"All this while the great Pantagruel was not idle. Perceiving how desperate the matter was, he summoned the Thousand and First Great Œcumenical Council of all the sages of the wide world, and when the fathers had come, and had heard High Mass at St. Gatien's, the session was opened in a pavilion in the meadows by the Loire just under the Lanterne of Roche Corbon, whence this Council is always styled the great and holy Council of the Lantern. If you want to know where the place is you can do so very easily, for there is a choice tavern on the spot where the pavilion stood, and there you may have malelotte and friture and amber wine of Vouvray, better than in any tavern in Touraine. As for the history of the acts of this great Council, it is still a-writing, and so far only two thousand volumes in elephant folio have been printed sub signo Lucernæ cum permissu superiorum. However, as it is necessary to be brief, it may be said that the holy fathers of the Lantern, after having heard the whole case as it was exposed to them by the great clerks of Pantagruel, having digested all the arguments, looked into the precedents, applied themselves to the doctrine, explored the hidden wisdom, consulted the Canons, searched the Scriptures, divided the dogma, distinguished the distinctions and answered the questions, resolved with one voice that there was no help in the world for Panurge, save only this: he must forthwith achieve the most high, noble and glorious quest of the Sangraal, for no other way was there under heaven by which he might rid himself of that pestilent wife of his, La Vie Mortale.
"And on some other occasion," said Ambrose, "you may hear of the last voyage of Panurge to the Glassy Isle of the Holy Graal, of the incredible adventures that he achieved, of the dread perils through which he passed, of the great wonders and marvels and compassions of the way, of the manner in which he received the title Plentyn y Tonau, which signifies 'Child of the Waterfloods,' and how at last he gloriously attained the vision of the Sangraal, and was most happily translated out of the power of La Vie Mortale."
"And where is he now?" said Nelly, who had found the tale interesting but obscure.
"It is not precisely known—opinions vary. But there are two odd things: one is that he is exactly like that man in the red dress whose statue we saw in the shop window to-night; and the other is that from that day to this he has never been sober for a single minute.
"Calix meus inebrians quam præclarus est!"
V
Ambrose took a great draught from the mug and emptied it, and forthwith rapped the lid for a fresh supply. Nelly was somewhat nervous; she was afraid he might begin to sing, for there were extravagances in the history of Panurge which seemed to her to be of alcoholic source. However, he did not sing; he lapsed into silence, gazing at the dark beams, the hanging hops, the bright array of the tankards and the groups of drinkers dotted about the room. At a neighbouring table two Germans were making a hearty meal, chumping the meat and smacking their lips in a kind of heavy ecstasy. He had but little German, but he caught scraps of the conversation.
One man said:
"Heavenly swine cutlets!"
And the other answered:
"Glorious eating!"
"Nelly," said Ambrose, "I have a great inspiration!"
She trembled visibly.
"Yes; I have talked so much that I am hungry. We will have some supper."
They looked over the list of strange eatables and, with the waiter's help, decided on Leberwurst and potato-salad as light and harmless. With this they ate crescent loaves, sprinkled with caraway seeds: there was more Munich Lion-Brew and more flowery drink, with black coffee, a fine and a Maraschino to end all. For Nelly the kobolds began to perform a grotesque and mystic dance in the shadows, the glass tankards on the rack glittered strangely, the white walls with the red and black texts retreated into vast distances, and the bouquet of hops seemed suspended from a remote star. As for Ambrose, he was certainly not ebrius according to the Baron's definition; he was hardly ebriolus; but he was sensible, let us say, of a certain quickening of the fancy, of a more vivid and poignant enjoyment of the whole situation, of the unutterable gaiety of this mad escape from the conventions of Lupton.
"It was a Thursday night," said Ambrose in the after years, "and we were thinking of starting for Touraine either the next morning or on Saturday at latest. It will always be bright in my mind, that picture—the low room with the oak beams, the glittering tankards, the hops hanging from the ceiling, and Nelly sitting before me sipping the scented drink from a green glass. It was the last night of gaiety, and even then gaiety was mixed with odd patterns—the Frenchman's talk about martyrdom, and the statue of the saint pointing to the marks of his passion, standing in that dyed vesture with his rapt, exultant face; and then the song of final triumph and deliverance that rang out on the chiming bells from the white spire. I think the contrast of this solemn undertone made my heart all the lighter; I was in that odd state in which one delights to know that one is not being understood—so I told poor Nelly 'the story of Panurge's marriage to La Vie Mortale; I am sure she thought I was drunk!
"We went home in a hansom, and agreed that we would have just one cigarette and then go to bed. It was settled that we would catch the night boat to Dieppe on the next day, and we both laughed with joy at the thought of the adventure. And then—I don't know how it was—Nelly began to tell me all about herself. She had never said a word before; I had never asked her—I never ask anybody about their past lives. What does it matter? You know a certain class of plot—novelists are rather fond of using it—in which the hero's happiness is blasted because he finds out that the life of his wife or his sweetheart has not always been spotless as the