A Companion to Modern and Contemporary Latin American and Latina/o Art. Группа авторов

Walking with the Devil: Art, Culture, and Internationalization 26 Is This What Democracy Looks Like? Tania Bruguera and the Politics of Performance 26.1 Coda References 27 Shadows of the Doubtful Straight 27.1 Symbolic Possibilities: Gender and the Body 27.2 Object as Symbol and Vessel 27.3 Form as Expression 27.4 Conceptual Visions 27.5 Location, Space, and the Built Environment References Further Reading 28 Notes on the Dominican Diaspora in the United States 28.1 Introduction 28.2 Dominican Americans and Dominican American Art 28.3 Early Figures 28.4 Deeper Roots 28.5 Imagining Migration 28.6 Rethinking Race 28.7 Dominican American Art References 29 Antigonismos References 30 Art, Memory, and Human Rights in Argentina 30.1 Images That Were Present/Absent During the Years of Violence (1976–1983) 30.2 Portraits of the Disappeared and Memory of the Dictatorship 30.3 The Museography of Memory 30.4 Remembrance or Memorial Art References Further Reading

      15  Part VI: Approaches, Debates, and Methodologies 31 Time and Place 31.1 The Time of the Nation 31.2 The Time of Internationalism 31.3 The Time of Contemporaneity References Further Reading 32 Is There Such a Thing as Latina/o Art? 32.1 Latina/o Art as Exhibition History 32.2 Latina/o Art as Practice 32.3 Latina/o Art as Critical Discourse References 33 The Expansion of Culture 33.1 Museums and Tourism 33.2 Sharing Patrimonies 33.3 What to Do with the Disinterested Public References Further Reading 34 A Question 34.1 Túkule's Bracelet 34.2 The Art of Others 34.3 Indigenous Art in Paraguay: Common Notes and Different Styles 35 What Is “Latin American Art” Today? References

      16  Index

      17  End User License Agreement

      List of Illustrations

      1 Chapter 1Figure 1.1 Isidoro Ocampo, At the Follies, 1940. Lithograph; image 20 9/16 ×...

      2 Chapter 2Figure 2.1 The cover of Klaxon issue no. 1, 15 May 1922.

      3 Chapter 3Figure 3.1 José Sabogal, Chimu Fishermen, 1929. Woodblock print, 23 × 24 cm....Figure 3.2 José Sabogal, Caballito, Huanchaco, 1929. Woodblock print, 24.5 ×...

      4 Chapter 4Figure 4.1 Víctor Manuel, Vida interior (Interior Life), 1933. Revista Socia...

      5 Chapter 5Figure 5.1 “El Diablito se adelantó, saltando de lado … ” (The Little Devil ...

      6 Chapter 6Figure 6.1 Wifredo Lam, La mañana verde (The Green Morning), 1943.

      7 Chapter 7Figure 7.1 Octavio Paz and Vicente Rojo, Marcel Duchamp o el castillo de la ...

      8 Chapter 8Figure 8.1 Joaquín Torres‐García, Estructura (structure), 1935. Private Coll...

      9 Chapter 9Figure 9.1 Mary Vieira, brasilien baut brasilia (brazil builds brasilia), 19...

      10 Chapter 10Figure 10.1 Mário Pedrosa (left) with Francisco Matarazzo Sobrinho and unide...

      11 Chapter 11Figure 11.1 Outdoor sign of the 6th Bienal de São Paulo (São Paulo Biennial)...

      12 Chapter 12Figure 12.1 Antonia Eiriz, El vaso de agua (The Glass of Water), 1963. Oil o...

      13 Chapter