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Автор: Герман Мелвилл
Издательство: Bookwire
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Жанр произведения: Языкознание
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isbn: 9788027224425
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dread Marjora down to him who fathered thee. Here are their bones, their spears, and their javelins; their scepters, and the very fashion of their tattooing: all that can be got together of what they were. Tell me, oh king, what are thy thoughts? Dotest thou on these thy sires? Art thou more truly royal, that they were kings? Or more a man, that they were men? Is it a fable, or a verity about Marjora and the murdered Teei? But here is the mighty conqueror — ask him. Speak to him: son to sire: king to king. Prick him; beg; buffet; entreat; spurn; split the globe, he will not budge. Walk over and over thy whole ancestral line, and they will not start. They are not here. Ay, the dead are not to be found, even in their graves. Nor have they simply departed; for they willed not to go; they died not by choice; whithersoever they have gone, thither have they been dragged; and if so be, they are extinct, their nihilities went not more against their grain, than their forced quitting of Mardi. Either way, something has become of them that they sought not. Truly, had stout-hearted Marjora sworn to live here in Willamilla for ay, and kept the vow, that would have been royalty indeed; but here he lies. Marjora! rise! Juam revolteth! Lo, I stamp upon thy scepter; base menials tread upon thee where thou hest! Up, king, up! What? no reply? Are not these bones thine? Oh, how the living triumph over the dead! Marjora! answer. Art thou? or art thou not? I see thee not; I hear thee not; I feel thee not; eyes, ears, hands, are worthless to test thy being; and if thou art, thou art something beyond all human thought to compass. We must have other faculties to know thee by. Why, thou art not even a sightless sound; not the echo of an echo; here are thy bones. Donjalolo, methinks I see thee fallen upon by assassins:— which of thy fathers riseth to the rescue? I see thee dying:— which of them telleth thee what cheer beyond the grave? But they have gone to the land unknown. Meet phrase. Where is it? Not one of Oro’s priests telleth a straight story concerning it; ’twill be hard finding their paradises. Touching the life of Alma, in Mohi’s chronicles, ’tis related, that a man was once raised from the tomb. But rubbed he not his eyes, and stared he not most vacantly? Not one revelation did he make. Ye gods! to have been a bystander there!

      “At best, ’tis but a hope. But will a longing bring the thing desired? Doth dread avert its object? An instinct is no preservative. The fire I shrink from, may consume me. — But dead, and yet alive; alive, yet dead; — thus say the sages of Maramma. But die we then living? Yet if our dead fathers somewhere and somehow live, why not our unborn sons? For backward or forward, eternity is the same; already have we been the nothing we dread to be. Icy thought! But bring it home — it will not stay. What ho, hot heart of mine: to beat thus lustily awhile, to feel in the red rushing blood, and then be ashes — can this be so? But peace, peace, thou liar in me, telling me I am immortal — shall I not be as these bones? To come to this! But the balsam-dropping palms, whose boles run milk, whose plumes wave boastful in the air, they perish in their prime, and bow their blasted trunks. Nothing abideth; the river of yesterday floweth not today; the sun’s rising is a setting; living is dying; the very mountains melt; and all revolve:— systems and asteroids; the sun wheels through the zodiac, and the zodiac is a revolution. Ah gods! in all this universal stir, am I to prove one stable thing?

      “Grim chiefs in skeletons, avaunt! Ye are but dust; belike the dust of beggars; for on this bed, paupers may lie down with kings, and filch their skulls. This, great Marjora’s arm? No, some old paralytic’s. Ye, kings? ye, men? Where are your vouchers? I do reject your brother-hood, ye libelous remains. But no, no; despise them not, oh Babbalanja! Thy own skeleton, thou thyself dost carry with thee, through this mortal life; and aye would view it, but for kind nature’s screen; thou art death alive; and e’en to what’s before thee wilt thou come. Ay, thy children’s children will walk over thee: thou, voiceless as a calm.”

      And over the Coral Kings, Babbalanja paced in profound meditation.

      THE CENTER OF MANY CIRCUMFERENCES

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      Like Donjalolo himself, we hie to and fro; for back now must we pace to the House of the Morning.

      In its rear, there diverged three separate arbors, leading to less public apartments.

      Traversing the central arbor, and fancying it will soon lead you to open ground, you suddenly come upon the most private retreat of the prince: a square structure; plain as a pyramid; and without, as inscrutable. Down to the very ground, its walls are thatched; but on the farther side a passage-way opens, which you enter. But not yet are you within. Scarce a yard distant, stands an inner thatched wall, blank as the first. Passing along the intervening corridor, lighted by narrow apertures, you reach the opposite side, and a second opening is revealed. This entering, another corridor; lighted as the first, but more dim, and a third blank wall. And thus, three times three, you worm round and round, the twilight lessening as you proceed; until at last, you enter the citadel itself: the innermost arbor of a nest; whereof, each has its roof, distinct from the rest.

      The heart of the place is but small; illuminated by a range of open sky-lights, downward contracting.

      Innumerable as the leaves of an endless folio, multitudinous mats cover the floor; whereon reclining by night, like Pharaoh on the top of his patrimonial pile, the inmate looks heavenward, and heavenward only; gazing at the torchlight processions in the skies, when, in state, the suns march to be crowned.

      And here, in this impenetrable retreat, centrally slumbered the universe-rounded, zodiac-belted, horizon-zoned, sea-girt, reef-sashed, mountain-locked, arbor-nested, royalty-girdled, arm-clasped, self-hugged, indivisible Donjalolo, absolute monarch of Juam:— the husk-inhusked meat in a nut; the innermost spark in a ruby; the juice-nested seed in a goldenrinded orange; the red royal stone in an effeminate peach; the insphered sphere of spheres.

      DONJALOLO IN THE BOSOM OF HIS FAMILY

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      To pretend to relate the manner in which Juam’s ruler passed his captive days, without making suitable mention of his harem, would be to paint one’s full-length likeness and omit the face. For it was his harem that did much to stamp the character of Donjalolo.

      And had he possessed but a single spouse, most discourteous, surely, to have overlooked the princess; much more, then, as it is; and by how-much the more, a plurality exceeds a unit.

      Exclusive of the female attendants, by day waiting upon the person of the king, he had wives thirty in number, corresponding in name to the nights of the moon. For, in Juam, time is not reckoned by days, but by nights; each night of the lunar month having its own designation; which, relatively only, is extended to the day.

      In uniform succession, the thirty wives ruled queen of the king’s heart. An arrangement most wise and judicious; precluding much of that jealousy and confusion prevalent in ill-regulated seraglios. For as thirty spouses must be either more desirable, or less desirable than one; so is a harem thirty times more difficult to manage than an establishment with one solitary mistress. But Donjalolo’s wives were so nicely drilled, that for the most part, things went on very smoothly. Nor were his brows much furrowed with wrinkles referable to domestic cares and tribulations. Although, as in due time will be seen, from these he was not altogether exempt.

      Now, according to Braid–Beard, who, among other abstruse political researches, had accurately informed himself concerning the internal administration of Donjalolo’s harem, the following was the method pursued therein.

      On the Aquella, or First Night of the month, the queen of that name assumes her diadem, and reigns. So too with Azzolino the Second, and Velluvi the Third Night of the Moon; and so on, even unto the utter eclipse thereof; through Calends, Nones, and Ides.

      For convenience, the king is furnished with a card, whereon are copied the various ciphers upon the arms of his queens; and parallel thereto, the hieroglyphics significant of the corresponding Nights of the month. Glancing over this, Donjalolo predicts the true time of the rising and setting of all his stars.

      This