Gudrun, the weary widow, wandered away. After a while, she accepts atonement from her brothers for her husband's loss, and marries Atli, the Hun King, Brynhildr's brother. He cherished a grudge against Giuki's sons for the guile they had practised against their brother- in-law, which had broken his sister's heart, and besides he claimed, in right of Gudrun, all the gold which Sigurd won from the Dragon, but which the Niflung Princes had seized when he was slain. It was in vain to attack them in fair fight, so he sent them a friendly message, and invited them to a banquet; they go, and are overpowered. Hogni's heart is cut out of him alive, but he still smiles; Gunnar is cast into a pit full of snakes, but even then charms them to sleep with his harp, all but one, that flies at his heart and stings him to death. With them perished the secret of the Dragon's hoard, which they had thrown into the Rhine as they crossed it on the way to Hunland. Now comes horror on horror. Revenge for her brothers now belongs to Gudrun; she slays with her own hand her two sons by Atli, makes him eat their flesh, and drink their blood out of their skulls, and, while the king slept sound, slew him in his bed by the help of her brother Hogni's son. Then she set the hall a-blaze, and burnt all that were in it. After that she went to the sea-shore, and threw herself in to drown. But the deep will not have her, the billows bear her over to King Jonakr's land. He marries her, and has three sons by her, Saurli, Hamdir, and Erp, black-haired as ravens, like all the Niflungs. Svanhild, her daughter by Sigurd, who had her father's bright and terrible eyes, she has still with her, now grown up to be the fairest of women. So when Hermanaric the mighty, the great Gothic king, heard of Svanhild's beauty, he sent his son Randver to woo her for him, but Bikki the False said to the youth: 'Better far were this maiden for thee than for thy old father'; and the maiden and the prince thought it good advice. Then Bikki went and told the king, and Hermanaric bade them take and hang Randver at once. So on his way to the gallows, the prince took his hawk and plucked off all its feathers, and sent it to his father. But when his sire saw it, he knew at once that, as the hawk was featherless and unable to fly, so was his realm defenceless under an old and sonless king. Too late he sent to stop the hanging; his son was already dead. So one day as he rode back from hunting, he saw fair Svanhild washing her golden locks, and it came into his heart how there she sat, the cause of all his woe; and he and his men rode at her and over her, and their steeds trampled her to death. But when Gudrun heard this, she set on her three Niflung sons to avenge their sister. Byrnies and helms she gave them so true that no sword would bite on them. They were to steal on Hermanaric as he slept; Saurli was to cut off his hands, Hamdir his feet, and Erp his head. So as the three went along, the two asked Erp what help he would give them when they got to Hermanaric. 'Such as hand lends to foot' he said. 'No help at all' they cried; and passing from words to blows, and because their mother loved Erp best, they slew him. A little further on Saurli stumbled and fell forward, but saved himself with one hand, and said 'Here hand helps foot: better were it that Erp lived.' So they came on Hermanaric as he slept, and Saurli hewed off his hands, and Hamdir his feet, but he awoke and called for his men. Then said Hamdir: 'Were Erp alive, the head would be off, and he couldn't call out.' Then Hermanaric's men arose and took the twain, and when they found that no steel would touch them, an old one-eyed man gave them advice to stone them to death. Thus fell Saurli and Hamdir, and soon after Gudrun died too, and with her ends the Volsung and the Niflung tale.
And here it is worth while to say, since some minds are so narrowly moulded as to be incapable of containing more than one idea, that because it has seemed a duty to describe in its true light the old faith of our forefathers, it by no means follows that the same eyes are blind to the glorious beauty of Greek Mythology. That had the rare advantage of running its course free and unfettered until it fell rather by natural decay than before the weapon of a new belief. The Greeks were Atheists before they became Christian. Their faith had passed through every stage. We can contemplate it as it springs out of the dim misshapen symbol, during that phase when men's eyes are fixed more on meaning and reality than on beauty and form, we can mark how it gradually looks more to symmetry and shape, how it is transfigured in the Arts, until, under that pure air and bright sky, the glowing radiant figures of Apollo and Aphrodite, of Zeus and Athene—of perfect man-worship and woman-worship, stand out clear and round in the foreground against the misty distance of ancient times. Out of that misty distance the Norseman's faith never emerged. What that early phase of faith might have become, had it been once wedded to the Muses, and learnt to cultivate the Arts, it is impossible to say. As it is, its career was cut short in mid-course. It carried about with it that melancholy presentiment of dissolution which has come to be so characteristic of modern life, but of which scarce a trace exists in ancient times, and this feeling would always have made it different from that cheerful carelessness which so attracts us in the Greeks; but even that downcast brooding heart was capable of conceiving great and heroic thoughts, which it might have clothed in noble shapes and forms, had not the axe of Providence cut down the stately sapling in the North before it grew to be a tree, while it spared the pines of Delphi and Dodona's sacred oaks, until they had attained a green old age. And so this faith remained rude and rough; but even rudeness has a simplicity of its own, and it is better to be rough and true-hearted than polished and false. In all the feelings of natural affection, that faith need fear no comparison with any other upon earth. In these respects it is firm and steadfast as a rock, and pure and bright as a living spring. The highest God is a father, who protects his children; who gives them glory and victory while they live, and when they die, takes them to himself; to those fatherly abodes Death was a happy return, a glorious going home. By the side of this great father stands a venerable goddess, dazzling with beauty, the great mother of gods and men. Hand in hand this divine pair traverse the land; he teaching the men the use of arms and all the arts of war—for war was then as now a noble calling, and to handle arms an honourable, nay necessary, profession. To the women she teaches domestic duties and the arts of peace; from her they learn to weave, and sew, and spin; from her, too, the husbandman learns to till his fields. From him springs poetry and song; from her legend and tradition. Nor should it ever be forgotten that the footsteps of Providence are always onward, even when they seem taken in the dark, and that their rude faith was the first in which that veneration for woman arose, which the Western nations may well claim as the brightest jewel in their crown of civilization; that while she was a slave in the East, a toy to the Greeks, and a housewife to the Romans, she was a helpmeet to the Teuton, and that those stern warriors recognized something divine in her nature, and bowed before her clearer insight into heavenly mysteries. The worship of the Virgin Mary was gradually developed out of this conception of woman's character, and would have been a thing absurd and impossible, had Christianity clung for ever to Eastern soil. And now to proceed, after thus turning aside to compare the mythology of the Greek with the