There now! you're perfectly shocked to hear me go on so about myself; but you oughtn't to be. It isn't lawful for any one else, because praise is intrusion; but if the rose please to open her heart to the moth, what then? You know, too, I didn't make myself; it's no virtue to be so fair. Louise couldn't speak so of herself: first place, because it wouldn't be true; next place, she couldn't, if it were; and lastly, she made her beauty by growing a soul in her eyes, I suppose,—what you call good. I'm not good, of course; I wouldn't give a fig to be good. So it's not vanity. It's on a far grander scale; a splendid selfishness,—authorized, too; and papa and mamma brought me up to worship beauty,—and there's the fifth commandment, you know.
Dear me! you think I'm never coming to the point. Well, here's this rosary;—hand me the perfume-case first, please. Don't you love heavy fragrances, faint with sweetness, ravishing juices of odor, heliotropes, violets, water-lilies,—powerful attars and extracts, that snatch your soul off your lips? Couldn't you live on rich scents, if they tried to starve you? I could, or die on them: I don't know which would be best. There! there's the amber rosary! You needn't speak; look at it!
Bah! is that all you've got to say? Why, observe the thing; turn it over; hold it up to the window; count the beads,—long, oval, like some seaweed bulbs, each an amulet. See the tint; it's very old; like clots of sunshine,—aren't they? Now bring it near; see the carving, here corrugated, there faceted, now sculptured into hideous, tiny, heathen gods. You didn't notice that before! How difficult it must have been, when amber is so friable! Here's one with a chessboard on his back, and all his kings and queens and pawns slung round him. Here's another with a torch, a flaming torch, its fire pouring out inverted. They are grotesque enough;—but this, this is matchless: such a miniature woman, one hand grasping the round rock behind, while she looks down into some gulf, perhaps, beneath, and will let herself fall. Oh, you should see her with a magnifying-glass! You want to think of calm, satisfying death, a mere exhalation, a voluntary slipping into another element? There it is for you. They are all gods and goddesses. They are all here but one; I've lost one, the knot of all, the love of the thing. Well! wasn't it queer for a Catholic girl to have at prayer? Don't you wonder where she got it? Ah! but don't you wonder where I got it? I'll tell you.
Papa came in, one day, and with great mystery commenced unrolling, and unrolling, and throwing tissue papers on the floor, and scraps of colored wool; and Lu and I ran to him,—Lu stooping on her knees to look up, I bending over his hands to look down. It was so mysterious! I began to suspect it was diamonds for me, but knew I never could wear them, and was dreadfully afraid that I was going to be tempted, when slowly, bead by bead, came out this amber necklace. Lu fairly screamed; as for me, I just drew breath after breath, without a word. Of course they were for me;—I reached my hands for them.
"Oh, wait!" said papa. "Yone or Lu?"
"Now how absurd, papa!" I exclaimed. "Such things for Lu!"
"Why not?" asked Lu,—rather faintly now, for she knew I always carried my point.
"The idea of you in amber, Lu! It's too foreign; no sympathy between you!"
"Stop, stop!" said papa. "You shan't crowd little Lu out of them. What do you want them for, Lu?"
"To wear," quavered Lu,—"like the balls the Roman ladies carried for coolness."
"Well, then, you ought to have them. What do you want them for, Yone?"
"Oh, if Lu's going to have them, I don't want them."
"But give a reason, child."
"Why, to wear, too,—to look at,—to have and to hold for better, for worse,—to say my prayers on," for a bright idea struck me, "to say my prayers on, like the Florence rosary." I knew that would finish the thing.
"Like the Florence rosary?" said papa, in a sleepy voice. "Why, this is the Florence rosary."
Of course, when we knew that, we were both more crazy to obtain it.
"Oh, Sir," just fluttered Lu, "where did you get it?"
"I got it; the question is, Who's to have it?"
"I must and will, potential and imperative," I exclaimed, quite on fire. "The nonsense of the thing! Girls with lucid eyes, like shadowy shallows in quick brooks, can wear crystallizations. As for me, I can wear only concretions and growths; emeralds and all their cousins would be shockingly inharmonious on me; but you know, Lu, how I use Indian spices, and scarlet and white berries and flowers, and little hearts and notions of beautiful copal that Rose carved for you,—and I can wear sandal-wood and ebony and pearls, and now this amber. But you, Lu, you can wear every kind of precious stone, and you may have Aunt Willoughby's rubies that she promised me; they are all in tone with you; but I must have this."
"I don't think you're right," said Louise, rather soberly. "You strip yourself of great advantages. But about the rubies, I don't want anything so flaming, so you may keep them; and I don't care at all about this. I think, Sir, on the whole, they belong to Yone for her name."
"So they do," said papa. "But not to be bought off! That's my little
Lu!"
And somehow Lu, who had been holding the rosary, was sitting on papa's knee, as he half knelt on the floor, and the rosary was in my hand. And then he produced a little kid box, and there lay inside a star with a thread of gold for the forehead, circlets for wrist and throat, two drops, and a ring. Oh, such beauties! You've never seen them.
"The other one shall have these. Aren't you sorry, Yone?" he said.
"Oh, no, indeed! I'd much rather have mine, though these are splendid.
What are they?"
"Aqua-marina," sighed Lu, in an agony of admiration.
"Dear, dear! how did you know?"
Lu blushed, I saw,—but I was too much absorbed with the jewels to remark it.
"Oh, they are just like that ring on your hand! You don't want two rings alike," I said. "Where did you get that ring, Lu?"
But Lu had no senses for anything beyond the casket.
If you know aqua-marina, you know something that's before every other stone in the world. Why, it is as clear as light, white, limpid, dawn light; sparkles slightly and seldom; looks like pure drops of water, sea-water, scooped up and falling down again; just a thought of its parent beryl green hovers round the edges; and it grows more lucent and sweet to the centre, and there you lose yourself in some dream of vast seas, a glory of unimagined oceans; and you say that it was crystallized to any slow flute-like tune, each speck of it floating into file with a musical grace, and carrying its sound with it. There! it's very fanciful, but I'm always feeling the tune in aqua-marina, and trying to find it,—but I shouldn't know it was a tune, if I did, I suppose. How magnificent it would be, if every atom of creation sprang up and said its one word of abracadabra, the secret of its existence, and fell silent again. Oh, dear! you'd die, you know; but what a pow-wow! Then, too, in aqua-marina proper, the setting is kept out of sight, and you have the unalloyed stone with its sea-rims and its clearness and steady sweetness. It wasn't the stone for Louise to wear; it belongs rather to highly-nervous, excitable persons; and Lu is as calm as I, only so different! There is something more pure and simple about it than about anything else; others may flash and twinkle, but this just glows with an unvarying power, is planetary and strong. It wears the moods of the sea, too: once in a while a warm amethystine mist suffuses it like a blush; sometimes a white morning fog breathes over it: you long to get into the heart of it. That's the charm of gems, after all! You feel that they are fashioned through dissimilar processes