The Life or Legend of Gaudama, the Buddha of the Burmese. Paul Ambroise Bigandet. Читать онлайн. Newlib. NEWLIB.NET

Автор: Paul Ambroise Bigandet
Издательство: Bookwire
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Жанр произведения: Документальная литература
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isbn: 4064066396169
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benefit and salvation of all beings, they cannot be assimilated to the real Buddhas. The cross-legged position which our Buddha has always taken in preference to any other, whilst he spent forty-nine days at the foot of and in various places round the Bodi tree, is, as every one knows, peculiar to and a favourite with all Asiatics. But with him, it is the fittest position for meditation and contemplation. Hence most of the statues or images of Gaudama exhibit or represent him in the cross-legged position which he occupied when he attained the Buddhaship. As this event is by far the most important of his life, it is but natural that this great occurrence should ever be forced upon the attention and memory of his followers, by objects representing him on that most important stage of his last existence. It is not unusual to meet with statues of Gaudama, sometimes of colossal dimensions, representing him in a reclining position. This is the peculiar situation he occupied when he died. Hence those two most common images of Gaudama are designed to remind his followers of the two greatest circumstances of his life, viz., his becoming Buddha, and his entering the state of Neibban.

      Here again one is forcibly compelled to reflect on the singular rôle attributed to those Pitzega-Buddhas. They possess all the science of a Buddha, but are deficient in that kindness, benevolence, and zeal which prompt the real Buddhas to labour so strenuously for the deliverance of all beings. They appear only in those ages of darkness and ignorance which are not to be brightened and enlightened by the presence of a Buddha. They are like smaller luminaries, shedding a pale light among men to prevent their sinking into an unfathomable abyss of ignorance; they maintain on earth some sparks of the knowledge of fundamental truths, which otherwise would be completely obliterated from the memory of men. Not unlike the prophets of old, they prepare men in an indirect manner for the coming of the future deliverer. Their mission being at an end, when a Buddha is to come among men, they disappear, and none of them is to be seen either in the days of Buddha or during all the time his religion is to last.

      It would be somewhat curious to investigate the motives that have determined Buddhists to give to that sacred tree the name of Bodi. At first sight one will infer that such a name was given to the tree because, under its refreshing and cooling shade the Bodi, or Supreme intelligence, was communicated to Phralaong. The occurrence, however extraordinary it be, is scarcely sufficient to account for such an appellation. Bearing in mind the numerous and striking instances of certain revealed facts and truths, offered to the attention of the reader of this Legend, in a deformed but yet recognisable shape, it would not be quite out of the limits of probability to suppose that this is also a remnant of the tradition of the tree of knowledge that occupied the centre of the garden of Eden.

      In taking our departure from the first cause, which is Awidza, or ignorance, or the wanting in science, or no knowledge, we have to follow the different stages and conditions of a being until it reaches decrepitude, old age, and death. When we speak of ignorance, or no science, we must not suppose the material existence of a being that ignores. But we must take ignorance in an abstract sense, deprived of forms, and subsisting in a manner very different from what we are wont to consider ordinary beings. A European has a great difficulty in finding his way through a process of reasoning so extraordinary, and so different from that positivism which he is used to. But with the Buddhist the case is widely different. He can pass from the abstract to the concrete, from the ideal to the real, with the greatest ease. But let us follow the scale of the causes and effects, upon which there are twelve steps.

      From ignorance comes Sangkara, that is to say, conception or imagination, which mistakes for reality what is unreal, which looks on this world as something substantial, whilst it is, indeed, nothing but shadow and emptiness, assuming forms which pass away as quick as the representations of theatrical exhibitions. Sangkara, in its turn, begets Wignian, or knowledge, attended with a notion of