“I snatched a spy-glass. Sure enough, there was a boat on the water. It was moving ever so slowly. It seemed to stop, and we saw something lifted and waved, and then all was still again. I got a boat’s crew together, and away we went in that deadly smother. An hour’s row and we got within hail of the derelict—as one of the crew said, ‘feelin’ as if the immortal life was jerked out of us.’ The dingey lay there on the glassy surface, not a sign of life about her. Yet I had, as I said, seen something waved. The water didn’t even lap its sides. It was ghostly, I can tell you. Our oars licked the water; they didn’t attack it. Now, I’m going to tell you something, Marmion, that’ll make you laugh. I don’t think I’ve got any poetry in me, but just then I thought of some verses I learned when I was a little cove at Wellington—a devilishly weird thing. It came to me at that moment like a word in my ear. It made me feel awkward for a second. All sailors are superstitious, you know. I’m superstitious about this ship. Never mind; I’ll tell you the verses, to show you what a queer thing memory is. The thing was called ‘No Man’s Sea’:
“ ‘The days are dead in the No Man’s Sea,
And God has left it alone;
The angels cover their heads and flee,
And the wild four winds have flown.
“ ‘There’s never a ripple upon the tide,
There’s never a word or sound;
But over the waste the white wraiths glide,
To look for the souls of the drowned.
“ ‘The No Man’s Sea is a gaol of souls,
And its gate is a burning sun,
And deep beneath it a great bell tolls
For a death that never is done.
“ ‘Alas! for any that comes anear,
That lies on its moveless breast;
The grumbling water shall be his bier,
And never a place of rest.” ’
“There are four of the verses. Well, I made a motion to stop the rowing, and was mum for a minute. The men got nervous. They looked at the boat in front of us, and then turned round, as though to see if the ‘Dancing Kate’ was still in sight. I spoke, and they got more courage. I stood up in the boat, but could see nothing in the dingey. I gave a sign to go on, and soon we were alongside. In the bottom of the dingey lay a man, apparently dead, wearing the clothes of a convict. One of the crew gave a grunt of disgust, the others said nothing. I don’t take to men often, and to convicts precious seldom; but there was a look in this man’s face which the prison clothes couldn’t demoralise—a damned pathetic look, which seemed to say, ‘Not guilty.’
“In a minute I was beside him, and found he wasn’t dead. Brandy brought him round a little; but he was a bit gone in the head, and muttered all the way back to the ship. I had unbuttoned his shirt, and I saw on his breast a little ivory portrait of a woman. I didn’t let the crew see it; for the fellow, even in his delirium, appeared to know I had exposed the thing, and drew the linen close in his fingers, and for a long time held it at his throat.”
“What was the woman’s face like, Hungerford?” I asked.
He parried, remarking only that she had the face of a lady, and was handsome.
I pressed him. “But did it resemble any one you had ever seen?”
With a slight droop of his eyelids, he said: “Don’t ask foolish questions, Marmion. Well, the castaway had a hard pull for life. He wouldn’t have lived at all, if a breeze hadn’t come up and let us get away to the coast. It was the beginning of the monsoon, and we went bowling down towards Port Darwin, a crowd of Malay proas in our wake. However, the poor beggar thought he was going to die, and one night he told me his story. He was an escaped convict from Freemantle, Western Australia. He had, with others, been taken up to the northern coast to do some Government work, and had escaped in the dingey. His crime was stealing funds belonging to a Squatting and Mining Company. There was this extenuating circumstance: he could have replaced the money, which, as he said, he’d only intended to use for a few weeks. But a personal enemy threw suspicion on him, accounts were examined, and though he showed he’d only used the money while more of his own was on the way to him, the Company insisted on prosecuting him. For two reasons: because it was itself in bad odour, and hoped by this trial to divert public attention from its own dirty position; and because he had against him not only his personal enemy, but those who wanted to hit the Company through him. He’d filched to be able to meet the large expenses of his wife’s establishment. Into this he didn’t enter minutely, and he didn’t blame her for having so big a menage; he only said he was sorry that he hadn’t been able to support it without having to come, even for a day, to the stupidity of stealing. After two years he escaped. He asked me to write a letter to his wife, which he’d dictate. Marmion, you or I couldn’t have dictated that letter if we’d taken a year to do it. There was no religion in it, no poppy-cock, but straightforward talk, full of sorrow for what he’d done, and for the disgrace he’d brought on her. I remember the last few sentences as if I’d seen them yesterday. ‘I am dying on the open sea, disgraced, but free,’ he said. ‘I am not innocent in act, but I was not guilty of intentional wrong. I did what I did that you should have all you wished, all you ought to have. I ask but this—and I shall soon ask for nothing—that you will have a kind thought, now and then, for the man who always loved you, and loves you yet. I have never blamed you that you did not come near me in my trouble; but I wish you were here for a moment before I go away for ever. You must forgive me now, for you will be free. If I were a better man I would say, God bless you. In my last conscious moments I will think of you, and speak your name. And now good-bye—an everlasting good-bye. I was your loving husband, and am your lover until death.’ And it was signed, ‘Boyd Madras.’
“However, he didn’t die. Between the captain and myself, we kept life in him, and at last landed him at Port Darwin; all of us, officers and crew, swearing to let no one know he was a convict. And I’ll say this for the crew of the ‘Dancing Kate’ that, so far as I know, they kept their word. That letter, addressed in care of a firm of Melbourne bankers, I gave back to him before we landed. We made him up a purse of fifty pounds—for the crew got to like him—and left him at Port Darwin, sailing away again in a few days to another pearl-field farther east. What happened to him at Port Darwin and elsewhere, I don’t know; but one day I found him on a fashionable steamer in the Indian Ocean, looking almost as near to Kingdom Come as when he starved in the dingey on No Man’s Sea. As I said before, I think he didn’t recognise me; and he’s lying now in 116 Intermediate, with a look on him that I’ve seen in the face of a man condemned to death by the devils of cholera or equatorial fever. And that’s the story, Marmion, which I brought you to hear—told, as you notice, in fine classical style.”
“And why do you tell ME this, Hungerford—a secret you’ve kept all these years? Knowledge of that man’s crime wasn’t necessary before giving him belladonna or a hot bath.”
Hungerford kept back the whole truth for reasons of his own. He said: “Chiefly because I want you to take a decent interest in the chap. He looks as if he might go off on the long voyage any tick o’ the clock. You are doctor, parson, and everything else of the kind on board. I like the poor devil, but anyhow I’m not in a position to be going around with ginger-tea in a spoon, or Ecclesiastes under my arm—very good things. Your profession has more or less to do with the mind as well as the body, and you may take my word for it that Boyd Madras’s mind is as sick as his torso. By the way, he calls himself ‘Charles Boyd,’ so I suppose we needn’t recall to him his former experiences by adding the ‘Madras.’ ”
Hungerford