Specimens of the Table Talk of Samuel Taylor Coleridge. Coleridge Samuel Taylor. Читать онлайн. Newlib. NEWLIB.NET

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It was the struggle not to love her. It was a moral indignation and regret that virture should so fall:—"But yet the pity of it, Iago!—O Iago! the pity of it, Iago!" In addition to this, his hourour was concerned: Iago would not have succeeded but by hinting that this honour was compromised. There is no ferocity in Othello; his mind is majestic and composed. He deliberately determines to die; and speaks his last speech with a view of showing his attachment to the Venetian state, though it had superseded him.

* * * * *

      Schiller has the material Sublime; to produce an effect he sets you a whole town on fire, and throws infants with their mothers into the flames, or locks up a father in an old tower.2 But Shakspeare drops a handkerchief, and the same or greater effects follow.

      Lear is the most tremendous effort of Shakspeare as a poet; Hamlet as a philosopher or meditater; and Othello is the union of the two. There is something gigantic and unformed in the former two; but in the latter, every thing assumes its due place and proportion, and the whole mature powers of his mind are displayed in admirable equilibrium.

      I think Old Mortality and Guy Mannering the best of the Scotch novels.

      It seems, to my ear, that there is a sad want of harmony in Lord Byron's verses. Is it not unnatural to be always connecting very great intellectual power with utter depravity? Does such a combination often really exist in rerum naturae?

      I always had a great liking—I may say, a sort of nondescript reverence— for John Kemble. What a quaint creature he was! I remember a party, in which he was discoursing in his measured manner after dinner, when the servant announced his carriage. He nodded, and went on. The announcement took place twice afterwards; Kemble each time nodding his head a little more impatiently, but still going on. At last, and for the fourth time, the servant entered, and said,—"Mrs. Kemble says, sir, she has the rheumat_ise_, and cannot stay." "Add_ism!_" dropped John, in a parenthesis, and proceeded quietly in his harangue.

* * * * *

      Kemble would correct any body, at any time, and in any place. Dear Charles Mathews—a true genius in his line, in my judgment—told me he was once performing privately before the King. The King was much pleased with the imitation of Kemble, and said,—"I liked Kemble very much. He was one of my earliest friends. I remember once he was talking, and found himself out of snuff. I offered him my box. He declined taking any—'he, a poor actor, could not put his fingers into a royal box.' I said, 'Take some, pray; you will obl_ee_ge me.' Upon which Kemble replied,—'It would become your royal mouth better to say, obl_i_ge me;' and took a pinch."

* * * * *

      It is not easy to put me out of countenance, or interrupt the feeling of the time by mere external noise or circumstance; yet once I was thoroughly done up, as you would say. I was reciting, at a particular house, the "Remorse;" and was in the midst of Alhadra's description of the death of her husband,3 when a scrubby boy, with a shining face set in dirt, burst open the door and cried out,—"Please, ma'am, master says, Will you ha'; or will you not ha', the pin-round?"

      January 1. 1823

PARLIAMENTARY PRIVILEGE.–PERMANENCY AND PROGRESSION OF NATIONS.—KANT'S RACES OF MANKIND

      Privilege is a substitution for Law, where, from the nature of the circumstances, a law cannot act without clashing with greater and more general principles. The House of Commons must, of course, have the power of taking cognizance of offences against its own rights. Sir Francis Burdett might have been properly sent to the Tower for the speech he made in the House4; but when afterwards he published it in Cobbett, and they took cognizance of it as a breach of privilege, they violated the plain distinction between privilege and law.

      As a speech in the House, the House could alone animadvert upon it, consistently with the effective preservation of its most necessary prerogative of freedom of debate; but when that speech became a book, then the law was to look to it; and there being a law of libel, commensurate with every possible object of attack in the state, privilege, which acts, or ought to act, only as a substitute for other laws, could have nothing to do with it. I have heard that one distinguished individual said,—"That he, for one, would not shrink from affirming, that if the House of Commons chose to burn one of their own members in Palace Yard, it had an inherent power and right by the constitution to do so." This was said, if at all, by a moderate-minded man; and may show to what atrocious tyranny some persons may advance in theory, under shadow of this word privilege.

* * * * *

      There are two principles in every European and Christian state: Permanency and Progression.5

      In the civil wars of the seventeenth century in England, which are as new and fresh now as they were a hundred and sixty years ago, and will be so for ever to us, these two principles came to a struggle. It was natural that the great and the good of the nation should he found in the ranks of either side. In the Mohammedan states, there is no principle of permanence; and, therefore, they sink directly. They existed, and could only exist, in their efforts at progression; when they ceased to conquer, they fell in pieces. Turkey would long since have fallen, had it not been supported by the rival and conflicting interests of Christian Europe. The Turks have no church; religion and state are one; hence there is no counterpoise, no mutual support. This is the very essence of their Unitarianism. They have no past; they are not an historical people; they exist only in the present. China is an instance of a permanency without progression. The Persians are a superior race: they have a history and a literature; they were always considered by the Greeks as quite distinct from the other barbarians. The Afghans are a remarkable people. They have a sort of republic. Europeans and Orientalists may be well represented by two figures standing back to back: the latter looking to the east, that is, backwards; the former looking westward, or forwards.

* * * * *

      Kant assigns three great races of mankind. If two individuals of distinct races cross, a third, or tertium aliquid, is invariably produced, different from either, as a white and a negro produce a mulatto. But when different varieties of the same race cross, the offspring is according to what we call chance; it is now like one, now like the other parent. Note this, when you see the children of any couple of distinct European complexions,—as English and Spanish, German and Italian, Russian and Portuguese, and so on.

