I believe it is decided that father and I should leave Griff and take up our residence somewhere in the neighborhood of Coventry, if we can obtain a suitable house, and this is at present a matter of anxiety. So you see I am likely still to have a home where I can independently welcome you. I am really so plunged in an abyss of books, preserves, and sundry important trivialities, that I must send you this bare proof that I have not cast the remembrance of you to a dusty corner of my heart. Ever believe that "my heart is as thy heart," that you may rely on me as a second self, and that I shall, with my usual selfishness, lose no opportunity of gratifying my duplicate.
The Epistle to the Colossians is pre-eminently rich in the coloring with which it portrays the divine fulness contained in the Saviour, contrasted with the beggarly elements that a spirit of self-righteousness would, in some way, mingle with the light of life, the filthy rags it would tack round the "fine raiment" of his righteousness. I have been reading it in connection with a train of thought suggested by the reading of "Ancient Christianity and the Oxford Tracts," by Isaac Taylor, one of the most eloquent, acute, and pious of writers. Five numbers only have yet appeared. Have you seen them? If not, I should like to send you an abstract of his argument. I have gulped it (pardon my coarseness) in a most reptile-like fashion. I must chew it thoroughly to facilitate its assimilation with my mental frame. When your pupils can relish Church history, I venture to recommend the chart lately published by Seeley & Burnside – far superior in conception to mine – as being more compendious, yet answering the purpose of presenting epochs as nuclei round which less important events instinctively cluster.
Mrs. John Cash of Coventry, who was then Miss Mary Sibree, daughter of a Nonconformist minister there, and whose acquaintance Miss Evans made a year or two later in Coventry, writes in regard to this book of Isaac Taylor's: "In her first conversations with my father and mother, they were much interested in learning in what high estimation she held the writings of Isaac Taylor. My father thought she was a little disappointed on hearing that he was a Dissenter. She particularly enjoyed his 'Saturday Evening,' and spoke in years after to me of his 'Physical Theory of Another Life,' as exciting thought and leading speculation further than he would have desired. When his 'Ancient Christianity' was published in numbers, Miss Evans took it in, and kindly forwarded the numbers to us. From the impression made on my own mind by unfavorable facts about 'The Fathers,' and from her own subsequent references to this work, I am inclined to think it had its influence in unsettling her views of Christianity."
I have thought of you as the one who has ever shown herself so capable of consideration for my weakness and sympathy in my warm and easily fastened affections. My imagination is an enemy that must be cast down ere I can enjoy peace or exhibit uniformity of character. I know not which of its caprices I have most to dread – that which incites it to spread sackcloth "above, below, around," or that which makes it "cheat my eye with blear illusion, and beget strange dreams" of excellence and beauty in beings and things of only working-day price. The beautiful heavens that we have lately enjoyed awaken in me an indescribable sensation of exultation in existence, and aspiration after all that is suited to engage an immaterial nature. I have not read very many of Mr. B.'s poems, nor any with much attention. I simply declare my determination not to feed on the broth of literature when I can get strong soup – such, for instance, as Shelley's "Cloud," the five or six stanzas of which contain more poetic metal than is beat out in all Mr. B.'s pages. You must know I have had bestowed on me the very pretty cognomen of Clematis, which, in the floral language, means "mental beauty." I cannot find in my heart to refuse it, though, like many other appellations, it has rather the appearance of a satire than a compliment. Addio! I will send your floral name in my next, when I have received my dictionary. My hand and mind are wearied with writing four pages of German and a letter of business.
My dear Veronica – which, being interpreted, is "fidelity in friendship" – Last week I was absent from home from Wednesday to Saturday, in quest of the "coy maiden," Pleasure – at least, nominally so, the real motive being rather to gratify another's feeling.15 I heard the "Messiah" on Thursday morning at Birmingham, and some beautiful selections from other oratories of Handel and Haydn on Friday. With a stupid, drowsy sensation, produced by standing sentinel over damson cheese and a warm stove, I cannot do better than ask you to read, if accessible, Wordsworth's short poem on the "Power of Sound," with which I have just been delighted. I have made an alteration in my plans with Mr. Brezzi, and shall henceforward take Italian and German alternately, so that I shall not be liable to the consciousness of having imperative employment for every interstice of time. There seems a greater affinity between German and my mind than Italian, though less new to me, possesses.
I am reading Schiller's "Maria Stuart," and Tasso.
I was pleased with a little poem I learned a week or two ago in German; and, as I want you to like it, I have just put the idea it contains into English doggerel, which quite fails to represent the beautiful simplicity and nature of the original, but yet, I hope, will give you sufficiently its sense to screen the odiousness of the translation. Eccola:
"'Where blooms, O my father, a thornless rose?'
'That can I not tell thee, my child;
Not one on the bosom of earth e'er grows
But wounds whom its charms have beguiled.'
"'Would I'd a rose on my bosom to lie,
But I shrink from the piercing thorn:
I long, but I dare not its point defy;
I long, and I gaze forlorn.'
"'Not so, O my child – round the stem again
Thy resolute fingers entwine;
Forego not the joy for its sister, pain —
Let the rose, the sweet rose, be thine.'"
Would not a parcel reach you by railway?
This is the first allusion to the new means of locomotion, which would, no doubt, be attracting much interest in the Griff household, as valuation was a large part of Mr. Evans's business. Long years after, George Eliot wrote:
"Our midland plains have never lost their familiar expression and conservative spirit for me; yet at every other mile, since I first looked on them, some sign of world-wide change, some new direction of human labor, has wrought itself into what one may call the speech of the landscape… There comes a crowd of burly navvies with pickaxes and barrows, and while hardly a wrinkle is made in the fading mother's face, or a new curve of health in the blooming girl's, the hills are cut through, or the breaches between them spanned, we choose our level, and the white steam-pennon flies along it."
My only reason for writing is to obtain a timely promise that you will spend your holidays chiefly with me, that we may once more meet among scenes which, now I am called on to leave them, I find to have grown in to my affections. Carlyle says that to the artisans of Glasgow the world is not one of blue skies and a green carpet, but a world of copperas-fumes, low cellars, hard wages, "striking," and whiskey; and if the recollection of this picture did not remind me that gratitude should be my reservoir of feeling, that into which all that comes from above or around should be received as a source of fertilization for my soul, I should give a lachrymose parody of the said description, and tell you all-seriously what I now tell you playfully, that mine is too often a world such as Wilkie can so well paint, a walled-in world furnished with all the details which he remembers so accurately, and the least interesting part whereof is often what I suppose must be designated the intelligent; but I deny that it has even a comparative claim to the appellation, for give me a three-legged stool, and it will call up associations – moral, poetical, mathematical – if I do but ask it, while some human beings have the odious power of contaminating the very images that are enshrined as our soul's