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"There he found, at the foot of a great walnut-tree, a fountain of a very clear running water, and alighting, tied his horse to a branch of a tree, and sitting clown by the fountain, took some biscuits and dates out of his portmanteau, and, as he ate his dates, threw the shells about on both sides of him. When he had done eating, being a good Mussulman, he washed his hands, his face, and his feet, and said his prayers. He had not made an end, but was still on his knees, when he saw a genie appear, all white with age, and of a monstrous bulk; who, advancing towards him with a cimetar in his hand, spoke to him in a terrible voice thus:—'Rise up, that I may kill thee with this cimetar as you have killed my son!' and accompanied these words with a frightful cry. The merchant being as much frightened at the hideous shape of the monster as at these threatening words, answered him trembling:—'Alas! my good lord, of what crime can I be guilty towards you that you should take away my life?'—'I will,' replies the genie, 'kill thee, as thou hast killed my son!'—'O heaven!' says the merchant, 'how should I kill your son? I did not know him, nor ever saw him.'—'Did not you sit down when you came hither?' replies the genie. 'Did not you take dates out of your portmanteau, and, as you ate them, did not you throw the shells about on both sides?'—'I did all that you say,' answers the merchant, 'I cannot deny it.'—'If it be so,' replied the genie, 'I tell thee that thou hast killed my son; and the way was thus: when you threw the nutshells about, my son was passing by, and you threw one of them into his eye, which killed him,
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Mr. Coleridge's admiration of this little romance was unbounded. He read it several times in German, and once in the English translation, made in America, I believe; the latter he thought inadequately done. Mr. C. said that there was something in Undine even beyond Scott,—that Scott's best characters and conceptions were
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Mr. Coleridge said this, after looking at the engravings of Mr. Martin's two pictures of the Valley of the Shadow of Death, and the Celestial City, published in the beautiful edition of the Pilgrim's Progress by Messrs. Murray and Major, in 1830. I wish Mr. Martin could have heard the poet's lecture: he would have been flattered, and at the same time, I believe, instructed; for in the philosophy of painting Coleridge was a master.—ED.
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P. 350., by S. Mosses from a design by Mr. W. Harvey. "When they came to the place where he was, they found him with one
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I find written on a blank leaf of my copy of this edition of the P.'s P. the following note by Mr. C.:—"I know of no book, the Bible excepted as above all comparison, which I, according to
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"I will add, at the risk of appearing to dwell too long on religious topics, that on this my first introduction to Coleridge he reverted with strong compunction to a sentiment which he had expressed in earlier days upon prayer. In one of his youthful poems, speaking of God, he had said—
This sentiment he now so utterly condemned, that, on the contrary, he told me, as his own peculiar opinion, that the act of praying was the very highest energy of which the human heart was capable, praying, that is, with the total concentration of the faculties; and the great mass of worldly men and of learned men he pronounced absolutely incapable of prayer."—
Mr. Coleridge within two years of his death very solemnly declared to me his conviction upon the same subject. I was sitting by his bedside one afternoon, and he fell, an unusual thing for him, into a long account of many passages of his past life, lamenting some things, condemning others, but complaining withal, though very gently, of the way in which many of his most innocent acts had been cruelly misrepresented. "But I have no difficulty," said he, "in forgiveness; indeed, I know not how to say with sincerity the clause in the Lord's Prayer, which asks forgiveness
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Mr. Coleridge placed Jeremy Taylor amongst the four great geniuses of old English literature. I think he used to reckon Shakspeare and Bacon, Milton and Taylor, four-square, each against each. In mere eloquence, he thought the Bishop without any fellow. He called him Chrysostom. Further, he loved the man, and was anxious to find excuses for some weak parts in his character. But Mr. Coleridge's assent to Taylor's views of many of the fundamental positions of Christianity was very limited; and, indeed, he considered him as the least sound in point of doctrine of any of the old divines, comprehending, within that designation, the writers to the middle of Charles II.'s reign. He speaks of Taylor in "The Friend" in the following terms:—"Among the numerous examples with which I might enforce this warning, I refer, not without reluctance, to the most eloquent, and one of the most learned, of our divines; a rigorist, indeed, concerning the authority of the church, but a latitudinarian in the articles of its faith; who stretched the latter almost to the advanced posts of Socinianism, and strained the former to a hazardous conformity with the assumptions of the Roman hierarchy." Vol. ii. p. 108.—ED.
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Why not, indeed! It is really quite unaccountable that the sermons of this great divine of the English church should be so little known as they are, even to very literary clergymen of the present day. It might have been expected, that the sermons of the greatest preacher of his age, the admired of Ben Jonson, Selden, and all that splendid band of poets and scholars, would even as curiosities have been reprinted, when works, which are curious for nothing, are every year sent forth afresh under the most authoritative auspices. Dr. Donne was educated at both universities, at Hart Hall, Oxford, first, and afterwards at Cambridge, but at what college Walton does not mention—ED.
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"The imperative and oracular form of the inspired Scripture is the form of reason itself, in all things purely rational