"Yone is exultant, because we both wanted the beads," she said. "I like amber as much as she."
"Nothing near so much, Lu!"
"Why didn't you have them, then?" asked Rose, quickly.
"Oh, they belonged to Yone; and uncle gave me these, which I like better. Amber is warm, and smells of the earth; but this is cool and dewy, and"–
"Smells of heaven?" asked I, significantly.
Mr. Dudley began to fidget, for he saw no chance of finishing his exposition.
"As I was saying, Miss Louisa," he began, in a different key.
I took my beads and wound them round my wrist. "You haven't as much eye for color as a poppy-bee," I exclaimed, in a corresponding key, and looking up at Rose.
"Unjust. I was thinking then how entirely they suited you."
"Thank you. Vastly complimentary from one who 'don't like amber'!"
"Nevertheless, you think so."
"Yes and no. Why don't you like it?"
"You mustn't ask me for my reasons. It is not merely disagreeable, but hateful."
"And you've been beside me, like a Christian, all this time, and I had it!"
"The perfume is acrid; I associate it with the lower jaw of St. Basil the Great, styled a present of immense value, you remember,—being hard, heavy, shining like gold, the teeth yet in it, and with a smell more delightful than amber,"—making a mock shudder at the word.
"Oh, it is prejudice, then."
"Not in the least. It is antipathy. Besides, the thing is unnatural; there is no existent cause for it. A bit that turns up on certain sands,—here at home, for aught I know, as often as anywhere."
"Which means Nazareth. We must teach you, Sir, that there are some things at home as rare as those abroad."
"I am taught," he said, very low, and without looking up.
"Just tell me, what is amber?"
"Fossil gum."
"Can you say those words and not like it? Don't it bring to you a magnificent picture of the pristine world,—great seas and other skies,—a world of accentuated crises, that sloughed off age after age, and rose fresher from each plunge? Don't you see, or long to see, that mysterious magic tree out of whose pores oozed this fine solidified sunshine? What leaf did it have? what blossom? what great wind shivered its branches? Was it a giant on a lonely coast, or thick low growth blistered in ravines and dells? That's the witchery of amber,—that it has no cause,—that all the world grew to produce it,—may-be died and gave no other sign,—that its tree, which must have been beautiful, dropped all its fruits; and how bursting with juice must they have been"–
"Unfortunately, coniferous."
"Be quiet. Stripped itself of all its lush luxuriance, and left for a vestige only this little fester of its gashes."
"No, again," he once more interrupted. "I have seen remnants of the wood and bark in a museum."
"Or has it hidden and compressed all its secret here?" I continued, obliviously. "What if in some piece of amber an accidental seed were sealed, we found, and planted, and brought back the lost aeons? What a glorious world that must have been, where even the gum was so precious!"
"In a picture, yes. Necessary for this. But, my dear Miss Willoughby, you convince me that the Amber Witch founded your family," he said, having listened with an amused face. "Loveliest amber that ever the sorrowing sea-birds have wept," he hummed. "There! isn't that kind of stuff enough to make a man detest it?"
"Yes."
"And you are quite as bad in another way."
"Oh!"
"Just because, when we hold it in our hands, we hold also that furious epoch where rioted all monsters and poisons,—where death fecundated and life destroyed,—where superabundance demanded such existences, no souls, but fiercest animal fire;—just for that I hate it."
"Why, then, is it fitted for me?"
He laughed again, but replied,—"The hues harmonize,—the substances; you both are accidents; it suits your beauty."
So, then, it seemed I had beauty, after all.
"You mean that it harmonizes with me, because I am a symbol of its period. If there had been women then, they would have been like me,—a great creature without a soul, a"–
"Pray, don't finish the sentence. I can imagine that there is something rich and voluptuous and sating about amber, its color, and its lustre, and its scent; but for others, not for me. Yea, you have beauty, after all," turning suddenly, and withering me with his eye,—"beauty, after all, as you didn't say just now.—Mr. Willoughby is in the garden. I must go before he comes in, or he'll make me stay. There are some to whom you can't say, No."
He stopped a minute, and now, without looking,—indeed, he looked everywhere but at me, while we talked,—made a bow as if just seating me from a waltz, and, with his eyes and his smile on Louise all the way down the room, went out. Did you ever know such insolence?
SONG OF NATURE
Mine are the night and morning,
The pits of air, the gulf of space,
The sportive sun, the gibbous moon,
The innumerable days.
I hide in the blinding glory,
I lurk in the pealing song,
I rest on the pitch of the torrent,
In death, new-born and strong.
No numbers have counted my tallies,
No tribes my house can fill,
I sit by the shining Fount of life,
And pour the deluge still.
And ever by delicate powers
Gathering along the centuries
From race on race the fairest flowers,
My wreath shall nothing miss.
And many a thousand summers
My apples ripened well,
And light from meliorating stars
With firmer glory fell.
I wrote the past in characters
Of rock and fire the scroll,
The building in the coral sea,
The planting of the coal.
And thefts from satellites and rings
And broken stars I drew,
And out of spent and aged things
I formed the world anew.
What time the gods kept carnival,
Tricked out in star and flower,
And in cramp elf and saurian forms
They swathed their too much power.
Time and Thought were my surveyors,
They laid their courses well,
They boiled the sea, and baked the layers
Of granite, marl, and shell.
But him—the man-child glorious,
Where tarries he the while?
The rainbow shines his harbinger,
The sunset gleams his smile.
My boreal lights leap upward,
Forthright my planets roll,
And still the man-child is not born,
The summit of the whole.
Must