, who possessed the land from neolithic times—even the anthropologists, the wise men of to-day, are unable to tell us. Later, it was a Roman station, one of the most important, and in after ages a great Norman castle and cathedral city, until early in the thirteenth century, when the old church was pulled down and a new and better one to last for ever was built in the green plain by many running waters. Church and people gone, the castle fell into ruin, though some believe it existed down to the fifteenth century; but from that time onwards the site has been a place of historical memories and a wilderness. Nature had made it a sweet and beautiful spot; the earth over the old buried