Blood and Rage: A Cultural history of Terrorism. Michael Burleigh. Читать онлайн. Newlib. NEWLIB.NET

Автор: Michael Burleigh
Издательство: HarperCollins
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Жанр произведения: Историческая литература
Год издания: 0
isbn: 9780007284085
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fight in his hidey-hole; a policeman had to bite the anarchist’s thumb to stop him cocking his revolver. The police managed to detain and then release the person most widely suspected of throwing the bomb, who of course was never seen again. A middle-aged anarchist toy-shop owner, George Engel, was arrested and thrown in a police sweat-box to encourage him to talk. Eventually, eight anarchists were indicted for conspiracy to commit murder. Sensationally, on the opening day of the trial, a relaxed Albert Parsons walked into the courtroom, his previously dyed hair restored to its black sheen. His defence counsel had persuaded him to surrender himself as his continued flight seemed like an admission of guilt. Although the accused had decently courageous defence lawyers, both the judge and the jury were openly biased against them. The jury selection dragged on over twenty-one days in order to weed out any working-class men who might view the anarchists with sympathy. Once the defence had exhausted its right to query some 160 candidates, the court bailiff was allowed to go out into the streets to select jurors who had already condemned the defendants.

      The charge of murder was outrageous, because how could one have a trial of accessories without the bomb-throwing principal? The star prosecution witness, a Swiss anarchist cabinet-maker, had been given money and immunity from prosecution for his testimony that two of the accused had conspired to use bombs at the fateful meeting in the saloon cellar. The prosecution was allowed to lay before the court lavish displays of bomb-making paraphernalia with obscure connections to the matter in hand. Inevitably, Most’s bomb-making manual became People’s Exhibit 16. As the prosecution and defence witnesses testified to the events of that night, it seemed that they were recalling two entirely unrelated scenarios. On 19 August the jury retired, rapidly reclining in armchairs to smoke cigars, after apparently reaching an instant verdict. The following morning they announced that seven of the defendants were guilty of murder and would hang, while Oscar Neebe should serve fifteen years’ hard labour. Parsons was allowed an incredible eight hours to address the court, further adding to the theatrical nature of the proceedings. After the appeals process had been exhausted, the four men, who refused to seek clemency, on the grounds of their belief in their innocence, were hanged wearing white shrouds. There should have been five executions, but Louis Lingg – a search of whose cell had earlier revealed four sticks of dynamite – cheated the hangman by exploding a small detonator cap in his mouth which blew away half of his face, a scene that became an illustrators’ favourite. It was an agonising death.

      II THE BLACK INTERNATIONAL

      These dramatic events in Chicago were symptomatic of the near-global panic that the anarchist Black International inspired in the late nineteenth and early twentieth centuries. Such an entity did exist, for in July 1881, a few months after the assassination of Alexander II, forty-five radicals gathered in London to form an International Anarchist Congress, although it failed to reconvene until 1907. While use of violence was controversial in these circles, it was nonetheless resolved by the participants to pay greater attention to explosives chemistry and technology so as to match the evolving forces of repression. This gathering, replete with loose talk about dynamite, ‘the proletariat’s artillery’, gave substance to the widespread fear that there was a single controlling intelligence behind each and every manifestation of political violence that could not be attributed to Fenians or nihilists.

      It has long been almost axiomatic to regard a ramified anarchist conspiracy as the product of fevered bourgeois imaginations. Certainly, people in authority thought there was a single conspiracy animating anarchist deeds just as today Al Qaeda is blamed for, and opportunistically takes credit for, a welter of terrorist atrocities. The Spanish ambassador to Rome wrote of an ‘international anarchist impulse’ which informed the spirit if not the letter of anarchist deeds. The Italian press was convinced that the killing of king Umberto was part of ‘the vastness of the plan of the anarchists and of the aims they propose, the assassination of all of Europe’s monarchs’.

