We may see their character, too, in their very jests. For they did not throw them out at random, but the very wit of them was grounded upon something or other worth thinking about. For instance, one, being asked to go hear a man who exactly counterfeited the voice of a nightingale, answered, “Sir, I have heard the nightingale itself.” Another, having read the following inscription upon a tomb,
Seeking to quench a cruel tyranny,
They, at Selinus, did in battle die,
said, it served them right; for instead of trying to quench the tyranny they should have let it burn out. A lad, being offered some game-cocks that would die upon the spot, said that he cared not for cocks that would die, but for such that would live and kill others. Another, seeing people easing themselves on seats, said, “God forbid I should sit where I could not get up to salute my elders.” In short, their answers were so sententious and pertinent, that one said well that intellectual much more truly than athletic exercise was the Spartan characteristic.
Nor was their instruction in music and verse less carefully attended to than their habits of grace and good breeding in conversation. And their very songs had a life and spirit in them that inflamed and possessed men’s minds with an enthusiasm and ardor for action; the style of them was plain and without affectation; the subject always serious and moral; most usually, it was in praise of such men as had died in defense of their country, or in derision of those that had been cowards; the former they declared happy and glorified; the life of the latter they described as most miserable and abject. There were also vaunts of what they would do, and boasts of what they had done, varying with the various ages, as, for example, they had three choirs in their solemn festivals, the first of the old men, the second of the young men, and the last of the children; the old men began thus:
We once were young, and brave and strong;
the young men answered them, singing,
And we’re so now, come on and try;
the children came last and said,
But we’ll be strongest by and by.
Indeed, if we will take the pains to consider their compositions, some of which were still extant in our days, and the airs on the flute to which they marched when going to battle, we shall find that Terpander and Pindar had reason to say that music and valor were allied. The first says of Lacedaemon —
The spear and song in her do meet,
And Justice walks about her street;
and Pindar —
Councils of wise elders here,
And the young men’s conquering spear,
And dance, and song, and joy appear;
both describing the Spartans as no less musical than warlike; in the words of one of their own poets —
With the iron stern and sharp
Comes the playing on the harp.
For, indeed, before they engaged in battle, the king first did sacrifice to the Muses, in all likelihood to put them in mind of the manner of their education, and of the judgment that would be passed upon their actions, and thereby to animate them to the performance of exploits that should deserve a record. At such times, too, the Lacedaemonians abated a little the severity of their manners in favor of their young men, suffering them to curl and adorn their hair, and to have costly arms, and fine clothes; and were well pleased to see them, like proud horses, neighing and pressing to the course. And therefore, as soon as they came to be well-grown, they took a great deal of care of their hair, to have it parted and trimmed, especially against a day of battle, pursuant to a saying recorded of their lawgiver, that a large head of hair added beauty to a good face, and terror to an ugly one.
When they were in the field, their exercises were generally more moderate, their fare not so hard, nor so strict a hand held over them by their officers, so that they were the only people in the world to whom war gave repose. When their army was drawn up in battle array and the enemy near, the king sacrificed a goat, commanded the soldiers to set their garlands upon their heads, and the pipers to play the tune of the hymn to Castor, and himself began the paean of advance. It was at once a magnificent and a terrible sight to see them march on to the tune of their flutes, without any disorder in their ranks, any discomposure in their minds or change in their countenance, calmly and cheerfully moving with the music to the deadly fight. Men, in this temper, were not likely to be possessed with fear or any transport of fury, but with the deliberate valor of hope and assurance, as if some divinity were attending and conducting them. The king had always about his person some one who had been crowned in the Olympic games; and upon this account a Lacedaemonian is said to have refused a considerable present, which was offered to him upon condition that he would not come into the lists; and when he had with much to-do thrown his antagonist, some of the spectators saying to him, “And now, Sir Lacedaemonian, what are you the better for your victory?” he answered smiling, “I shall fight next the king.” After they had routed an enemy, they pursued him till they were well assured of the victory, and then they sounded a retreat, thinking it base and unworthy of a Grecian people to cut men in pieces, who had given up and abandoned all resistance. This manner of dealing with their enemies did not only show magnanimity, but was politic too; for, knowing that they killed only those who made resistance, and gave quarter to the rest, men generally thought it their best way to consult their safety by flight.
Hippias the sophist says that Lycurgus himself was a great soldier and an experienced commander. Philostephanus attributes to him the first division of the cavalry into troops of fifties in a square body; but Demetrius the Phalerian says quite the contrary, and that he made all his laws in a continued peace. And, indeed, the Olympic holy truce, or cessation of arms, that was procured by his means and management, inclines me to think him a kind-natured man, and one that loved quietness and peace. Notwithstanding all this, Hermippus tells us that he had no hand in the ordinance; that Iphitus made it, and Lycurgus came only as a spectator, and that by mere accident too. Being there, he heard as it were a man’s voice behind him, blaming and wondering at him that he did not encourage his countrymen to resort to the assembly, and, turning about and seeing no man, concluded that it was a voice from heaven, and upon this immediately went to Iphitus, and assisted him in ordering the ceremonies of that feast, which, by his means, were better established, and with more repute than before.
To return to the Lacedaemonians. Their discipline continued still after they were full-grown men. No one was allowed to live after his own fancy; but the city was a sort of camp, in which every man had his share of provisions and business set out, and looked upon himself not so much born to serve his own ends as the interest of his country. Therefore, if they were commanded nothing else, they went to see the boys perform their exercises, to teach them something useful, or to learn it themselves of those who knew better. And, indeed, one of the greatest and highest blessings Lycurgus procured his people was the abundance of leisure, which proceeded from his forbidding to them the exercise of any mean and mechanical trade. Of the money-making that depends on troublesome going about and seeing people and doing business, they had no need at all in a state where wealth obtained no honor or respect. The Helots tilled their ground for them, and paid them yearly in kind the appointed quantity, without any trouble of theirs. To this purpose there goes a story of a Lacedaemonian who, happening to be at Athens when the courts were sitting, was told of a citizen that had been fined for living an idle life, and was being escorted home in much distress of mind by his condoling friends; the Lacedaemonian was much surprised at it, and desired his friend to show him the man who was condemned for living like a freeman. So much beneath them did they esteem the frivolous devotion of time and attention to the mechanical arts and to money-making.
It need not be said, that, upon the prohibition of gold and silver, all lawsuits immediately ceased, for there was now neither avarice nor poverty amongst them, but equality, where every one’s wants were supplied, and independence, because those wants were so small. All their time, except when they were in the field, was taken up by the