* It is evident that the author of this interesting communication has included, in his general title of Little Britain, man of those little lanes and courts that belong immediately to Cloth Fair.
* As mine host of the Half-Moon’s Confession of Faith may not be familiar to the majority of readers, and as it is a specimen of the current songs of Little Britain, I subjoin it in its original orthography. I would observe that the whole club always join in the chorus with a fearful thumping on the table and clattering of pewter pots.
STRATFORD-ON-AVON.
Thou soft-flowing Avon, by thy silver stream
Of things more than mortal sweet Shakespeare would dream
The fairies by moonlight dance round his green bed,
For hallow’d the turf is which pillow’d his head.
GARRICK.
TO a homeless man, who has no spot on this wide world which he can truly call his own, there is a momentary feeling of something like independence and territorial consequence when, after a weary day’s travel, he kicks off his boots, thrusts his feet into slippers, and stretches himself before an inn-fire. Let the world without go as it may, let kingdoms rise or fall, so long as he has the wherewithal to pay his bill he is, for the time being, the very monarch of all he surveys. The armchair is his throne, the poker his sceptre, and the little parlor, some twelve feet square, his undisputed empire. It is a morsel of certainly snatched from the midst of the uncertainties of life; it is a sunny moment gleaming out kindly on a cloudy day: and he who has advanced some way on the pilgrimage of existence knows the importance of husbanding even morsels and moments of enjoyment. “Shall I not take mine ease in mine inn?” thought I, as I gave the fire a stir, lolled back in my elbow-chair, and cast a complacent look about the little parlor of the Red Horse at Stratford-on-Avon.
The words of sweet Shakespeare were just passing through my mind as the clock struck midnight from the tower of the church in which he lies buried. There was a gentle tap at the door, and a pretty chambermaid, putting in her smiling face, inquired, with a hesitating air, whether I had rung. I understood it as a modest hint that it was time to retire. My dream of absolute dominion was at an end; so abdicating my throne, like a prudent potentate, to avoid being deposed, and putting the Stratford Guide-Book under my arm as a pillow companion, I went to bed, and dreamt all night of Shakespeare, the jubilee, and David Garrick.
The next morning was one of those quickening mornings which we sometimes have in early spring, for it was about the middle of March. The chills of a long winter had suddenly given way; the north wind had spent its last gasp; and a mild air came stealing from the west, breathing the breath of life into Nature, and wooing every bud and flower to burst forth into fragrance and beauty.
I had come to Stratford on a poetical pilgrimage. My first visit was to the house where Shakespeare was born, and where, according to tradition, he was brought up to his father’s craft of wool-combing. It is a small mean-looking edifice of wood and plaster, a true nestling-place of genius, which seems to delight in hatching its offspring in by-corners. The walls of its squalid chambers are covered with names and inscriptions in every language by pilgrims of all nations, ranks, and conditions, from the prince to the peasant, and present a simple but striking instance of the spontaneous and universal homage of mankind to the great poet of Nature.
The house is shown by a garrulous old lady in a frosty red face, lighted up by a cold blue, anxious eye, and garnished with artificial locks of flaxen hair curling from under an exceedingly dirty cap. She was peculiarly assiduous in exhibiting the relics with which this, like all other celebrated shrines, abounds. There was the shattered stock of the very matchlock with which Shakespeare shot the deer on his poaching exploits. There, too, was his tobacco-box, which proves that he was a rival smoker of Sir Walter Raleigh: the sword also with which he played Hamlet; and the identical lantern with which Friar Laurence discovered Romeo and Juliet at the tomb. There was an ample supply also of Shakespeare’s mulberry tree, which seems to have as extraordinary powers of self-multiplication as the wood of the true cross, of which there is enough extant to build a ship of the line.
The most favorite object of curiosity, however, is Shakespeare’s chair. It stands in a chimney-nook of a small gloomy chamber just behind what was his father’s shop. Here he may many a time have sat when a boy, watching the slowly revolving spit with all the longing of an urchin, or of an evening listening to the cronies and gossips of Stratford dealing forth churchyard tales and legendary anecdotes of the troublesome times of England. In this chair it is the custom of every one that visits the house to sit: whether this be done with the hope of imbibing any of the inspiration of the bard I am at a loss to say; I merely mention the fact, and mine hostess privately assured me that, though built of solid oak, such was the fervent zeal of devotees the chair had to be new bottomed at least once in three years. It is worthy of notice also, in the history of this extraordinary chair, that it partakes something of the volatile nature of the Santa Casa of Loretto, or the flying chair of the Arabian enchanter; for, though sold some few years since to a northern princess, yet, strange to tell, it has found its way back again to the old chimney-corner.
I am always of easy faith in such matters, and am ever willing to be deceived where the deceit is pleasant and costs nothing. I am therefore a ready believer in relics, legends, and local anecdotes of goblins and great men, and would advise all travellers who travel for their gratification to be the same. What is it to us whether these stories be true or false, so long as we can persuade ourselves into the belief of them and enjoy all the charm of the reality? There is nothing like resolute good-humored credulity in these matters, and on this occasion I went even so far as willingly to believe the claims of mine hostess to a lineal descent from the poet, when, unluckily for my faith, she put into my hands a play of her own composition, which set all belief in her own consanguinity at defiance.
From the birthplace of Shakespeare a few paces brought me to his grave. He lies buried in the chancel of the parish church, a large and venerable pile, mouldering with age, but richly ornamented. It stands on the banks of the Avon on an embowered point, and separated by adjoining gardens from the suburbs of the town. Its situation is quiet and retired; the river runs murmuring at the foot of the churchyard, and the elms which grow upon its banks droop their branches into its clear bosom. An avenue of limes, the boughs of which are curiously interlaced, so as to form in summer an arched way of foliage, leads up from the gate of the yard to the church-porch. The graves are overgrown with grass; the gray tombstones, some of them nearly sunk into the earth, are half covered with moss, which has likewise tinted the reverend old building. Small birds have built their nests among the cornices and fissures of the walls, and keep up a continual flutter and chirping; and rooks are sailing and cawing about its lofty gray spire.
In the course of my rambles I met with the grayheaded sexton, Edmonds, and accompanied him home to get the key of the church. He had lived in Stratford, man and boy, for eighty years, and seemed still to consider himself a vigorous man, with the trivial exception that he had nearly lost the use of his legs for a few years past. His dwelling was a cottage looking out upon the Avon and its bordering meadows, and was a picture of that neatness, order, and comfort which pervade the humblest