      January 3. 1823

MATERIALISM.—GHOSTS

      Either we have an immortal soul, or we have not. If we have not, we are beasts; the first and wisest of beasts, it may be; but still true beasts.6 We shall only differ in degree, and not in kind; just as the elephant differs from the slug. But by the concession of all the materialists of all the schools, or almost all, we are not of the same kind as beasts—and this also we say from our own consciousness. Therefore, methinks, it must be the possession of a soul within us that makes the difference.

* * * * *

      Read the first chapter of Genesis without prejudice, and you will be convinced at once. After the narrative of the creation of the earth and brute animals, Moses seems to pause, and says:—"And God said, Let us make man in our image, after our likeness." And in the next chapter, he repeats the narrative:—"And the Lord God formed man of the dust of the ground, and breathed into his nostrils the breath of life;" and then he adds these words,—"and man became a living soul." Materialism will never explain those last words.

* * * * *

      Define a vulgar ghost with reference to all that is called ghost-like. It is visibility without tangibility; which is also the definition of a shadow. Therefore, a vulgar ghost and a shadow would be the same; because two different things cannot properly have the same definition. A visible substance without susceptibility of impact, I maintain to be an absurdity.

      Unless there be an external substance, the bodily eye cannot see it; therefore, in all such cases, that which is supposed to be seen is, in fact, not seen, but is an image of the brain. External objects naturally produce sensation; but here, in truth, sensation produces, as it were, the external object. In certain states of the nerves, however, I do believe that the


<p>2</p>

This expression—"material sublime"—like a hundred others which have slipped into general use, came originally from Mr. Coleridege, and was by him, in the first instatnce, applied to Schiller's Robbers— See Act iv, sc. 5.—ED.

<p>3</p> "ALHADRA. This night your chieftain arm'd himself,And hurried from me. But I follow'd himAt distance, till I saw him enter there!NAOMI. The cavern?ALHADRA. Yes, the mouth of yonder cavern.After a while I saw the son of ValdezRush by with flaring torch: he likewise enter'd.There was another and a longer pause;And once, methought, I heard the clash of swords!And soon the son of Valdez re-appear'd:He flung his torch towards the moon in sport,And seem'd as he were mirthful! I stood listening,Impatient for the footsteps of my husband.NAOMI. Thou calledst him?ALHADRA. I crept into the cavern—'Twas dark and very silent. What saidst thou?No! No! I did not dare call Isidore,Lest I should hear no answer! A brief while,Belike, I lost all thought and memoryOf that for which I came! After that pause,O Heaven! I heard a groan, and follow'd it;And yet another groan, which guided meInto a strange recess—and there was light,A hideous light! his torch lay on the ground;Its flame burnt dimly o'er a chasm's brink:I spake; and whilst I spake, a feeble groanCame from that chasm! it was his last—his death-groan!NAOMI. Comfort her, Allah!ALHADRA. I stood in unimaginable tranceAnd agony that cannot be remember'd,Listening with horrid hope to hear a groan!But I had heard his last;—my husband's death-groan!NAOMI. Haste! let us onward!ALHADRA. I look'd far down the pit—My sight was bounded by a jutting fragment;And it was stain'd with blood. Then first I shriek'd;My eyeballs burnt, my brain grew hot as fire,And all the hanging drops of the wet roofTurn'd into blood—I saw them turn to blood!And I was leaping wildly down the chasm,When on the further brink I saw his sword,And it said, Vengeance!—Curses on my tongue!The moon hath moved in heaven, and I am here,And he hath not had vengeance!—Isidore!Spirit of Isidore, thy murderer lives!Away, away!"—Act iv. sc. 3.
<p>4</p>

March 12. 1810. Sir Francis Burdett made a motion in the House of Commons for the discharge of Mr. Gale Jones, who had been committed to Newgate by a resolution of the House on the 21st of February preceding. Sir Francis afterwards published, in Cobbett's Political Register, of the 24th of the same month of March, a "Letter to his Constituents, denying the power of the House of Commons to imprison the people of England," and he accompanied the letter with an argument in support of his position. On the 27th of March a complaint of breach of privilege, founded on this publication, was made in the House by Mr. (now Sir Thomas) Lethbridge, and after several long debates, a motion that Sir Francis Burdett should be committed to the Tower was made on the 5th of April, 1810, by Sir Robert Salisbury, and carried by a majority of 38.—ED.

<p>5</p>

See this position stated and illustrated in detail in Mr. Coleridge's work, "On the Constitution of the Church and State, according to the Idea of each," p. 21. 2d edit. 1830. Well acquainted as I am with the fact f the comparatively small acceptation which Mr. Coleridge's prose works have ever found in the literary world, and with the reasons, and, what is more, with the causes, of it, I still wonder that this particular treatise has not been more noticed: first, because it is a little book; secondly, because it is, or at least nineteen-twentieths of it are, written in a popular style; and thirdly, because it is the only work, that I know or have ever heard mentioned, that even attempts a solution of the difficulty in which an ingenious enemy of the church of England may easily involve most of its modern defenders in Parliament, or through the press, upon their own principles and admissions. Mr. Coleridge himself prized this little work highly, although he admitted its incompleteness as a composition:—"But I don't care a rush about it," he said to me, "as an author. The saving distinctions are plainly stated in it, and I am sure nothing is wanted to make them tell, but that some kind friend should steal them from their obscure hiding-place, and just tumble them down before the public as his own."—ED.

<p>6</p>

"Try to conceive a man without the ideas of God, eternity, freedom, will, absolute truth; of the good, the true, the beautiful, the infinite. An animal endowed with a memory of appearances and facts might remain. But the man will have vanished, and you have instead a creature more subtle than any beast of the field, but likewise cursed above every beast of the field; upon the belly must it go, and dust must it eat all the days of its life."—Church and State, p. 54. n.