ARTHUR MACHEN: 30+ Horror Classics, Supernatural & Fantasy Books (Including Translations, Essays & Memoirs). Arthur Machen. Читать онлайн. Newlib. NEWLIB.NET

Автор: Arthur Machen
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 9788075833778
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What is the hero that he should be dowered with the love of virgins of Paradise? I call it cant—all that—and I hate it; I hope Angel Clare was eventually entrapped by a young person from Piccadilly Circus—she would probably be much too good for him! So, you see, I was hardly likely to have put any very searching questions to Nelly; we had other things to talk about.

      "But this night I suppose she was a bit excited. It had been a wild and wonderful week. The transition from that sewage-pot in the Midlands to the Abbey of Theleme was enough to turn any head; we had laughed till we had grown dizzy. The worst of that miserable school discipline is is that it makes one take an insane and quite disproportionate enjoyment in little things, in the merest trifles which ought really to be accepted as a matter of course. I assure you that every minute that I spent in bed after seven o'clock was to me a grain of Paradise, a moment of delight. Of course, it's ridiculous; let a man get up early or get up late, as he likes or as he finds best—and say no more about it. But at that wretched Lupton early rising was part of the infernal blether and blatter of the place, that made life there like a long dinner in which every dish has the same sauce. It may be a good sauce enough; but one is sick of the taste of it. According to our Bonzes there, getting up early on a winter's day was a high virtue which acquired merit. I believe I should have liked a hard chair to sit in of my own free will, if one of our old fools—Palmer—had not always been gabbling about the horrid luxury of some boys who had arm-chairs in their studies. Unless you were doing something or other to make yourself very uncomfortable, he used to say you were like the 'later Romans.' I am sure he believed that those lunatics who bathe in the Serpentine on Christmas Day would go straight to heaven!

      "And there you are. I would awake at seven o'clock from persistent habit, and laugh as I realised that I was in Little Russell Row and not at the Old Grange. Then I would doze off again and wake up at intervals—eight, nine, ten—and chuckle to myself with ever-increasing enjoyment. It was just the same with smoking. I don't suppose I should have touched a cigarette for years if smoking had not been one of the mortal sins in our Bedlam Decalogue. I don't know whether smoking is bad for boys or not; I should think not, as I believe the Dutch—who are sturdy fellows—begin to puff fat cigars at the age of six or thereabouts; but I do know that those pompous old boobies and blockheads and leather-skulls have discovered exactly the best way to make a boy think that a packet of Rosebuds represents the quintessence of frantic delight.

      "Well, you see how it was, how Little Russell Row—the dingy, the stuffy, the dark retreat of old Bloomsbury—became the abode of miraculous joys, a bright portion of fairyland. Ah! it was a strong new wine that we tasted, and it went to our heads, and not much wonder. It all rose to its height on that Thursday night when we went to the 'Three Kings' and sat beneath the hop bush, drinking Lion-Brew and flowery drink as I talked extravagances concerning Panurge. It was time for the curtain to be rung down on our comedy.

