Spanish Highways and Byways. Katharine Lee Bates. Читать онлайн. Newlib. NEWLIB.NET

Автор: Katharine Lee Bates
Издательство: Public Domain
Серия:
Жанр произведения: Книги о Путешествиях
Год издания: 0
isbn: http://www.gutenberg.org/ebooks/38767
Скачать книгу
the Virgin's glorious raiment that a triple force of Civil Guards was detailed for her protection. Her ardent worshipper has denied her nothing. The very columns that uphold her canopy are exquisite in carving, and it is his yearly pride to see that her clouds of incense are the thickest, and her train of musicians the most extended, in all that glittering line.

      The second cofradia exhibited but a single pageant, relying for effect upon the beauty of the sculpture. The Mater Dolorosa was bowed in her desolation at the foot of the Holy Rood, from which hung only the white folds of the winding-sheet.

      But the third brotherhood had bethought themselves to introduce, between their austere Crucifixion and their shining image of Mary, another preposterous parade of Roman soldiers – flower-colored, plume-tossing, butterfly creatures far too bright, if not too good, "for human nature's daily food." One whiff from Cæsar's iron breast would have blown them away like soap bubbles.

      The silversmiths trooped by in graver, more majestic state, their purple velvet habits girded with gold cords. Upon a gilded pedestal, wrought with high relief, was seen their Christ, bowed beneath a precious cross of tortoise-shell and silver. Our Lady of Expectation gleamed with gold and gems, and this haughty brotherhood received a full meed of applause.

      Black from top to toe was the fifth procession. Their Jesus of the Via Dolorosa bent beneath a sombre cross of ebony embossed with gold, but the blithe young voices of the countless choir-boys, singing like birds before the dawn, ushered in a sun-bright image of Mary.

      But something was amiss with the processional order. Where were the stately ranks of Montserrat? Alas and alas! Scarcely had this aristocratic cofradia gone a hundred paces from their chapel when, in the narrow street of Murillo, a leaning candle touched the lace skirt of the Virgin and instantly all the front of the litter was in flames. It was hardly a matter of minutes. From the balconies above were dashed down pailfuls and pitcherfuls of water. The Nazarenes, wrenching away the blue velvet mantle wondrously embroidered in gold with castles, lions, and fleurs de lis, succeeded in rescuing a ragged half of it, and the Civil Guards, drawing their swords and forming a circle about the smoking litter, saved the jewels from robbery. Perhaps the other paso, too, Christ of the Conversion of the Penitent Thief, had some protecting influence. But in all this ado about her finery, the poor Virgin's face, beloved for its winsome look, was completely burned away. In sorry plight Our Lady of Montserrat was hurried back to her chapel, and the swift rumor of the disaster sent a superstitious trouble through the city.

      But more and more solemnly the taper-bearing troops of Nazarenes poured by with the culminating pictures of the Passion. These last three cofradias presented each a single pageant. An escort in dark purple conducted an impressive Descent from the Cross. The Virgin, her crowned head bowed in anguish, clasps the drooping body of Christ to her heart, while John and Mary Magdalene look on in hopeless sorrow. Figures in black and white came after, with their sixteenth-century carving, Christ of the Dying Breath, beneath the cross standing Our Lady of Tears. And last of all, in slow, sad movement, their white trains streaming like a line of light along the stone-paved way, passed the second brotherhood of San Lorenzo, bearing the Most Blessed Virgin in her Solitude. The gold of her mantle seemed one with the gold of the candle rays, and, for many a silent watcher, those gliding, gleaming, spiritlike forms will move forever down a shining path in memory. So closed the Holy Week processions.

      "How sorry I am," said our host, with the Andalusian twinkle in his eye. "It is almost eleven o'clock. Ladies and gentlemen, will you please walk out to dinner?"

