And now let us enter into the condition of the soul of such an unhappy one, who as “God man” suffers death upon the gibbet, and we understand the words of the 22nd Psalm: “My God, my God, why hast thou forsaken me? Why art thou so far from helping me, and from the words of my roaring? O my God, I cry in the day time, but thou answereth not; and in the night season, and am not silent. But thou art holy, O thou that inhabitest the praises of Israel. Our fathers trusted in thee; they trusted, and thou didst deliver them. They cried unto thee, and were delivered; they trusted in Thee, and were not ashamed. But I am a worm, and no man; a reproach of men, and despised of the people. All they that see me laugh me to scorn: they shoot out the lip, they shake the lip, saying, Commit thyself unto the Lord, let him deliver him: let him deliver him, seeing he delighteth in him… Many bulls have compassed me: strong bulls of Bashan have beset me round. They gape upon me with their mouth, as a ravening and a roaring lion. I am poured out like water. And all my bones are out of joint: my heart is like wax: it is melted in the midst of my bowels… They pierced my hands and my feet. I may tell all my bones. They look and stare upon me: they part my garments among them, and upon my vesture do they cast lots. But be not thou far off, O Lord: O Thou, my succour, haste Thee to help me… Save me from the lion’s mouth, yea, from the horns of the wild oxen…”
When the poet of the psalms wished to describe helplessness in its direst extremity, before his eyes there came the picture of a man, who, hanging upon the gibbet, calls upon God’s aid, while round about him the people gloat over his sufferings, which are to save them; and the attendants who had taken part in the sacrifice divide among themselves the costly garments with which the God-king had been adorned.
The employment of such a picture presupposes that the occurrence depicted was not unknown to the poet and his public, whether it came before their eyes from acquaintance with the religious ideas of their neighbours or because they were accustomed to see it in their own native usages. As a matter of fact in ancient Israel human sacrifices were by no means unusual. This appears from numberless passages of the Old Testament, and has been already exhaustively set forth by Ghillany in his book “Die Menschenopfer der alten Hebräer” (1842), and by Daumer in his “Der Feuer- und Molochdienst der alten Hebräer.” Thus we read in 2 Sam. xxi. 6–9 of the seven sons of the House of Saul, who were delivered over by David to the Gibeonites, who hung them on the mountain before the Lord. Thus was God appeased towards the land.73 In Numb. xxv. 4 Jahwe bade Moses hang the chiefs of the people “to the Lord before the sun, in order that the bitter wrath of the Lord might be turned from Israel.” And according to the Book of Joshua this latter dedicated the inhabitants of the city of Ain to the Lord, and after the capture of the city hung their king upon a tree,74 while in the tenth chapter (15–26) he even hangs five kings at one time. Indeed, it appears that human sacrifice formed a regular part of the Jewish religion in the period before the Exile; which indeed was but to be expected, considering the relationship between Jahwe and the Phœnician Baal. Jahwe himself was, moreover, originally only another form of the old Semitic Fire- and Sun-God; the God-king (Moloch or Melech), who was honoured under the image of a Bull, was represented at this time as a “smoking furnace”75 and was gratified and propitiated by human sacrifices.76 Even during the Babylonian captivity, despite the voices raised against it by some prophets in the last years of the Jewish state, sacrifices of this kind were offered by the Jews; until they were suppressed under the rule of the Persians, and in the new Jewish state were expressly forbidden. But even then they continued in secret and could easily be revived at any time, so soon as the excitement of the popular mind in some time of great need seemed to demand an extraordinary victim.77
Now the putting to death of a man in the rôle of a divine ruler was in ancient times very often connected with the celebration of the new year. This is brought to our mind even at the present day by the German and Slav custom of the “bearing out” of death at the beginning of spring, when a man or an image of straw symbolising the old year or winter, is taken round amidst lively jesting and is finally thrown into the water or ceremonially burnt, while the “Lord of May,” crowned with flowers, makes his entrance. Again, the Roman Saturnalia, celebrated in December, during which a mock king wielded his sceptre over a world of joy and licence and unbounded folly, and all relationships were topsy-turvy, the masters playing the part of slaves and vice-versâ, in the most ancient times used to be held in March as a festival of spring. And in this case, too, the king of the festival had to pay for his short reign with his life. In fact, the Acts of St. Dasius, published by Cumont, show that the bloody custom was still observed by the Roman soldiers on the frontiers of the Empire in the year 303 A.D.78
In Babylon the Feast of the Sakæes corresponded to the Roman Saturnalia. It was ostensibly a memorial of the inroad of the Scythian Sakes into Nearer Asia, and according to Frazer was identical with the very ancient new year’s festival of the Babylonians, the Zakmuk. This too was associated with a reversal of all usual relationships. A mock king, a criminal condemned to death, was here also the central figure – an unhappy being, to whom for a few days was accorded absolute freedom and every kind of pleasure, even to the using of the royal harem, until on the last day he was divested of his borrowed dignity, stripped naked, scourged, and then burnt.79 The Jews gained a knowledge of this feast during the Babylonian captivity, borrowed it from their oppressors, and celebrated it shortly before their Pasch under the name of the Feast of Purim, ostensibly, as the Book of Esther is at pains to point out, as a memorial of a great danger from which in Persia during the reign of Ahasuerus (Xerxes) they were saved by the craft of Esther and her uncle Mordecai. Jensen, however, has pointed out in the Vienna Zeitschrift für die Kunde des Morgenlandes80 that the basis of the narrative of Esther is an opposition between the chief Gods of Babylon and those of hostile Elam. According to his view under the names of Esther and Mordecai are hidden the names of Istar, the Babylonian Goddess of fertility, and Marduk, her “son” and “beloved.” At Babylon during the Feast of the Sakæes, under the names of the Elamite Gods Vashti and Haman (Humman), they were put out of the way as representatives of the old or wintry part of the year in order that they might rise up again under their real names and bring into the new year or the summer half of the year.81 Thus the Babylonian king of the Sakæes also played the part of a God and suffered death as such upon the pyre. Now we have grounds for assuming that the later Jewish custom at the Feast of Purim of hanging upon a gibbet and burning a picture or effigy representing the evil Haman, originally consisted, as at Babylon, in the putting to death of a real man, some criminal condemned to death. Here, too,