By two o'clock the seats on the grand stand were filling fast, the plaza hummed with excitement, the balconies resounded with song and laughter, and the strong electric lights in front of the city hall cast a hard, white brilliance over all the scene. The frying of calientes, an Andalusian version of twisted doughnuts, was in savory progress here and there on the outskirts of the throng, and our ever thoughtful hostess did not fail to keep her balcony well supplied with these crisp dainties.
The twinkling of taper lights, so warm and yellow under those pallid globes of electric glare, appeared while people were still hurrying to their places; but hundreds upon hundreds of black and gold figures had paced by before the first of their pasos came into view. For these processions of the dawn, de madrugada, call out great numbers of the devout, who would thus keep the last watch with their Lord. The clocks struck three as the leading pageant, a very ancient image of Christ, bearing a silver-mounted cross of tortoise-shell, halted before the Alcalde. A white banner wrought with gold heralded the Virgin, who rose, in glistening attire, from a golden lake of lights.
The wealthy cofradia of San Lorenzo followed in their costly habits of black velvet. They, too, conducted a pageant of Christ bearing His cross, one of the most beautiful groups of Montañés, the pedestal adorned with angels in relief. To the Christ, falling on the Via Dolorosa, the brotherhood, with the usual disregard of historic propriety, had given a royal mantle of ermine, embroidered with gold and pearls. A large company of black-clad women, carrying candles, walked behind the paso, on their penitential march of some eight hours. Many of them were ladies delicately bred, whose diamonds sparkled on the breast of the approaching Mary. For the Sevillian señoras are accustomed to lend their most valuable gems to their favorite Virgins for the Semana Santa, and San Lorenzo's Lady of Grief is said to have worn this night the worth of millions. She passed amid a great attendant throng, in such clouds of incense that the eye could barely catch the shimmer of her silver pedestal, the gleam of the golden broideries that almost hid the velvet of her mantle, and the flashes and jets of light that shot from the incredible treasure of jewels that she wore.
The third troop of Nazarenes, robed in white and violet, bore for banner a white cross upon a violet ground. Their Christ-pageant pictured Pilate in his judgment seat in the act of condemning the Son of God to death. Jesus, guarded by armed soldiers, calmly confronts the troubled judge, at whose knee wait two little pages with a basin of water and towels.
And now came one of the most gorgeous features of the Holy Week processions – a legion of Roman soldiers, attired as never Roman soldiers were, in gold greaves and crimson tunics, with towering snow-white plumes. But a splendid show they made as, marching to drum and fife, they filed down Las Sierpes and stretched "in never ending line" across the plaza. Our most Holy Mary of Hope, who followed, wearing a fair white tunic and a gold-embroidered mantle of green, the color of the hopeful season, drowned the memory of that stern military music in a silver concert of flutes.
After this sumptuous display, the fourth band of Nazarenes, gliding through the plaza between night and day in their garb of black and white, could arouse but little enthusiasm, although their Crucifixion was one of the most artistic, and their Lady of the Presentation had her poorest garment of fine satin.
A pearly lustre was stealing through the sky, and the chill in the air was thinning the rows of spectators on the grand stand, when mysterious, dim-white shapes, like ghosts, bore by in utter silence a pageant of Christ fainting beneath the burden of the cross. But soon the clamor of drums and fifes ushered in another long array of Roman soldiers, a rainbow host in red and pink and blue, crimson plumes alternating with white, and golden shields with silver. The electric lights, globed high overhead, took one look at this fantastic cavalcade and went out with a gasp.
It was now clear day. Canaries began to sing in their cages, and parrots to scream for chocolate. Sleepy-eyed servant-maids appeared on the balconies, and market women, leading green-laden donkeys, peered forth from the side streets into the square. The morning light made havoc with the glamour of the pageants. Something frank and practical in the sunshine stripped those candle-lighted litters of their dignity. Busy people dodged through the procession lines, and one Nazarene after another might be seen slipping out of the ranks and hurrying awkwardly, in his cumbersome dress, with the half-burned taper under his arm, to the refuge of his own mosquito-netting and orange tree. The tired crowd grew critical and irreverent, and openly railed upon the Virgin of this ghostly cofradia because her velvet mantle was comparatively plain. "Bah! how poor it is! Are we to sit here all the night for such stingy shows as that?"
But the last brotherhood in the madrugada processions had, with their white frocks and blue caps and capes, suited themselves to the colors of the day. The stumbling children, blind with sleep, whom fathers were already leading off the square, turned back for a drowsy gaze at the resplendent tunic of the Christ in the Via Dolorosa paso, a tunic claimed to be the richest of all the garments worn by the effigies of Jesus. So lovely was this trooping company in their tints of sky and cloud, bearing a great blue banner and a shining ivory cross, that they brought order and decorum with them.
The division that escorted the Virgin marched on with especial steadiness, not a peaked cap drooping, nor a boyish acolyte faltering under the weight of his tall gilded censer. This most Holy Mary of Anguish, whose litter and canopy were all of white and gold, swept by in triumphal peals of music while the clocks were striking six. In some mental confusion, I said good night to the people I left on the balcony, and good morning to the people I met on the stairs, and ate my breakfast before I went to bed.
It seemed as if human nature could bear no more; the eyes ached with seeing, and phantasmal processions went sweeping through our dreams; yet Friday afternoon at five o'clock found our balcony, like all the rest, full to overflowing. Some twenty thousand people were massed in the plaza, and it was estimated that over one hundred thousand waited along the line of march. Our Spanish entertainers, still unrefreshed by any chance for sleep, were as gayly and punctiliously attentive to their guests as ever, from our gallant host, who presented the ladies with fragrant bouquets of roses and orange blossoms, to the little pet of the household, who at the most engrossing moments in the ceremonial would slip away from her privileged stand on a footstool against the railing to summon any member of the party who might be missing the spectacle.
The Spanish colors floated out from city hall and court-house, but the great concourse below was all in hues of mourning, the black mantillas often falling over dresses of plain purple. The señoritas in the balconies had substituted knots of black ribbon for the customary flowers in the hair. Jet trimmings abounded, and the waving fans were black.
The coming procession, we were assured on every hand, would be the most solemn of all and the most sumptuous. The habits of the Nazarenes would be of satin, silk, and velvet. The images of Christ and the Virgin would be attired with all possible magnificence of damask and ermine, gold and jewels. Brotherhood would vie with brotherhood in splendor, and one prodigy of luxury would succeed another.
The leading company, whose far-trailing robes carpeted the street with fine black velvet, stood for the olive industry. This cofradia had been poor and unimportant for generations, but in recent years a devoted brother, a manufacturer of olive packing-barrels, had poured forth his accumulated fortune upon the society, with the result that their pasos are now second in ostentation and expense to none. The donor, long since too feeble to bear his taper in the line, lives in humble obscurity, but his old heart swells with joy this great day of the year when he sees, following the elaborate carving of the Crucifixion, the dazzling chariot of Our Lady of Solitude. Upon her mantle, which enjoys the proud distinction of being the very costliest of all, he has lavished twenty thousand dollars. Longer by a yard than any of the others, it was yet unable to find place for all the gold which the zealous Nazarene had given for it, and the residue was bestowed about the pedestal and canopy. The paso is so heavy with gold that it requires a double force of men to carry it; but each of these hidden bearers, getting air as best he can through a silver breathing-tube, is sure of a dollar for his recompense as well as two glasses of good wine.
All the adornment of the litter is of pure gold, and such wealth of jewels