The Lost Land of King Arthur. Walters John Cuming

theory. The name Camelford, the scene of the last battle, is by some said to be derived from the Anglo-Saxon gafol, meaning “tribute,” the spot so called marking the ford where of old time tribute was paid. The name Guildford is also declared to have a similar signification, and, in fact, to be but a variation of Camelford. If this be so, a curious point arises. Guildford is mentioned towards the close of the Arthurian history. Sir Lancelot and the king having parted company, it is recorded that Arthur “departed towards Winchester with his fellowship. And so by the way the king lodged in a towne called Astolat, which is now in English called Gilford.” Upon this Mr. Aldis Wright observes: “Guildford in Surrey is no doubt the place alluded to; but I am not aware that the name of Astolat or Astolot (Caxton) is given to it in any authentic history.” It may be argued that King Arthur would be more likely to pass through Guildford, Surrey, than through Camelford, Cornwall. But his starting point is not certain, and it must be specially noted that the Winchester to which he was making his way was not Winchester in Hampshire but “Camelot, that is, Winchester” (Book XVIII., c. 9). The unauthorised and even absurd interpolation that Camelot was Winchester at once changes the whole argument. Disregarding this misleading explanation we find that Arthur was on his way to Camelot from one of his Courts, and if Camelot was in Somersetshire it is most likely that Camelford would be one of the intermediate stages. But the importance of the whole contention is this: Astolat, as frequently mentioned in connection with the “faire maide” Elaine and Sir Lancelot’s worthiest love episode, is undiscoverable. The name is unknown outside romance; and though we are assured that it is “now in English called Gilford,” no authority can be found for the assertion. Besides, Guildford in Surrey was rather beyond the borders of the British Kingdom, even granting occasional excursions to Middlesex and Kent. But if Guildford were synonymous with Camelford, as the derivation permits us to believe, then Astolat was none other than Camelford, and at once there are light and order where formerly prevailed obscurity and confusion. Another point worth mention is that, although tradition marks Camelford as the actual scene of important events in the Arthurian history, and although from its situation, its proximity to Tintagel, and its steep hill suitable to be crowned by a baron’s castle such as Sir Bernard of Astolat possessed, we may safely surmise that it was well known to the ever-journeying knights, yet the actual name of Camelford is never mentioned in the chronicles. As it was of Anglo-Saxon origin, this omission would easily be accounted for in the earliest records, while if Astolat was the traditional name it is at once clear how it could equally be applied to Camelford and to Guildford. We must of course remember that where the chroniclers themselves sought to elucidate they too often confused; the finger-posts they set up have started many upon weary and fruitless journeys, and the guidance offered with such confidence turns out most commonly to be the most random of guesses. If, however, we may place the slightest credence in the “Astolat, which is now in English called Gilford,” as much can be said for “Gilford” being “Gafolford” or Camelford, as for its being “Gyldeford” or Guildford. The stretch of low-lying level fields on either side of the Camel, the sharp-peaked hills in the distance, the dark meres among the hills, and the angry sea lashing against the rocks visible a mile or two away, all accord with the typical scenery of King Arthur’s realm, and make us not unwilling to believe that famous Astolat was here to be found.

      When all is told, when all the searching is ended, it is found that some half-dozen places only stand out pre-eminent from the host of localities in the West in each of which only a single seed seems to have germinated; and these half-dozen places, like the last citadels of the hero, resist every effort and assault of the invader to dislodge the traditions of Arthur. I have not attempted to write a history of these places, but only to say something of their aspect to-day and of the chief events and ancient traditions linked with their names. Now and again I mention facts of later date for the purpose of showing that these famous spots have continued to be the centres of activity and connected with great characters; but in the main I confine myself to the legends of Arthur and to the episodes of chivalry. To have attempted more would have entailed not only a far more comprehensive work, but the treatment of the subject in a more scientific spirit than is here displayed. The object has been to deal rather with the romantic side than with the technical, for which the deep scholarship of a Rhys or a Müller alone can be the qualification. It is necessary to premise also that of the most conspicuous Arthurian localities nothing but the bare tradition can be recorded. That tradition lives and is cherished, but its origin is undiscoverable. The sap lingers in the branches, but the roots are detached and lost. The legend is spread everywhere, but there are no verities. The visitor to the Arthurian scenes finds nothing but eponymous names and superstitions—indeed, the evidence present leads him to other conclusions than those he seeks. He looks for a British encampment, and he finds a post-Roman; he looks for a relic of Arthur, and he finds one of Antoninus. What is persistently ascribed to the British hero, or associated with his times, is either intangible or is irreconcilable with existing facts. Castles he is said to have inhabited were built centuries after his death, and there can only remain the free speculation that they mark the site of a former structure of which no trace remains and of which no record was made. Spots which are called King Arthur’s grave, or his seat, or his hunting-ground, or his camp, neither he nor his band, it often happens, could ever have been near. We look for persons, and we find a crowd of phantoms; we eagerly watch for demonstrations, and we find myth and fable; we hope to see the clear page of history, and we find a page that is undecipherable or blotted with shadows. Records are effaced, song and story delude, the track to truth is almost closed. Everything crumbles into dust at the touch, like Guinevere’s golden hair, and nothing is now left but the pure romance. And some of us may be content and almost glad to have it so.

      CHAPTER III

      OF ARTHUR THE KING AND MERLIN THE ENCHANTER

      “No matter whence we do derive our name,

      All Brittany shall ring of Merlin’s fame,

      And wonder at his Arts.”

The Birth of Merlin, Act III. sc. iv.

      “He by wordes could call out of the sky

      Both sunne and moone, and make them him obey;

      The land to sea, and sea to maineland dry,

      And darksome night he eke could turn to day;

      That to this day, for terror of his fame

      The feendes do quake when any him to them does name.”—Spenser.

      The fact that the name Art(h)us does not occur in the Gildas manuscript has led to the inference that the king was unknown to that chronicler; and the assumption that he is alluded to as Ursus (the Bear) tends to confirm the theory of those who would affirm that he is no more than a solar myth. It must be understood that the Arthur of romance, as we now know him, was a character ever increasing in importance and prominence as the history was re-written and elaborated; at first a minor actor in the drama, he at length became the leading figure and the centre around which all the other characters were grouped. The Arthur of the historian Nennius is the original personage to whom all the famed attributes have been accorded by subsequent writers. With so much doubt and confusion, involving the identity of the person himself, it is inevitable that even more doubt and confusion should exist when we come to detailed events. Even the name of Arthur’s father is variously given, a circumstance which caused Milton to question the veracity of the whole history; and the date of his birth, of his death, the age at which he died and other smaller points, lead to nothing but endless contradiction. The number of his battles is variously given as twelve and seventy-six; he is said to have wedded not one but three Guineveres (Gwenhwyvar); his age at death varies from just over thirty years to over ninety; and the date of the last battle is 537, 542, or 630.12 King Arthur’s actual name may have been Arthur Mab-Uther; his genealogical line has been traced back to Helianis, nephew of Joseph; the year 501 is now usually accepted as the date of his birth; and St. David, son of a prince of Cardiganshire, is mentioned not only as his contemporary but as a near relative. If the Sagas were compared with the Arthurian romances numerous points of resemblance could be shown. Olaf is the Arthur of the story, Gudrun the Guinevere, and Odin is the Merlin, while the city of Drontheim serves as Caerleon.