      On Saturday morning we went early to the cathedral for the closing rite. The Sagrario was thronged. Some of the señoras had brought low folding chairs with them, others sat upon the floor, but most of that innumerable congregation knelt or stood. We were all facing the great purple veil which concealed the high altar, with Roldan's retablo of the Descent from the Cross. There was an hour or more of expectation, during which rosaries slipped through the fingers of many a veiled nun, and the soft murmur of prayer came from strong men as well as from pale-faced women. Suddenly, while a shock of thunder crashed from the organ, hidden ministrants sharply drew on hidden cords, the purple curtain parted in the midst, and the two folds rolled asunder, revealing the high altar, with its carving of the accomplished Passion. The organ poured forth jubilees of victory, all the bells of the cathedral pealed together, Gloria in Excelsis soared in choral chant, and amid the awe-stricken multitudes fallen to their knees, Su Majestad was borne in priestly procession from the tomb in the Royal Chapel to the candles and incense which awaited at the high altar that triumphal coming.

      Easter Sunday was celebrated by a bull-fight.

      VII

      TRACES OF THE INQUISITION

      "I live a life more great than I.

      The life I hope is life so high,

      I die because I cannot die."

– Santa Teresa de Jesús.

      All Spaniards venerate the name of Isabel la Católica, nor is the impressionable De Amicis the only foreigner who has trembled and wept at Granada before the enshrined memorials, jewel box, mirror, missal, and crown, of her royal womanhood. She is a precious figure in Spain's sunset revery – a saint beneath a conquering standard, a silken lady in a soldier's tent. Yet this peerless queen, merciful, magnanimous, devout, "the shield of the innocent," caring supremely for the glory of God and the good of her country, gave consent, albeit reluctant, to the establishment of the Inquisition, Christianity's chief scandal and Spain's most fatal blight. So ironic were the stars of Isabel.

      The Inquisition, it is true, originated in Italy early in the thirteenth century and followed the flight of some of the Albigenses into Aragon, but its work in Spain had been comparatively slight and merciful until the "Catholic Kings," in the interests of religious reform, for the purification of the national faith, let its horrors loose. Wherever one moves in Spain the sickening breath of the auto de fe lingers in the air. In such a square, we read, was once a mighty bonfire of Jews; beneath our feet, we are told, is a mass of human bones and cinders. This sunshiny Seville, with her parks and patios, her palms and orange groves, a city seemingly fashioned only for love and song, had her army of nearly twoscore thousand martyrs, who, dressed in the hateful San Benitos, yellow coats painted with flames and devils, were burned to death here in our gay Plaza de la Constitución, then known as the Plaza de San Francisco, and in the Quemadero beyond the walls. As one mingles with some outdoor throng, all intent on pageant, dance, or other spectacle, one shudders to remember that just such dark, eager faces were ringed about the agonies of those heroic victims. For there are two sides to the Spanish Inquisition. If Spaniards were the inquisitors, Spaniards, too, were the dauntless sufferers. The sombre gaze of the torturer was met, as steel meets iron, by the unflinching eye of the tortured. But "the unimaginable touch of Time" transforms all tragedy to beauty, and red poppies, blowing on the grassy plain of the Quemadero, translate into poetry to-day that tale of blazing fagots.

      Sometimes the victims were of foreign blood. Hakluyt has preserved the simple narratives of two English sailors, who were brought by their Spanish captors from the Indies as a sacrifice to the Holy House of Seville. One, a happy-go-lucky fellow, Miles Phillips, who had been too well acquainted in Mexico with the dungeons of the Inquisition, slipped over the ship's side at San Lúcar, made his way to shore, and boldly went to Seville, where he lived a hidden life as a silk-weaver, until he found his chance to steal away and board a Devon merchantman. The other, Job Hortop, added to his two years of Mexican imprisonment two more years in Seville. Then "they brought us out in procession, every one of us having a candle in his hand, and the coat with S. Andrew's cross on our backs; they brought us up on an high scaffold, that was set up in the place of S. Francis, which is in the chief street of Seville; there they set us down upon benches, every one in his degree, and against us on another scaffold sate all the Judges and the Clergy on their benches. The people wondered, and gazed on us, some pitying our case, others said, burn those heretics. When we had sat there two hours, we had a sermon made to us, after which one called Bresinia, secretary to the Inquisition, went up into the pulpit with the process, and called Robert Barret, ship-master, and John Gilbert, whom two Familiars of the Inquisition brought from the scaffold before the Judges, where the secretary read the sentence,