M. d’Orsan in his relations with a certain wealthy woman, and that whenever he thought of him he was obliged to set that evil reputation on one side, as irreconcilable with so many unmistakable proofs of his genuine sincerity and refinement. For a moment Swann felt that his mind was becoming clouded, and he thought of something else so as to recover a little light; until he had the courage to return to those other reflections. But then, after not having been able to suspect anyone, he was forced to suspect everyone that he knew. After all, M. de Charlus might be most fond of him, might be most good-natured; but he was a neuropath; to-morrow, perhaps, he would burst into tears on hearing that Swann was ill; and to-day, from jealousy, or in anger, or carried away by some sudden idea, he might have wished to do him a deliberate injury. Really, that kind of man was the worst of all. The Prince des Laumes was, certainly, far less devoted to Swann than was M. de Charlus. But for that very reason he had not the same susceptibility with regard to him; and besides, his was a nature which, though, no doubt, it was cold, was as incapable of a base as of a magnanimous action. Swann regretted that he had formed no attachments in his life except to such people. Then he reflected that what prevents men from doing harm to their neighbours is fellow-feeling, that he could not, in the last resort, answer for any but men whose natures were analogous to his own, as was, so far as the heart went, that of M. de Charlus. The mere thought of causing Swann so much distress would have been revolting to him. But with a man who was insensible, of another order of humanity, as was the Prince des Laumes, how was one to foresee the actions to which he might be led by the promptings of a different nature? To have a good heart was everything, and M. de Charlus had one. But M. d’Orsan was not lacking in that either, and his relations with Swann—cordial, but scarcely intimate, arising from the pleasure which, as they held the same views about everything, they found in talking together—were more quiescent than the enthusiastic affection of M. de Charlus, who was apt to be led into passionate activity, good or evil. If there was anyone by whom Swann felt that he had always been understood, and (with delicacy) loved, it was M. d’Orsan. Yes, but the life he led; it could hardly be called honourable. Swann regretted that he had never taken any notice of those rumours, that he himself had admitted, jestingly, that he had never felt so keen a sense of sympathy, or of respect, as when he was in thoroughly ‘detrimental’ society. “It is not for nothing,” he now assured himself, “that when people pass judgment upon their neighbour, their finding is based upon his actions. It is those alone that are significant, and not at all what we say or what we think. Charlus and des Laumes may have this or that fault, but they are men of honour. Orsan, perhaps, has not the same faults, but he is not a man of honour. He may have acted dishonourably once again.” Then he suspected Rémi, who, it was true, could only have inspired the letter, but he now felt himself, for a moment, to be on the right track. To begin with, Loredan had his own reasons for wishing harm to Odette. And then, how were we not to suppose that our servants, living in a situation inferior to our own, adding to our fortunes and to our frailties imaginary riches and vices for which they at once envied and despised us, should not find themselves led by fate to act in a manner abhorrent to people of our own class? He also suspected my grandfather. On every occasion when Swann had asked him to do him any service, had he not invariably declined? Besides, with his ideas of middle-class respectability, he might have thought that he was acting for Swann’s good. He suspected, in turn, Bergotte, the painter, the Verdurins; paused for a moment to admire once again the wisdom of people in society, who refused to mix in the artistic circles in which such things were possible, were, perhaps, even openly avowed, as excellent jokes; but then he recalled the marks of honesty that were to be observed in those Bohemians, and contrasted them with the life of expedients, often bordering on fraudulence, to which the want of money, the craving for luxury, the corrupting influence of their pleasures often drove members of the aristocracy. In a word, this anonymous letter proved that he himself knew a human being capable of the most infamous conduct, but he could see no reason why that infamy should lurk in the depths—which no strange eye might explore—of the warm heart rather than the cold, the artist’s rather than the business-man’s, the noble’s rather than the flunkey’s. What criterion ought one to adopt, in order to judge one’s fellows? After all, there was not a single one of the people whom he knew who might not, in certain circumstances, prove capable of a shameful action. Must he then cease to see them all? His mind grew clouded; he passed his hands two or three times across his brow, wiped his glasses with his handkerchief, and remembering that, after all, men who were as good as himself frequented the society of M. de Charlus, the Prince des Laumes and the rest, he persuaded himself that this meant, if not that they were incapable of shameful actions, at least that it was a necessity in human life, to which everyone must submit, to frequent the society of people who were, perhaps, not incapable of such actions. And he continued to shake hands with all the friends whom he had suspected, with the purely formal reservation that each one of them had, possibly, been seeking to drive him to despair. As for the actual contents of the letter, they did not disturb him; for in not one of the charges which it formulated against Odette could he see the least vestige of fact. Like many other men, Swann had a naturally lazy mind, and was slow in invention. He knew quite well as a general truth, that human life is full of contrasts, but in the case of any one human being he imagined all that part of his or her life with which he was not familiar as being identical with the part with which he was. He imagined what was kept secret from him in the light of what was revealed. At such times as he spent with Odette, if their conversation turned upon an indelicate act committed, or an indelicate sentiment expressed by some third person, she would ruthlessly condemn the culprit by virtue of the same moral principles which Swann had always heard expressed by his own parents, and to which he himself had remained loyal; and then, she would arrange her flowers, would sip her tea, would shew an interest in his work. So Swann extended those habits to fill the rest of her life, he reconstructed those actions when he wished to form a picture of the moments in which he and she were apart. If anyone had portrayed her to him as she was, or rather as she had been for so long with himself, but had substituted some other man, he would have been distressed, for such a portrait would have struck him as lifelike. But to suppose that she went to bad houses, that she abandoned herself to orgies with other women, that she led the crapulous existence of the most abject, the most contemptible of mortals—would be an insane wandering of the mind, for the realisation of which, thank heaven, the chrysanthemums that he could imagine, the daily cups of tea, the virtuous indignation left neither time nor place. Only, now and again, he gave Odette to understand that people maliciously kept him informed of everything that she did; and making opportune use of some detail—insignificant but true—which he had accidentally learned, as though it were the sole fragment which he would allow, in spite of himself, to pass his lips, out of the numberless other fragments of that complete reconstruction of her daily life which he carried secretly in his mind, he led her to suppose that he was perfectly informed upon matters, which, in reality, he neither knew nor suspected, for if he often adjured Odette never to swerve from or make alteration of the truth, that was only, whether he realised it or no, in order that Odette should tell him everything that she did. No doubt, as he used to assure Odette, he loved sincerity, but only as he might love a pander who could keep him in touch with the daily life of his mistress. Moreover, his love of sincerity, not being disinterested, had not improved his character. The truth which he cherished was that which Odette would tell him; but he himself, in order to extract that truth from her, was not afraid to have recourse to falsehood, that very falsehood which he never ceased to depict to Odette as leading every human creature down to utter degradation. In a word, he lied as much as did Odette, because, while more unhappy than she, he was no less egotistical. And she, when she heard him repeating thus to her the things that she had done, would stare at him with a look of distrust and, at all hazards, of indignation, so as not to appear to be humiliated, and to be blushing for her actions. One day, after the longest period of calm through which he had yet been able to exist without being overtaken by an attack of jealousy, he had accepted an invitation to spend the evening at the theatre with the Princesse des Laumes. Having opened his newspaper to find out what was being played, the sight of the title—
Les Filles de Marbre, by Théodore Barrière,—struck him so cruel a blow that he recoiled instinctively from it and turned his head away. Illuminated, as though by a row of footlights, in the new surroundings in which it now appeared, that word ‘marble,’ which he had lost the power to distinguish, so often had it passed, in print, beneath his eyes, had suddenly become visible once again, and had at once brought back to his mind the