      Although in reality there was no single directing conspiracy, and no single anarchist party, there were good reasons for contemporaries to believe that individual anarchists were acting in response to generalised injunctions to destroy bourgeois civilisation. That anarchists were often foreigners, with unpronounceable names like Bresci or Czolgosz, automatically fostered the impression of a very cosmopolitan conspiracy, as did the international circulation of the multilingual anarchist press, copies of which were invariably found in the homes of dynamiters and their sympathisers. That press also sedulously propagated the idea of a worldwide army of anarchists willing to avenge suffering humanity. In other words, the anarchists themselves propagated the notion of a worldwide conspiracy. Improved telegraphy and successive daily newspaper editions updating the cycle of atrocity, arrest, trial, speeches from the dock, imprisonment or execution meant that readers could quite justifiably conclude that the activities of bomb-throwing maniacs were being co-ordinated on behalf of sinister objectives across Europe or North and South America, for Argentina too was not spared propaganda by the deed. Detailed and extensive press coverage had its drawbacks, since even the most hostile newspapers invariably printed the courtroom justifications of convicted anarchists virtually verbatim, fuelling the lethal ardour of anarchists everywhere. The reporting of the killing of king Umberto of Italy directly inspired the assassin of US president William McKinley. As Sir Howard Vincent, one of the founders of Scotland Yard’s Criminal Investigation Department (CID), put it: ‘The “advertisement” of anarchism, as of many other crimes, infallibly leads to imitation.’ That was why the French Chamber of Deputies made serious legislative efforts to prohibit reporting of trials of anarchists.

      The sheer repetition of high-level assassinations also inclined people to think a vast conspiracy was abroad, even though the politics of the assassins – assuming they were not madmen – were hardly uniform. In 1878 Hödel and Nobiling made successive attempts on the life of the German emperor, the second of which resulted in his being badly wounded. That year a republican cook stabbed king Umberto of Italy, twenty-two years before his eventual assassination, while there was a bomb attack on a monarchist parade the following day. In 1881 a young French anarchist and unemployed weaver, Emile Florion, shot a total stranger having failed to find the republican politician Léon Gambetta. Florion then unsuccessfully tried to shoot himself. In the autumn of 1883 an anarchist plot was uncovered to blow up the German Kaiser, the crown prince and several leading military and political figures as they gathered to open the monument to Germania on the Niederwald above Rüdesheim. Sixteen pounds of dynamite were concealed in a drainage pipe beneath the road so as to blow up the imperial entourage as it passed overhead. Luckily, one of the terrorist assassins had decided to save a few pfennigs by purchasing cheap fuse cable that was not waterproof; the cheap fuse was so damp it could not be lit. The chief anarchist plotter, August Reinsdorf, and an accomplice were beheaded two years later. In January 1885 the chief of police in Frankfurt, who had played a major role in capturing Reinsdorf, was stabbed to death by an unknown assailant; circumstantial evidence was used to convict the anarchist Julius Lieske of the crime. Instead of an unending chain reaction of terror and counter-terror, these events resulted in the virtual demise of the German anarchist movement. Foreign policemen hastened to Berlin to discover the secrets of Prussian policing.

      In France, meanwhile, anarchists were responsible for a series of random attacks, some of them indicative of the perpetrators’ mental derangement. Too inept to make a bomb, the young cobbler Léon Léauthier simply sat down in an expensive restaurant and knifed a neighbouring customer who turned out to be the Serbian ambassador. Charles Gallo threw a bottle of prussic acid on to the floor of the Stock Exchange, crying ‘Vive l’Anarchie!’ at the startled traders, as he fired a revolver into their midst. The lethal suppression of labour disputes served as a pretext for anarchist attacks. On 1 May 1891 police used a newly invented machine gun to break up a demonstration for the eight-hour day at Fourmies in the Nord department. Nine people were killed, including four women and three children. Simultaneously at Clichy the police employed excessive violence to break up an anarchist procession following a woman bearing a red flag. Despite being unlawfully beaten by the police, two men received considerable sentences of hard labour. By way of revenge for these incidents, the anarchist former dyer François-Claudius Ravachol placed bombs in the homes of Benoit, the advocate-general, who lived on the smart Boulevard Saint-Germain, and Bulot, the judge who had presided in the Clichy affair. In the second incident, a smartly dressed Ravachol walked up to the second