“Ah! I would be hacked in pieces for you! Tell me that I make you happy; that I am to you the most beautiful of women—a thousand women to you. Oh! you are loved as no other man ever was or will be. I don’t know the meaning of those words ‘duty,’ ‘virtue.’ Jules, I love you for yourself; I am happy in loving you; I shall love you more and more to my dying day. I have pride in my love; I feel it is my destiny to have one sole emotion in my life. What I shall tell you now is dreadful, I know—but I am glad to have no child; I do not wish for any. I feel I am more wife than mother. Well, then, can you fear? Listen to me, my own beloved, promise to forget, not this hour of mingled tenderness and doubt, but the words of that madman. Jules, you must. Promise me not to see him, not to go to him. I have a deep conviction that if you set one foot in that maze we shall both roll down a precipice where I shall perish—but with your name upon my lips, your heart in my heart. Why hold me so high in that heart and yet so low in reality? What! you who give credit to so many as to money, can you not give me the charity of faith? And on the first occasion in our lives when you might prove to me your boundless trust, do you cast me from my throne in your heart? Between a madman and me, it is the madman whom you choose to believe? oh, Jules!” She stopped, threw back the hair that fell about her brow and neck, and then, in a heart-rending tone, she added: “I have said too much; one word should suffice. If your soul and your forehead still keep this cloud, however light it be, I tell you now that I shall die of it.”
She could not repress a shudder, and turned pale.
“Oh! I will kill that man,” thought Jules, as he lifted his wife in his arms and carried her to her bed.
“Let us sleep in peace, my angel,” he said. “I have forgotten all, I swear it!”
Clemence fell asleep to the music of those sweet words, softly repeated. Jules, as he watched her sleeping, said in his heart:—
“She is right; when love is so pure, suspicion blights it. To that young soul, that tender flower, a blight—yes, a blight means death.”
When a cloud comes between two beings filled with affection for each other and whose lives are in absolute unison, that cloud, though it may disperse, leaves in those souls a trace of its passage. Either love gains a stronger life, as the earth after rain, or the shock still echoes like distant thunder through a cloudless sky. It is impossible to recover absolutely the former life; love will either increase or diminish.
At breakfast, Monsieur and Madame Jules showed to each other those particular attentions in which there is always something of affectation. There were glances of forced gaiety, which seemed the efforts of persons endeavoring to deceive themselves. Jules had involuntary doubts, his wife had positive fears. Still, sure of each other, they had slept. Was this strained condition the effect of a want of faith, or was it only a memory of their nocturnal scene? They did not know themselves. But they loved each other so purely that the impression of that scene, both cruel and beneficent, could not fail to leave its traces in their souls; both were eager to make those traces disappear, each striving to be the first to return to the other, and thus they could not fail to think of the cause of their first variance. To loving souls, this is not grief; pain is still far-off; but it is a sort of mourning, which is difficult to depict. If there are, indeed, relations between colors and the emotions of the soul, if, as Locke’s blind man said, scarlet produces on the sight the effect produced upon the hearing by a blast of trumpets, it is permissible to compare this reaction of melancholy to mourning tones of gray.
But even so, love saddened, love in which remains a true sentiment of its happiness, momentarily troubled though it be, gives enjoyments derived from pain and pleasure both, which are all novel. Jules studied his wife’s voice; he watched her glances with the freshness of feeling that inspired him in the earliest days of his passion for her. The memory of five absolutely happy years, her beauty, the candor of her love, quickly effaced in her husband’s mind the last vestiges of an intolerable pain.
The day was Sunday,—a day on which there was no Bourse and no business to be done. The reunited pair passed the whole day together, getting farther into each other’s hearts than they ever yet had done, like two children who in a moment of fear, hold each other closely and cling together, united by an instinct. There are in this life of two-in-one completely happy days, the gift of chance, ephemeral flowers, born neither of yesterday nor belonging to the morrow. Jules and Clemence now enjoyed this day as though they forboded it to be the last of their loving life. What name shall we give to that mysterious power which hastens the steps of travellers before the storm is visible; which makes the life and beauty of the dying so resplendent, and fills the parting soul with joyous projects for days before death comes; which tells the midnight student to fill his lamp when it shines brightest; and makes the mother fear the thoughtful look cast upon her infant by an observing man? We all are affected by this influence in the great catastrophes of life; but it has never yet been named or studied; it is something more than presentiment, but not as yet clear vision.
All went well till the following day. On Monday, Jules Desmarets, obliged to go to the Bourse on his usual business, asked his wife, as usual, if she would take advantage of his carriage and let him drive her anywhere.
“No,” she said, “the day is too unpleasant to go out.”
It was raining in torrents. At half-past two o’clock Monsieur Desmarets reached the Treasury. At four o’clock, as he left the Bourse, he came face to face with Monsieur de Maulincour, who was waiting for him with the nervous pertinacity of hatred and vengeance.
“Monsieur,” he said, taking Monsieur Desmarets by the arm, “I have important information to give you. Listen to me. I am too loyal a man to have recourse to anonymous letters with which to trouble your peace of mind; I prefer to speak to you in person. Believe me, if my very life were not concerned, I should not meddle with the private affairs of any household, even if I thought I had the right to do so.”
“If what you have to say to me concerns Madame Desmarets,” replied Jules, “I request you to be silent, monsieur.”
“If I am silent, monsieur, you may before long see Madame Jules on the prisoner’s bench at the court of assizes beside a convict. Now, do you wish me to be silent?”
Jules turned pale; but his noble face instantly resumed its calmness, though it was now a false calmness. Drawing the baron under one of the temporary sheds of the Bourse, near which they were standing, he said to him in a voice which concealed his intense inward emotion:—
“Monsieur, I will listen to you; but there will be a duel to the death between us if—”
“Oh, to that I consent!” cried Monsieur de Maulincour. “I have the greatest esteem for your character. You speak of death. You are unaware that your wife may have assisted in poisoning me last Saturday night. Yes, monsieur, since then some extraordinary evil has developed in me. My hair appears to distil an inward fever and a deadly languor through my skull; I know who clutched my hair at that ball.”
Monsieur de Maulincour then related, without omitting a single fact, his platonic love for Madame Jules, and the details of the affair in the rue Soly which began this narrative. Any one would have listened to him with attention; but Madame Jules’ husband had good reason to be more amazed than any other human being. Here his character displayed itself; he was more amazed than overcome. Made a judge, and the judge of an adored woman, he found in his soul the equity of a judge as well as the inflexibility. A lover still, he thought less of his own shattered life than of his wife’s life; he listened, not to his own anguish, but to some far-off voice that cried to him, “Clemence cannot lie! Why should she betray you?”
“Monsieur,” said the baron, as he ended, “being absolutely certain of having recognized in Monsieur de Funcal the same Ferragus whom the police declared dead, I have put upon his traces an intelligent man. As I returned that night I remembered, by a fortunate chance, the name of Madame Meynardie, mentioned in that letter of Ida, the presumed mistress of my persecutor. Supplied with this clue, my emissary will soon get to the bottom of this horrible affair; for he is far more able to discover the truth than the police themselves.”