      "The one cigarette had become three or four when Nelly began to tell me her history; the wine and the rejoicing had got into her head also. She described the first things that she remembered: a little hut among wild hills and stony fields in the west of Ireland, and the great sea roaring on the shore but a mile away, and the wind and the rain always driving from across the waves. She spoke of the place as if she loved it, though her father and mother were as poor as they could be, and little was there to eat even in the old cabin. She remembered Mass in the little chapel, an old, old place hidden way in the most desolate part of the country, small and dark and bare enough except for the candles on the altar and a bright statue or two. St. Kieran's cell, they called it, and it was supposed that the Mass had never ceased to be said there even in the blackest days of persecution. Quite well she remembered the old priest and his vestments, and the gestures that he used, and how they all bowed down when the bell rang; she could imitate his quavering voice saying the Latin. Her own father, she said, was a learned man in his way, though it was not the English way. He could not read common print, or write; he knew nothing about printed books, but he could say a lot of the old Irish songs and stories by heart, and he had sticks on which he wrote poems on all sorts of things, cutting notches on the wood in Oghams, as the priest called them; and he could tell many wonderful tales of the saints and the people. It was a happy life altogether; they were as poor as poor could be, and praised God and wanted for nothing. Then her mother went into a decline and died, and her father never lifted up his head again, and she was left an orphan when she was nine years old. The priest had written to an aunt who lived in England, and so she found herself one black day standing on the platform of the station in a horrible little manufacturing village in Lancashire; everything was black—the sky and the earth, and the houses and the people; and the sound of their rough, harsh voices made her sick. And the aunt had married an Independent and turned Protestant, so she was black, too, Nelly thought. She was wretched for a long time, she said. The aunt was kind enough to her, but the place and the people were so awful. Mr. Deakin, the husband, said he couldn't encourage Popery in his house, so she had to go to the meeting-house on Sunday and listen to the nonsense they called 'religion'—all long sermons with horrible shrieking hymns. By degrees she forgot her old prayers, and she was taken to the Dissenters' Sunday School, where they learned texts and heard about King Solomon's Temple, and Jonadab the son of Rechab, and Jezebel, and the Judges. They seemed to think a good deal of her at the school; she had several prizes for Bible knowledge.

      "She was sixteen when she first went out to service. She was glad to get away—nothing could be worse than Farnworth, and it might be better. And then there were tales to tell! I never have had a clearer light thrown on the curious and disgusting manners of the lower middle-class in England—the class that prides itself especially on its respectability, above all, on what it calls 'Morality'—by which it means the observance of one particular commandment. You know the class I mean: the brigade of the shining hat on Sunday, of the neat little villa with a well-kept plot in front, of the consecrated drawing-room, of the big Bible well in evidence. It is more often Chapel than Church, this tribe, but it draws from both sources. It is above all things shiny—not only the Sunday hat, but the furniture, the linoleum, the hair and the very flesh which pertain to these people have an unwholesome polish on them; and they prefer their plants and shrubs to be as glossy as possible—this gens lubrica.

      "To these tents poor Nelly went as a slave; she dwelt from henceforth on the genteel outskirts of more or less prosperous manufacturing towns, and she soon profoundly regretted the frank grime and hideousness of Farnworth. A hedgehog is a rough and prickly fellow—better his prickles than the reptile's poisonous slime. The tales that yet await the novelist who has courage (what is his name, by the way?), who has the insight to see behind those Venetian blinds and white curtains, who has the word that can give him entrance through the polished door by the encaustic porch! What plots, what pictures, what characters are ready for his cunning hand, what splendid matter lies unknown, useless, and indeed offensive, which, in the artist's crucible, would be transmuted into golden and exquisite perfection. Do you know that I can never penetrate into the regions where these people dwell without a thrill of wonder and a great desire that I might be called to execute the masterpieces I have hinted at? Do you remember how Zola, viewing these worlds from the train when he visited London, groaned because he had no English, because he had no key to open the treasure-house before his eyes? He, of course, who was a great diviner, saw the infinite variety of romance that was concealed beneath those myriads of snug commonplace roofs: I wish he could have observed in English and recorded in French. He was a brave man, his defence of Dreyfus shows that; but, supposing the capacity, I do not think he was brave enough to tell the London suburbs the truth about themselves in their own tongue.

      "Yes, I walk down these long ways on Sunday afternoons, when they are at their best. Sometimes, if you choose the right hour, you may look into one 'breakfast room'—an apartment half sunken in the earth—after another, and see in each one the table laid for tea, showing the charming order and uniformity that prevail. Tea in the drawing-room would be, I suppose, a desecration. I wonder what would happen if some chance guest were to refuse tea and to ask for a glass of beer, or even a brandy and soda? I suppose the central lake that lies many hundreds of feet beneath London would rise up, and the sinful town would be overwhelmed. Yes: consider these houses well; how demure, how well-ordered, how shining, as I have said; and then think of what they conceal.

      "Generally speaking, you know, 'morality' (in the English