The second group of tzijs is more diverse and complex. It includes the stories of different beings, whose nature was not strictly divine, human, legendary (in the Western sense), nor symbolic-metaphoric; instead they embodied some characteristics of all of these. These tzijs are subdivided into two large sections. On the one hand are the tales of Wuqub’ Kak’ix (Seven Macaw) and his sons Sipakna and Kab’raqan, and on the other, the struggles between Jun Junajpu and Wuqub’ Junajpu, and later between their sons Junajpu and Xb’alanke and the Lords of Xib’alb’a.
Wuqub’ Kak’ix and his sons are characterized by their arrogance and are defeated by the tricks played on them by the Twins Junajpu and Xb’alanke. The other series of tzijs tells how the Lords of the Underworld (Xib’alb’a, a place of suffering and trials) defeat Jun Junajpu and Wuqub’ Junajpu. However, the daughter of Kuchumakik’, one of the Lords of Xib’alb’a, disobeys her father’s prohibition and goes to the Jícaro (gourd tree) where the decapitated head of Jun Junajpu is hanging. The skull spits on the maiden Xkik’s hand, and she conceives the tiwns Junajpu and Xb’alanke. She is then condemned to death for her disobedience and subsequent pregnancy, but she manages to escape and is received and protected by the elder Xmukane, the mother of Jun Junajpu. When Junajpu and Xb’alanke were born, they were harassed by their stepbrothers Jun B’atz’ and Jun Chowen, who made them submit to all kinds of abuse. As time passed the Twins grew up and took revenge on their older brothers. Using their wisdom, they tricked Jun B’atz’ and Jun Chowen and transformed them into monkeys, freeing themselves of their hostility. After this first deed, they descended to Xib’alb’a, to avenge the death of their parents. At the entrance to the Underworld, there were four different-colored rivers: blue, red, black, and yellow. They followed the black river, which led them to the House of Suffering, but thanks to the collaboration of the ants and the mosquitoes, they managed to overcome and destroy the Lords of Xib’alb’a. Their triumph ends in an apotheosis: one transforms into the sun and the other into the moon.
Finally, the last section of the Popol Wuj contains the tzijs that refer to the peregrination of the first four forefathers (B’alam Kitze’, B’alam Aq’ab’, Majukutaj, and Ik’i Balam), accompanied by the group of peoples who later will form the K’iche’ federation in their migration from Tulan. This journey begins in the dark, as they await the rising of the sun (Q’ij), the Moon (ik’), and Venus (Ik’oq’ij), at which time they go into the highlands. These forefathers bring the symbols of power from the Tulan (Toltecs), introducing the kab’awils Tojil, Awilix, and Jakawitz. This excursion of warriors defeats and subjugates the populations that did not want to accept the kab’awil Tojil, and installs the three Houses and their respective dynasties: the Ajaw K’iche’, the Nija’ib’ab, and the Kaweq. Basically, these tzijs describe the formation of the K iche reign, and end with a catalog of the lineage of Toltec origin of those living in the capital Kumarcaaj (or Gumarcaj, which means “place of old reeds”), also known as Utatlán.
As we can see, the names have a certain significance, but not in a direct way. The K’iche’ language is founded on a system of metaphoric meanings or polysemantic symbols. For example, the word Q’ij means sun, but it also means day, and is the name of a day in the K’iche’ calendar. The word tzij means truths, stories, narratives, wisdom, and traditions. The word pop means mat (petate), stories, time, events, facts, and, through extension of petate, it means also council and community. In the same way, the whole structure of K’iche’ language and discourse has the same properties and characteristics. Likewise, polysemantic expressions, or the aggregation of meanings through chains of transferences, are a trait of Mayan epistemology, which obviously differs from that of the West. From the moment that these texts were captured and set down within the framework of colonization, they were subjected to the interferences and appropriations from the outside, which is to say, from Western paradigms and colonizing pressures. This process started in social as well as in cultural spheres from the very first moment of invasion by the imperial army of Spain.
During Lent in the year 1524, K’umarcaaj was conquered and destroyed, causing the downfall of one of the most powerful groups and sociopolitical organizations in Mescamerica, perhaps second only in importance to Tenochtitlán. With the destruction of this military and ceremonial center, a very rapid breakdown of the cultural and social fabric of the K’iche’ nation ensued. Its military and religious leaders were executed and the general populace was subjected to a regime of servitude or slavery, which together with forced migration, resettlement, and European diseases, left them with very few chances to organize a resistance. It was in this context that the tzij, rooted in the past “before the arrival of Christianity” (fo. 1r, lines 24-5), acquired a very important status: they formed the center of resistance for surviving invasion and destruction.
Possibly around 1555, the friars charged with indoctrination of the Christian faith realized the importance of the “stories” from “pagan” antiquity. Presumably, young K’iche’ nobles recorded in their language, but using Latin characters, tzijs heard as children in their homes or ceremonial centers and recalled from memory, perhaps with the help of some sort of visual aids – wujs, ceramics, pictures, or stone inscriptions carved into stelae, murals, temples, and buildings, and in the notable case of a stone housed at the Chichichastenango Museum. Ruud van Akkeren emphasizes the oral nature of these tzijs and maintains that “the Popol Wuj seems an amalgamation of dance-dramas and oral history,” adding that “it only received its detailed, written form, as we know it today, when it was composed by a group of Maya scribes in the middle of the 1550s” (2000: 3). It is probable that this record was solicited by the indoctrinating friars, who in order to convert the indigenous people had closer contact with them than most colonizers. If indeed it occurred in this manner, the circumstances gave rise to one of the peculiarities of the Popol Wuj: with each recovery, it survived, but at the same time it suffered adulterations.
When the tzijs were recorded in a European fashion (using Latin lettering and phonetic systems, and employing paper and ink) they acquired a further characteristic feature: fossilization in the written form. This format, now set as a block, almost certainly never existed in this form before the arrival of Alvarado. Very likely the tzijs were a part of a more or less disperse corpus (Sam Colop, 1999: 13), and were repeated or read in different circumstances and within a framework completely different from that which it began to inhabit after 1524. In a departure from existing Mayan tzijs, during the period of the formation of the K’iche