Of late David has been thinking back hard about the fairy tongue, with his hands clutching his temples, and he has remembered a number of their phrases which I shall tell you some day if I don't forget. He had heard them in the days when he was a thrush, and though I suggested to him that perhaps it is really bird language he is remembering, he says not, for these phrases are about fun and adventures, and the birds talked of nothing but nest-building. He distinctly remembers that the birds used to go from spot to spot like ladies at shop windows, looking at the different nests and saying, 'Not my colour, my dear,' and 'How would that do with a soft lining?' and 'But will it wear?' and 'What hideous trimming!' and so on.
The fairies are exquisite dancers, and that is why one of the first things the baby does is to sign to you to dance to him and then to cry when you do it. They hold their great balls in the open air, in what is called a fairy ring. For weeks afterwards you can see the ring on the grass. It is not there when they begin, but they make it by waltzing round and round. Sometimes you will find mushrooms inside the ring, and these are fairy chairs that the servants have forgotten to clear away. The chairs and the rings are the only tell-tale marks these little people leave behind them, and they would remove even these were they not so fond of dancing that they toe it till the very moment of the opening of the gates. David and I once found a fairy ring quite warm.
But there is also a way of finding out about the ball before it takes place. You know the boards which tell at what time the Gardens are to close to-day. Well, these tricky fairies sometimes slyly change the board on a ball night, so that it says the Gardens are to close at six-thirty, for instance, instead of at seven. This enables them to get begun half an hour earlier.
These tricky fairies sometimes change the board on a ball night.
If on such a night we could remain behind in the Gardens, as the famous Maimie Mannering did, we might see delicious sights; hundreds of lovely fairies hastening to the ball, the married ones wearing their wedding rings round their waists; the gentlemen, all in uniform, holding up the ladies' trains, and linkmen running in front carrying winter cherries, which are the fairy-lanterns; the cloakroom where they put on their silver slippers and get a ticket for their wraps; the flowers streaming up from the Baby Walk to look on, and always welcome because they can lend a pin; the supper-table, with Queen Mab at the head of it, and behind her chair the Lord Chamberlain, who carries a dandelion on which he blows when her Majesty wants to know the time.
When her Majesty wants to know the time.
The table-cloth varies according to the seasons, and in May it is made of chestnut blossom. The way the fairy servants do is this: The men, scores of them, climb up the trees and shake the branches, and the blossom falls like snow. Then the lady servants sweep it together by whisking their skirts until it is exactly like a tablecloth, and that is how they get their tablecloth.
They have real glasses and real wine of three kinds, namely, blackthorn wine, berberris wine, and cowslip wine, and the Queen pours out, but the bottles are so heavy that she just pretends to pour out. There is bread-and-butter to begin with, of the size of a threepenny bit; and cakes to end with, and they are so small that they have no crumbs. The fairies sit round on mushrooms, and at first they are well-behaved and always cough off the table, and so on, but after a bit they are not so well-behaved and stick their fingers into the butter, which is got from the roots of old trees, and the really horrid ones crawl over the tablecloth chasing sugar or other delicacies with their tongues. When the Queen sees them doing this she signs to the servants to wash up and put away, and then everybody adjourns to the dance, the Queen walking in front while the Lord Chamberlain walks behind her, carrying two little pots, one of which contains the juice of wallflower and the other the juice of Solomon's seals. Wallflower juice is good for reviving dancers who fall to the ground in a fit, and Solomon's seals juice is for bruises. They bruise very easily, and when Peter plays faster and faster they foot it till they fall down in fits. For, as you know without my telling you, Peter Pan is the fairies' orchestra. He sits in the middle of the ring, and they would never dream of having a smart dance nowadays without him. 'P. P.' is written on the corner of the invitation-cards sent out by all really good families. They are grateful little people, too, and at the princesses coming-of-age ball (they come of age on their second birthday and have a birthday every month) they gave him the wish of his heart.
Peter Pan is the fairies' orchestra.
The way it was done was this. The Queen ordered him to kneel, and then said that for playing so beautifully she would give him the wish of his heart. Then they all gathered round Peter to hear what was the wish of his heart, but for a long time he hesitated, not being certain what it was himself.
'If I chose to go back to mother,' he asked at last, 'could you give me that wish?'
Now this question vexed them, for were he to return to his mother they should lose his music, so the Queen tilted her nose contemptuously and said, 'Pooh! ask for a much bigger wish than that.'
'Is that quite a little wish?' he inquired.
'As little as this,' the Queen answered, putting her hands near each other.
'What size is a big wish?' he asked.
She measured it off on her skirt and it was a very handsome length.
Then Peter reflected and said, 'Well, then, I think I shall have two little wishes instead of one big one.'
Of course, the fairies had to agree, though his cleverness rather shocked them, and he said that his first wish was to go to his mother, but with the right to return to the Gardens if he found her disappointing. His second wish he would hold in reserve.
They tried to dissuade him, and even put obstacles in the way.
'I can give you the power to fly to her house,' the Queen said, 'but I can't open the door for you.'
'The window I flew out at will be open,' Peter said confidently. 'Mother always keeps it open in the hope that I may fly back.'
'How do you know?' they asked, quite surprised, and, really, Peter could not explain how he knew.
'I just do know,' he said.
So as he persisted in his wish, they had to grant it. The way they gave him power to fly was this: They all tickled him on the shoulder, and soon he felt a funny itching in that part, and then up he rose higher and higher, and flew away out of the Gardens and over the housetops.
It was so delicious that instead of flying straight to his own home he skimmed away over St. Paul's to the Crystal Palace and back by the river and Regent's Park, and by the time he reached his mother's window he had quite made up his mind that his second wish should be to become a bird.
The window was wide open, just as he knew it would be, and in he fluttered, and there was his mother lying asleep. Peter alighted softly on the wooden rail at the foot of the bed and had a good look at her. She lay with her head on her hand, and the hollow in the pillow was like a nest lined with her brown wavy hair. He remembered, though he had long forgotten it, that she always gave her hair a holiday at night. How sweet the frills of her nightgown were! He was very glad she was such a pretty mother.
But she looked sad, and he knew why she looked sad. One of her arms moved as if it wanted to go round something, and he knew what it wanted to go round.
'O mother!' said Peter to himself,