The Essential Jung: Selected Writings. Anthony Storr. Читать онлайн. Newlib. NEWLIB.NET

Автор: Anthony Storr
Издательство: HarperCollins
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Жанр произведения: Общая психология
Год издания: 0
isbn: 9780007382033
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within time and space.” Septem Sermones ad Mortuos, I) Whereas in the pleroma all is one and there is no differentiation between opposites like good and evil, light and darkness, time and space, or force and matter, the principium individuationis compels distinctiveness which is the essential characteristic of individuals. Whereas Schopenhauer’s philosophy is governed by the ideal of deliverance from the bonds of individuality by means of self-denial and asceticism (an ideal which Schopenhauer himself was far from realizing), Jung’s philosophy is ruled by the idea of affirmation of individuality. A man who understands and comes to terms with the different aspects of his inner being is enabled to live life more completely. Jung was also influenced by Nietzsche, who was a passionate individualist; but, whereas Nietzsche stated that God was dead, Jung rediscovered God as a guiding principle of unity within the depths of the individual psyche.

      Jung’s belief in the ultimate unity of all existence led him to suppose that physical and mental, as well as spatial and temporal, were human categories imposed upon reality which did not accurately reflect it. Human beings, because of the nature of thought and language, are bound to categorize things as opposites; that is, all human statements are antinomian. But these opposites may, in fact, be facets of the same reality. Through his collaboration with the physicist Wolfgang Pauli, Jung came to believe that the physicist’s investigation of matter and the psychologist’s investigation of the depths of the psyche might be different ways of approaching the same underlying reality. It had long been recognized that analytical psychology could never be wholly “objective,” since the observer was bound to exert an effect on what he was observing by the fact of paying it attention. But the same point had also been reached in modern physics. At the subatomic level, it was recognized that it was impossible to determine a particle’s momentum and its velocity at the same time. Moreover, the constituents of matter could be considered to behave as waves or particles, depending on the choice of the observer. Physicists came to realize that it was possible to look at one and the same event through two different frames of reference which, though mutually exclusive, were nevertheless complementary. The Principle of Complementarity, which became a cornerstone of modern physics, could also be applied to the mind-body problem. Perhaps mind and body were simply different aspects of a single reality as viewed through different frames of reference.

      Jung claimed that there were “sufficient reasons” for believing that “the psychic lies embedded in something that appears to be of a nonpsychic nature.” (CW 8, par. 437) Jung came to think of archetypes as existing in this reality outside space and time, but manifesting themselves in the individual psyche as organizers. “Archetypes, so far as we can observe and explain them at all, manifest themselves only through their ability to organize images and ideas, and this is always an unconscious process which cannot be detected until afterwards. By assimilating material whose provenance in the phenomenal world is not to be contested, they become visible and psychic.” (CW 8, par. 440) One reason why Jung thought of archetypes as existing outside space and time was that he believed them responsible for what he called “meaningful coincidences,” of which examples are given in the extracts which follow. Throughout his life, Jung had been impressed by clusters of significant events occurring together, and by the fact that these events might be physical as well as mental. The physical death of one individual, for example, might coincide with a disturbing dream referring to that death in the mind of another. Jung felt that such coincidences, which he considered “relatively common,” demanded an explanatory principle in addition to causality. This principle he named synchronicity. Once again, Jung seems to have been influenced by Schopenhauer, who had postulated a link between simultaneous events which were causally unconnected. Jung’s idea was that synchronicity was based on a universal order of meaning, complementary to causality. He thought that synchronistic phenomena were connected with archetypes which he referred to as psychoid factors of the collective unconscious, meaning by this that archetypes were neither physical nor mental but partaking of both realms, and able, therefore, to manifest themselves both physically and mentally simultaneously. Jung refers to the case of Swedenborg, who experienced a vision of a fire in Stockholm at the same time as an actual fire was raging. Jung considered that some change in Swedenborg’s state of mind gave him temporary access to “absolute knowledge”; to an area in which the limits of space and time are transcended. Jung believed that causeless events were creative acts “as the continuous creation of a pattern that exists from all eternity, repeats itself sporadically, and is not derivable from any known antecedents.” (CW 8, par. 967) The recognition of patterns of order affects human beings as meaning.

      In Jung’s view, changes in the collective unconscious, which might take centuries to complete themselves, were responsible for alterations in the way in which men viewed the world and thought about themselves. The decline in conventional Christian belief, for example, is related to the fact that the Christ-image, which excludes both evil and the feminine, can no longer symbolize wholeness for modern man. It was only in 1950 that the Pope proclaimed the Assumption of the Virgin Mary as part of divine revelation. Jung considered this as a significant step toward incorporating femininity into the image of the divine, and pointed out that the impulse to do this did not come from the ecclesiastical authorities but from the Catholic masses “who have insisted more and more vehemently on this development. Their insistence is, at bottom, the urge of the archetype to realize itself” (CW 9 ii, par. 142) and it took many years for this to be accomplished.

      I hope that this brief introduction to Jung’s thought will make it easier for the reader to find his way through the extracts which follow. Some may find Jung’s later writings difficult or antipathetic; but Jung’s valuable contributions to psychotherapy and to the understanding of individuals can be appreciated without subscribing to the whole of his system of belief.

       Part 1. Jung’s Early Work

      Jung began his career in psychiatry in December 1900, when he was appointed as an assistant physician at the Burghölzli mental hospital in Zurich. Breuer and Freud had published their Studies on Hysteria in 1895; and Freud’s The Interpretation of Dreams had appeared in November 1899. But psychiatrists were still fascinated by the researches of Janet and Morton Prince into cases of “multiple personality,” and it was this phenomenon which inspired Jung’s first published work: his dissertation for his medical degree, “On the Psychology and Pathology of So-called Occult Phenomena.” This was based on his observations during seances of a 15½-year-old cousin, Hélène Preiswerk (called S. W. in the paper), who was reputedly a medium. She claimed to be controlled by a variety of spirits, varying from her grandfather, who was deeply serious, to a figure called Ulrich von Gerbenstein, who was flirtatious and frivolous. Jung interpreted these various figures as “unconscious personalities.”

      In our account of S. W.’s case, the following condition was indicated by the term “semi-somnambulism”: For some time before and after the actual somnambulistic attack the patient found herself in a state whose most salient feature can best be described as “preoccupation”. She lent only half an ear to the conversation around her, answered absent-mindedly, frequently lost herself in all manner of hallucinations; her face was solemn, her look ecstatic, visionary, ardent. Closer observation revealed a far-reaching alteration of her entire character. She was now grave, dignified; when she spoke, the theme was always an extremely serious one. In this state she could talk so seriously, so forcefully and convincingly, that one almost had to ask oneself: Is this really a girl of 15½? One had the impression that a mature woman was being acted with considerable dramatic talent.

       Jung goes on to compare S. W. with a case of Janet’s.

      CW 1, pars. 92–3

      Janet conducted the following conversation with the subconscious of Lucie, who, meanwhile, was engaged in conversation with another observer:

      [Janet