A Companion to Modern and Contemporary Latin American and Latina/o Art. Группа авторов

rel="nofollow" href="#u35b32017-95b8-5df4-9e50-747836fec486">12 Art and the Cuban Revolution 12.1 Introduction 12.2 The 1950s 12.3 An Early Conflict 12.4 Marxisms 12.5 A Brief Utopic Moment 12.6 Three Case Studies 12.7 Conclusion References 13 The Myths of Hélio Oiticica References 14 Between Chaos and the Furnaces 14.1 Figuration, Destruction, and the Image 14.2 Ghost Messages 14.3 An Art of Signifieds 14.4 Systems and New Images References 15 Chicana/o Art 15.1 Introduction 15.2 Al principio … 15.3 Chicano Art in the Community 15.4 Conclusion References 16 Cold War Intellectual Networks 16.1 Introduction 16.2 Southern Networks 16.3 Inter‐American Networks 16.4 Resisting Networks 16.5 Conclusion References Further Reading 17 José Gómez Sicre and the Inter‐American Exhibitions of the Pan American Union 17.1 Introduction 17.2 José Gómez Sicre's Curatorial Values 17.3 Early Inter‐American Exhibitions at the PAU 17.4 The Alliance for Progress Years 17.5 The Legacies of the PAU Inter‐American Exhibitions References 18 “… A Place for Us” References

      13  Part IV: 1973–1990 19 An “Other” Possible Revolution 19.1 Idea as Art 19.2 Art as Attitude 19.3 Attitude as Revolution 19.4 Interruptions References Further Reading 20 Art in Chile After 1973 20.1 The Dominant Theory: The Avant‐Garde and Modernization 20.2 Utopian Modernisms, Traumatic Modernisms References Further Reading 21 Cold War Conceptualism 21.1 A New Aesthetics for 1968 21.2 Collectivity – A Conceptualist Aesthetico‐Politics 21.3 Cold War Conceptualism: Three Models 21.3a TAI's Althusserian Aesthetics of Ideology Critique 21.3b No‐Grupo and “Non‐objectualism” 21.3c Grupo Proceso Pentágono 21.4 Conclusion References Further Reading 22 Asco in Three Acts 22.1 Act I: Present Asco 22.2 Act II: Past Asco 22.3 Act III: Future Asco 22.4 Coda: Out of Time References 23 A Real Existence References

      14  Part V: 1990–2010 24 Border Art 24.1 Introduction 24.2 Performative Protest: End of the Line 24.3 Allora and Calzadilla's Interventions in Vieques 24.4 Standing Still: Candiani's Battleground 24.5 Conclusion References Скачать книгу