There were two of them strolling along the Baby Walk, with their arms round each other's waists, and he hopped down to address them. The fairies have their tiffs with the birds, but they usually give a civil answer to a civil question, and he was quite angry when these two ran away the moment they saw him. Another was lolling on a garden chair, reading a postage-stamp which some human had let fall, and when he heard Peter's voice he popped in alarm behind a tulip.
When he heard Peter's voice he popped in alarm behind a tulip.
To Peter's bewilderment he discovered that every fairy he met fled from him. A band of workmen, who were sawing down a toadstool, rushed away, leaving their tools behind them. A milkmaid turned her pail upside down and hid in it. Soon the Gardens were in an uproar. Crowds of fairies were running this way and that, asking each other stoutly who was afraid; lights were extinguished, doors barricaded, and from the grounds of Queen Mab's palace came the rub-a-dub of drums, showing that the royal guard had been called out. A regiment of Lancers came charging down the Broad Walk, armed with holly-leaves, with which they jag the enemy horribly in passing. Peter heard the little people crying everywhere that there was a human in the Gardens after Lock-out Time, but he never thought for a moment that he was the human. He was feeling stuffier and stuffier, and more and more wistful to learn what he wanted done to his nose, but he pursued them with the vital question in vain; the timid creatures ran from him, and even the Lancers, when he approached them up the Hump, turned swiftly into a side-walk, on the pretence that they saw him there.
Despairing of the fairies, he resolved to consult the birds, but now he remembered, as an odd thing, that all the birds on the weeping-beech had flown away when he alighted on it, and though this had not troubled him at the time, he saw its meaning now. Every living thing was shunning him. Poor little Peter Pan! he sat down and cried, and even then he did not know that, for a bird, he was sitting on his wrong part. It is a blessing that he did not know, for otherwise he would have lost faith in his power to fly, and the moment you doubt whether you can fly, you cease for ever to be able to do it. The reason birds can fly and we can't is simply that they have perfect faith, for to have faith is to have wings.
Now, except by flying, no one can reach the island in the Serpentine, for the boats of humans are forbidden to land there, and there are stakes round it, standing up in the water, on each of which a bird-sentinel sits by day and night. It was to the island that Peter now flew to put his strange case before old Solomon Caw, and he alighted on it with relief, much heartened to find himself at last at home, as the birds call the island. All of them were asleep, including the sentinels, except Solomon, who was wide awake on one side, and he listened quietly to Peter's adventures, and then told him their true meaning.
Put his strange case before old Solomon Caw.
'Look at your nightgown, if you don't believe me,' Solomon said; and with staring eyes Peter looked at his nightgown, and then at the sleeping birds. Not one of them wore anything.
'How many of your toes are thumbs?' said Solomon a little cruelly, and Peter saw to his consternation, that all his toes were fingers. The shock was so great that it drove away his cold.
'Ruffle your feathers,' said that grim old Solomon, and Peter tried most desperately hard to ruffle his feathers, but he had none. Then he rose up, quaking, and for the first time since he stood on the window ledge, he remembered a lady who had been very fond of him.
'I think I shall go back to mother,' he said timidly.
'Good-bye,' replied Solomon Caw with a queer look.
But Peter hesitated. 'Why don't you go?' the old one asked politely.
'I suppose,' said Peter huskily, 'I suppose I can still fly.'
You see he had lost faith.
'Poor little half-and-half!' said Solomon, who was not really hard-hearted, 'you will never be able to fly again, not even on windy days. You must live here on the island always.'
'And never even go to the Kensington Gardens?' Peter asked tragically.
'How could you get across?' said Solomon. He promised very kindly, however, to teach Peter as many of the bird ways as could be learned by one of such an awkward shape.
'Then I shan't be exactly a human?' Peter asked.
'No.'
'Nor exactly a bird?'
'No.'
'What shall I be?'
'You will be a Betwixt-and-Between,' Solomon said, and certainly he was a wise old fellow, for that is exactly how it turned out.
The birds on the island never got used to him. His oddities tickled them every day, as if they were quite new, though it was really the birds that were new. They came out of the eggs daily, and laughed at him at once; then off they soon flew to be humans, and other birds came out of other eggs; and so it went on for ever. The crafty mother-birds, when they tired of sitting on their eggs, used to get the young ones to break their shells a day before the right time by whispering to them that now was their chance to see Peter washing or drinking or eating. Thousands gathered round him daily to watch him do these things, just as you watch the peacocks, and they screamed with delight when he lifted the crusts they flung him with his hands instead of in the usual way with the mouth. All his food was brought to him from the Gardens at Solomon's orders by the birds. He would not eat worms or insects (which they thought very silly of him), so they brought him bread in their beaks. Thus, when you cry out, 'Greedy! Greedy!' to the bird that flies away with the big crust, you know now that you ought not to do this, for he is very likely taking it to Peter Pan.
Peter wore no nightgown now. You see, the birds were always begging him for bits of it to line their nests with, and, being very good-natured, he could not refuse, so by Solomon's advice he had hidden what was left of it. But, though he was now quite naked, you must not think that he was cold or unhappy. He was usually very happy and gay, and the reason was that Solomon had kept his promise and taught him many of the bird ways. To be easily pleased, for instance, and always to be really doing something, and to think that whatever he was doing was a thing of vast importance. Peter became very clever at helping the birds to build their nests; soon he could build better than a wood-pigeon, and nearly as well as a blackbird, though never did he satisfy the finches, and he made nice little water-troughs near the nests and dug up worms for the young ones with his fingers. He also became very learned in bird-lore, and knew an east wind from a west wind by its smell, and he could see the grass growing and hear the insects walking about inside the tree-trunks. But the best thing Solomon had done was to teach him to have a glad heart. All birds have glad hearts unless you rob their nests, and so as they were the only kind of heart Solomon knew about, it was easy to him to teach Peter how to have one.
Peter's heart was so glad that he felt he must sing all day long, just as the birds sing for joy, but, being partly human, he needed an instrument, so he made a pipe of reeds, and he used to sit by the shore of the island of an evening, practising the sough of the wind and the ripple of the water, and catching handfuls of the shine of the moon, and he put them all in his pipe and played them so beautifully that even the birds were deceived, and they would say to each other, 'Was that a fish leaping in the water or was it Peter playing leaping fish on his pipe?' And sometimes he played the birth of birds, and then the mothers would turn round in their nests to see whether they had laid an egg. If you are a child of the Gardens you must know the chestnut-tree near the bridge, which comes out in flower first of all the chestnuts, but perhaps you have not heard why this tree leads the way. It is because Peter wearies for summer and plays that it has come, and the chestnut being so near, hears him and is cheated.
But as Peter sat by the shore tootling divinely on his pipe he sometimes fell into sad thoughts, and then the music became sad also, and the reason of all this sadness