Vineyard after vineyard, and château after château follow rapidly, until one reaches the Ponts de Cé with their petite ville—all very delightful. Not so the bridge at Ancenis, where the flow of water is marked daily on a huge black and white scale. The bridge is quite the ugliest wire-rope affair to be seen on the Loire, and one is only too glad to leave it behind, though it is with a real regret that he parts from Ancenis itself.
Some years ago one could go from Angers to St. Nazaire by boat. It must have been a magnificent trip, extraordinarily calm and serene, amid an abundance of picturesque details; old châteaux and bridges in strong contrast to the prairies of Touraine and the Orléannais. One embarked at the foot of the stupendously towered château of King René, and for a petite heure navigated the Maine in the midst of great chalands, fussy little remorqueurs and barques until La Pointe was reached, when the Loire was followed to Nantes and St. Nazaire.
To-day this fine trip is denied one, the boats going only so far as La Pointe.
Below Angers the Loire flows around and about a veritable archipelago of islands and islets, cultivated with all the luxuriance of a back-yard garden, and dotted with tiny hamlets of folk who are supremely happy and content with their lot.
Some currents which run behind the islands are swift flowing and impetuous, while others are practically elongated lakes, as dead as those lômes which in certain places flank the Saône and the Rhône.
All these various branches are united as the Loire flows between the piers of the ungainly bridge of the Chemin-de-fer de Niort as it crosses the river at Chalonnes.
Champtocé and Montjean follow, each with an individuality all its own. Here the commerce takes on an increased activity, thanks to the great national waterway known as the "Canal de Brest à Nantes." Here at the busy port of Montjean—which the Angevins still spell and pronounce Montéjean—the Loire takes on a breadth and grandeur similar to the great rivers in the western part of America. Montjean is dominated by a fine ogival church, with a battery of arcs-boutants which are a joy in themselves.
On the other bank, lying back of a great plain, which stretches away from the river itself, is Champtocé, pleasantly situated on the flank of a hill and dominated by the ruins of a thirteenth-century château which belonged to the cruel Gilles de Retz, somewhat apocryphally known to history as "Barbe-bleu"—not the Bluebeard of the nursery tale, who was of Eastern origin, but a sort of Occidental successor who was equally cruel and bloodthirsty in his attitude toward his whilom wives.
From this point on one comes within the sphere of influence of Nantes, and there is more or less of a suburban traffic on the railway, and the plodders cityward by road are more numerous than the mere vagabonds of the countryside.
The peasant women whom one meets wear a curious bonnet, set on the head well to the fore, with wings at the side folded back quite like the pictures that one sees of the mediæval dames of these parts, a survival indeed of the middle ages.
The Loire becomes more and more animated and occasionally there is a great tow of boats like those that one sees continually passing on the lower Seine. Here the course of the Loire takes on a singular aspect. It is filled with long flat islands, sometimes in archipelagos, but often only a great flat prairie surrounded by a tranquil canal, wide and deep, and with little resemblance to the mistress Loire of a hundred or two kilometres up-stream. All these isles are in a high state of cultivation, though wholly worked with the hoe and the spade, both of them of a primitiveness that might have come down from Bible times; rare it is to see a horse or a harrow on these "bouquets of verdure surrounded by waves."
Near Oudon is one of those monumental follies which one comes across now and then in most foreign countries: a great edifice which serves no useful purpose, and which, were it not for certain redeeming features, would be a sorry thing indeed. The "Folie-Siffait," a citadel which perches itself high upon the summit of a hill, was—and is—an amusette built by a public-spirited man of Nantes in order that his workmen might have something to do in a time of a scarcity of work. It is a bizarre, incredible thing, but the motive which inspired its erection was most worthy, and the roadway running beneath, piercing its foundation walls, gives a theatrical effect which, in a way, makes it the picturesque rival of many a more famous Rhine castle.
The river valley widens out here at Oudon, practically the frontier of Bretagne and Anjou. The railroad pierces the rock walls of the river with numerous tunnels along the right bank, and the Vendean country stretches far to the southward in long rolling hills quite unlike any of the characteristics of other parts of the valley. Finally, the vast plain of Mauves comes into sight, beautifully coloured with a white and iron-stained rocky background which is startlingly picturesque in its way, if not wholly beautiful according to the majority of standards.
Next comes what a Frenchman has called a "tumultuous vision of Nantes." To-day the very ancient and historic city which grew up from the Portus Namnetum and the Condivicnum of the Romans is indeed a veritable tumult of chimneys, masts, and locomotives. But all this will not detract one jot from its reputation of being one of the most delightful of provincial capitals, and the smoke and activity of its port only tend to accentuate a note of colour that in the whole itinerary of the Loire has been but pale.
Below Nantes the Loire estuary has turned the surrounding country into a little Holland, where fisherfolk and their boats, with sails of red and blue, form charming symphonies of pale colour. In the cabarets along its shores there is a strange medley of peasants, sea-farers, and fisher men and women. Not so cosmopolitan a crew as one sees in the harbourside cabarets at Marseilles, or even Le Havre, but sufficiently strange to be a fascination to one who has just come down from the headwaters.
The "Section Maritime," from Nantes to the sea, is a matter of some sixty kilometres. Here the boats increase in number and size. They are known as gabares, chalands, and alléges, and go down with the river-current and return on the incoming ebb, for here the river is tidal.
Gray and green is the aspect at the Loire's source, and green and gray it still is, though of a decidedly different colour-value, at St. Nazaire, below Nantes, the real deep-water port of the Loire.
By this time the river has amplified into a broad estuary which is lost in the incoming and outgoing tides of the Bay of Biscay.
For nearly a thousand kilometres the Loire has wound its way gently and broadly through rocky escarpments, fertile plains, populous and luxurious towns—all of it historic ground—by stately châteaux and through vineyards and fruit orchards, with a placid grandeur.
Now it becomes more or less prosaic and matter-of-fact, though in a way no less interesting, as it takes on some of the attributes of the outside world.
This outline, then, approximates somewhat a portrait of the Loire. It is the result of many pilgrimages enthusiastically undertaken; a long contemplation of the charms of perhaps the most beautiful river in France, from its source to its mouth, at all seasons of the year.
The riches and curios of the cities along its banks have been contemplated with pleasure, intermingled with a memory of many stirring scenes of the past, but it is its châteaux that make it famous.
The story of the châteaux has been told before in hundreds of volumes, but only a personal view of them will bring home to one the manners and customs of one of the most luxurious periods of life in the France of other days.
CHAPTER II.
THE ORLÉANNAIS
Of the many travelled English and Americans who go to Paris, how few visit the Loire valley with its glorious array of mediæval and Renaissance châteaux. No part of France, except Paris, is so accessible, and none is so comfortably travelled, whether by road or by rail.
At