She looked round her for a moment, bewildered by the sudden change from the bright sunlit street to the shadowed aisle. Then she suddenly espied what she had come to seek. Close to where she stood an alms-box clamped to the stone wall had written upon it the familiar legend, "Pour les Pauvres."
Madame Poulain took a step forward, then dropped the three francs Nancy Dampier had just paid her, and the two francs she had extracted from Jules's reluctant hand, into the alms-box.
Chapter III
That the cabman was evidently familiar with the odd address, "Impasse des Nonnes," brought a measure of relief to Senator Burton's mind, and as he turned and gazed into the candid eyes of the girl sitting by his side he was ashamed of his vague suspicions.
The little carriage bowled swiftly across the great square behind which wound the Rue Saint Ange, up one of the steep, picturesque streets which lead from thence to the Luxembourg Gardens.
When they had gone some considerable way round the gay and stately pleasance so dear to the poets and students of all nations, they suddenly turned into the quaintest, quietest thoroughfare imaginable, carved out of one of those old convent gardens which till lately were among the most beautiful and characteristic features of the "Quartier."
An architect, who happened also to be an artist, had set up in this remote and peaceful oasis his household gods, adding on this, his own domain, a few studios with living rooms attached.
A broad, sanded path ran between the low picturesque buildings, and so the carriage was obliged to draw up at the entrance to the Impasse.
Senator Burton looked up at the cabman: "Better not take off the lady's trunk just yet," he said quickly in French, and though Nancy Dampier made no demur, she looked surprised.
They began walking up the shaded path, for above the low walls on either side sprang flowering shrubs and trees.
"What a charming place!" exclaimed the Senator, smiling down at her. "How fond you and your husband must be of it!"
But his companion shook her head. "I've never been here," she said slowly. "You see this is my first visit to Paris. Though I ought not to call it a visit, for Paris is to be my home now," and she smiled at last, happy in the belief that in a few moments she would see Jack.
She was a little troubled at the thought that Jack would be disappointed at her coming here in this way, with a stranger. But surely after she had explained the extraordinary occurrence of the morning he would understand?
They were now opposite No. 3. It was a curious, mosque-like building, with the domed roof of what must be the studio, in the centre. Boldly inscribed on a marble slab set above the door was the name, "John Dampier."
Before the bell had well stopped ringing, a sturdy apple-faced old woman, wearing the Breton dress Jack so much admired, stood before them.
Nancy of course knew her at once for Mère Bideau.
A pleasant smile lit up the gnarled face, and Nancy remembered what Jack had so often said as to Mère Bideau's clever way of dealing with visitors, especially with possible art patrons.
Mrs. Dampier looked very kindly at the old woman who had been so good and so faithful a servant to her Jack, and who, she hoped, would also serve her well and faithfully.
Before the Senator had time to speak, Mère Bideau, shaking her head, observed respectfully, "Mr. Dampier is not yet arrived. But if you, monsieur, and you, madame, will give yourselves the trouble of coming back this afternoon he will certainly be here, for I am expecting him any moment--"
"Do you mean that Mr. Dampier has not been here at all this morning?" enquired the Senator.
"No, monsieur, but as I have just had the honour of informing you, my master is to arrive to-day without fail. Everything is ready for him and for his lady. I had a letter from Mr. Dampier the day before yesterday." She waited a moment, and then added, "Won't monsieur come in and wait? Mr. Dampier would indeed be sorry to miss monsieur!"
So far so good. Senator Burton eagerly acknowledged to himself that here was confirmation--as much confirmation as any reasonable man could expect--of Mrs. Dampier's story.
This respectable old woman was evidently expecting her master and his bride to-day--of that there could now be no doubt.
"I beg of you to enter," said Mère Bideau again. "Monsieur and madame may like to visit the studio? I do not say that it is very tidy--but my master's beautiful paintings are not affected by untidiness--" and she smiled ingratiatingly.
This important-looking gentleman, whom her shrewd Parisian eyes and ears had already told her was an American, might be an important picture-buyer; in any case, he was evidently gravely disappointed at not finding Mr. Dampier at home.
"My master may arrive any moment," she said again; "and though I've had to put all the luggage he sent on some time ago, in the studio--well, monsieur and madame will excuse that!"
She stood aside to allow the strangers to step through into the little passage.
The Senator turned to Nancy: "Hadn't we better go in and wait?" he asked. "You must remember that if Mr. Dampier has gone to the hotel they will certainly tell him we are here."
"No," said Nancy in a low voice, "I would rather not go in--now. My husband doesn't want me to see the place until he has got it ready for me." Her lips quivered. "But oh, Mr. Burton, where can Jack be? What can he be doing?" She put her hands together with a helpless, childish gesture of distress. Then, making an effort over herself, she said in a more composed voice, "But I should like you to go in and just see some of Jack's pictures."
With a smiling face Mère Bideau preceded the Senator down a sunny corridor into the large studio. It was circular in shape, lighted by a skylight, and contained a few pieces of fine old furniture, now incongruously allied to a number of unopened packing-cases and trunks.
Mère Bideau went on talking volubly. She was evidently both fond and proud of her master. Suddenly she waved her lean arm towards a large, ambitious painting showing a typical family group of French bourgeois sitting in an arbour.
"This is what won Mr. Dampier his first Salon medal," she explained. "But his work has much improved since then, as monsieur can see for himself!" and she uncovered an unframed easel portrait. It was a really interesting, distinguished presentment of a man. "Is not this excellent?" exclaimed Mère Bideau eagerly. "What expression, what strength in the mouth, in the eyes!"
Senator Burton, had the circumstances been other, would perhaps have smiled at the old woman's enthusiasm, and at her intelligent criticism. But now he simply nodded his head gravely. "Yes, that is a very good portrait," he said absently. "And--and--where are the living rooms?"
"This way, monsieur!" Then, with some surprise, "Would monsieur care to see the appartement? Then I presume monsieur is a friend of my master."
But the Senator shook his head quickly. "No, no, I don't want to see the rooms," he said. "I was only curious to know if Mr. Dampier actually lived here."
As there was a suite of living rooms attached to the studio, why had the Dampiers gone to an hotel?
"Yes, monsieur, there are three beautiful bedrooms, also a bath-room, and a room which was not used by us, but which my master is going to turn into a little salon for his lady. As for their meals--" she shrugged her shoulders--"they will have to be served as heretofore in the studio." Then, "Does monsieur know the new Madame Dampier?" enquired Mère Bideau a trifle anxiously.
"Yes," he answered uncomfortably. "Yes, I do know her."
"And if