Besides these grand people there were employés of the mines of less note, clerks of the comerciantes, young farmers of the valley, gambucinos, vaqueros, ciboleros, and even “leperos” of the town, shrouded in their cheap serapés. A motley throng was the fandango.
The music consisted of a bandolon, a harp, and fiddle, and the dances were the waltz, the bolero, and the coona. It is but just to say that finer dancing could not have been witnessed in the saloons of Paris. Even the peon, in his leathern spencer and calzoneros, moved as gracefully as a professor of the art; and the poblanas, in their short skirts and gay coloured slippers, swept over the floor like so many coryphées of the ballet.
Roblado, as usual, was pressing his attentions on Catalina, and danced almost every set with her; but her eye wandered from his gold epaulettes and seemed to search the room for some other object. She was evidently indifferent to the remarks of her partner, and tired of his company.
Vizcarra’s eyes were also in search of some one that did not appear to be present, for the Comandante strolled to and fro, peering into every group and corner with a dissatisfied look.
If it was the fair blonde he was looking for, he would be unsuccessful. She was not there. Rosita and her mother had returned home after the exhibition of the fireworks. Their house was far down the valley, and they had gone to it, accompanied by Carlos and the young ranchero. These, however, had returned to be present at the fandango. It was late before they made their appearance, the road having detained them. This was why the eye of Catalina wandered. Unlike Vizcarra, however, she was not to meet with disappointment.
While the dance was going on two young men entered the saloon, and soon mingled with the company. One of them was the young ranchero, the other was Carlos. The latter might easily have been distinguished by the heron-plume that waved over his black sombrero.
The eye of Catalina was no longer restless. It was now directed upon an object, though its glances were not fixed, but quick and stolen – stolen, because of the observation of an angry father and a jealous lover.
Carlos assumed indifference, though his heart was burning. What would he not have given to have danced with her? But he knew the situation too well. He knew that the offer of such a thing would lead to a scene. He dared not propose it.
At times he fancied that she had ceased to regard him – that she even listened with interest to Roblado – to the beau Echevarria – to others. This was but Catalina’s fine acting. It was meant for other eyes than those of Carlos, but he knew not that, and became piqued.
He grew restless, and danced. He chose for his partner a very pretty “aldeana,” Inez Gonzales by name, who was delighted to dance with him. Catalina saw this, and became jealous in turn.
This play continued for a length of time, but Carlos at length grew tired of his partner, and sat down upon the banqueta alone. His eyes followed the movements of Catalina. He saw that hers were bent upon him with glances of love, – love that had been avowed in words, – yes, had already been plighted upon oath. Why should they suspect each other?
The confidence of both hearts was restored; and now the excitement of the dance, and the less zealous guardianship of Don Ambrosio, half drunk with wine, gave confidence to their eyes, and they gazed more boldly and frequently at one another.
The ring of dancers whirling round the room passed close to where Carlos sat. It was a waltz. Catalina was waltzing with the beau Echevarria. At each circle her face was towards Carlos, and then their eyes met. In these transient but oft-recurring glances the eyes of a Spanish maid will speak volumes, and Carlos was reading in those of Catalina a pleasant tale. As she came round the room for the third time, he noticed something held between her fingers, which rested over the shoulder of her partner. It was a sprig with leaves of a dark greenish hue. When passing close to him, the sprig, dexterously detached, fell upon his knees, while he could just bear, uttered in a soft whisper, the word – “Tuya!”
Carlos caught the sprig, which was a branch of “tuya,” or cedar. He well understood its significance; and after pressing it to his lips, he passed it through the button-hole of his embroidered “jaqueta.” As Catalina came round again, the glances exchanged between them were those of mutual and confiding love.
The night wore on – Don Ambrosio at length became sleepy, and carried off his daughter, escorted by Roblado.
Soon after most of the ricos and fashionables left the saloon, but some tireless votaries of Terpsichore still lingered until the rosy Aurora peeped through the “rejas” of the Casa de Cabildo.
Chapter Ten
The “Llano Estacado,” or “Staked Plain” of the hunters, is one of the most singular formations of the Great American Prairie. It is a table-land, or “steppe,” rising above the regions around it to a height of nearly one thousand feet, and of an oblong or leg-of-mutton form, trending from north to south.
It is four hundred miles in length, and at its widest part between two and three hundred. Its superficial area is about equal to the island of Ireland. Its surface aspect differs considerably from the rest of prairie-land, nor is it of uniform appearance in every part. Its northern division consists of an arid steppe, sometimes treeless, for an extent of fifty miles, and sometimes having a stunted covering of mezquite (acacia), of which there are two distinct species. This steppe is in several places rent by chasms a thousand feet in depth, and walled in on both sides by rugged impassable precipices. Vast masses of shapeless rocks lie along the beds of these great clefts, and pools of water appear at long intervals, while stunted cedars grow among the rocks, or cling from the seams of the cliffs.
Such chasms, called “cañons,” can only be crossed, or even entered, at certain points; and these passes are frequently a score of miles distant from each other.
On the upper plain the surface is often a dead level for a hundred miles, and as firm as a macadamised road. There are spots covered with a turf of grass of the varieties known as gramma, buffalo, and mezquite; and sometimes the traveller encounters a region where shallow ponds of different sizes stud the plain – a few being permanent, and surrounded by sedge. Most of these ponds are more or less brackish, some sulphurous, and others perfectly salt. After heavy rains such aqueous deposits are more numerous, and their waters sweeter; but rain seems to fall by accident over this desolate region, and after long spells of drought the greater number of these ponds disappear altogether.
Towards the southern end of the Llano Estacado the surface exhibits a very singular phenomenon – a belt of sand-hills, nearly twenty miles in breadth and full fifty in length, stretching north and south upon the plain. These hills are of pure white sand, thrown up in ridges, and sometimes in cones, to the height of a hundred feet, and without tree, bush, or shrub, to break their soft outlines, or the uniformity of their colour. But the greatest anomaly of this geological puzzle is, that water-ponds are found in their very midst – even among their highest ridges – and this water not occasional, as from rains, but lying in “lagunas,” with reeds, rushes, and nymphae growing in them, to attest that the water is permanent! The very last place where water might be expected to make a lodgment.
Such formations of drift-sand are common upon the shores of the Mexican Gulf, as well as on European coasts, and there their existence is easily explained; but here, in the very heart of a continent, it cannot be regarded as less than a singular phenomenon.
This sand-belt is passable at one or two points, but horses sink to the knees at every step, and but for the water it would be a perilous experiment to cross it.
Where is the Llano Estacado? Unroll your map of North America. You will perceive a large river called the Canadian rising in the Rocky Mountains, and running, first southerly, and then east, until it becomes part of the Arkansas. As this river bends eastwardly, it brushes the northern end of the Llano Estacado, whose bluffs sometimes approach close to its banks, and at other times are seen far off, resembling a range of mountains – for which they have been frequently mistaken by travellers.
The boundary of the west side of the “Staked Plain” is more definite. Near the head-waters of the Canadian another large