With this, he peered about among the crowd in search of the magistrate, but though he thrust his little turned-up nose in every direction, he could not find him, and therefore set out for the Abbey, concluding he had gone thither.
As Mistress Nutter walked along, she perceived James Device among the crowd, holding Jennet by the hand, and motioned him to come to her. Jem instantly understood the sign, and quitting his little sister, drew near.
"Tell thy mother," said Mistress Nutter, in a tone calculated only for his hearing, "to come to me, at the Abbey, quickly and secretly. I shall be in the ruins of the old convent church. I have somewhat to say to her, that concerns herself as well as me. Thou wilt have to go to Rough Lee and Malkin Tower to-night."
Jem nodded, to show his perfect apprehension of what was said and his assent to it, and while Mistress Nutter moved on with a slow and dignified step, he returned to Jennet, and told her she must go home directly, a piece of intelligence which was not received very graciously by the little maiden; but nothing heeding her unwillingness, Jem walked her off quickly in the direction of the cottage; but while on the way to it, they accidentally encountered their mother, Elizabeth Device, and therefore stopped.
"Yo mun go up to th' Abbey directly, mother," said Jem, with a wink, "Mistress Nutter wishes to see ye. Yo'n find her i' t' ruins o' t' owd convent church. Tak kere yo're neaw seen. Yo onderstond."
"Yeigh," replied Elizabeth, nodding her head significantly, "ey'n go at wonst, an see efter Alizon ot t' same time. Fo ey'm towd hoo has fainted, an been ta'en to th' Abbey by Lady Assheton."
"Never heed Alizon," replied Jem, gruffly. "Hoo's i' good hands. Ye munna be seen, ey tell ye. Ey'm going to Malkin Tower to-neet, if yo'n owt to send."
"To-neet, Jem," echoed little Jennet.
"Eigh," rejoined Jem, sharply. "Howd te tongue, wench. Dunna lose time, mother."
And as he and his little sister pursued their way to the cottage, Elizabeth hobbled off towards the Abbey, muttering, as she went, "I hope Alizon an Mistress Nutter winna meet. Nah that it matters, boh still it's better not. Strange, the wench should ha' fainted. Boh she's always foolish an timmersome, an ey half fear has lost her heart to young Richard Assheton. Ey'n watch her narrowly, an if it turn out to be so, she mun be cured, or be secured—ha! ha!"
And muttering in this way, she passed through the Abbey gateway, the wicket being left open, and proceeded towards the ruinous convent church, taking care as much as possible to avoid observation.
CHAPTER V.—MOTHER CHATTOX
Not far from the green where the May-day revels were held, stood the ancient parish church of Whalley, its square tower surmounted with a flag-staff and banner, and shaking with the joyous peals of the ringers. A picturesque and beautiful structure it was, though full of architectural incongruities; and its grey walls and hoary buttresses, with the lancet-shaped windows of the choir, and the ramified tracery of the fine eastern window, could not fail to please any taste not quite so critical as to require absolute harmony and perfection in a building. Parts of the venerable fabric were older than the Abbey itself, dating back as far as the eleventh century, when a chapel occupied the site; and though many alterations had been made in the subsequent structure at various times, and many beauties destroyed, especially during the period of the Reformation, enough of its pristine character remained to render it a very good specimen of an old country church. Internally, the cylindrical columns of the north aisle, the construction of the choir, and the three stone seats supported on rounded columns near the altar, proclaimed its high antiquity. Within the choir were preserved the eighteen richly-carved stalls once occupying a similar position in the desecrated conventual church: and though exquisite in themselves, they seemed here sadly out of place, not being proportionate to the structure. Their elaborately-carved seats projected far into the body of the church, and their crocketed pinnacles shot up almost to the ceiling. But it was well they had not shared the destruction in which almost all the other ornaments of the magnificent fane they once decorated were involved. Carefully preserved, the black varnished oak well displayed the quaint and grotesque designs with which many of them—the Prior's stall in especial—were embellished. Chief among them was the abbot's stall, festooned with sculptured vine wreaths and clustering grapes, and bearing the auspicious inscription:
Semper gaudentes sint ista sede sedentes:
singularly inapplicable, however, to the last prelate who filled it. Some fine old monuments, and warlike trophies of neighbouring wealthy families, adorned the walls, and within the nave was a magnificent pew, with a canopy and pillars of elaborately-carved oak, and lattice-work at the sides, allotted to the manor of Read, and recently erected by Roger Nowell; while in the north and south aisles were two small chapels, converted since the reformed faith had obtained, into pews—the one called Saint Mary's Cage, belonging to the Assheton family; and the other appertaining to the Catterals of Little Mitton, and designated Saint Nicholas's Cage. Under the last-named chapel were interred some of the Paslews of Wiswall, and here lay the last unfortunate Abbot of Whalley, between whoso grave, and the Assheton and Braddyll families, a fatal relation was supposed to subsist. Another large pew, allotted to the Towneleys, and designated Saint Anthony's Cage, was rendered remarkable, by a characteristic speech of Sir John Towneley, which gave much offence to the neighbouring dames. Called upon to decide as to the position of the sittings in the church, the discourteous knight made choice of Saint Anthony's Cage, already mentioned, declaring, "My man, Shuttleworth of Hacking, made this form, and here will I sit when I come; and my cousin Nowell may make a seat behind me if he please, and my son Sherburne shall make one on the other side, and Master Catteral another behind him, and for the residue the use shall be, first come first speed, and that will make the proud wives of Whalley rise betimes to come to church." One can fancy the rough knight's chuckle, as he addressed these words to the old clerk, certain of their being quickly repeated to the "proud wives" in question.
Within the churchyard grew two fine old yew-trees, now long since decayed and gone, but then spreading their dark-green arms over the little turf-covered graves. Reared against the buttresses of the church was an old stone coffin, together with a fragment of a curious monumental effigy, likewise of stone; but the most striking objects in the place, and deservedly ranked amongst the wonders of Whalley, were three remarkable obelisk-shaped crosses, set in a line upon pedestals, covered with singular devices in fretwork, and all three differing in size and design. Evidently of remotest antiquity, these crosses were traditionally assigned to Paullinus, who, according to the Venerable Bede, first preached the Gospel in these parts, in the early part of the seventh century; but other legends were attached to them by the vulgar, and dim mystery brooded over them.
Vestiges of another people and another faith were likewise here discernible, for where the Saxon forefathers of the village prayed and slumbered in death, the Roman invaders of the isle had trodden, and perchance performed their religious rites; some traces of an encampment being found in the churchyard by the historian of the spot, while the north boundary of the hallowed precincts was formed by a deep foss, once encompassing the nigh-obliterated fortification. Besides these records of an elder people, there was another memento of bygone days and creeds, in a little hermitage and chapel adjoining it, founded in the reign of Edward III., by Henry, Duke of Lancaster, for the support of two recluses and a priest to say masses daily for him and his descendants; but this pious bequest being grievously abused in the subsequent reign of Henry VI., by Isole de Heton, a fair widow, who in the first transports of grief, vowing herself to heaven, took up her abode in the hermitage, and led a very disorderly life therein, to the great scandal of the Abbey, and the great prejudice of the morals of its brethren, and at last, tired even of the slight restraint imposed upon her, fled away "contrary to her oath and profession, not willing, nor intending to be restored again;" the hermitage was dissolved by the pious monarch,