And all the while he was conscious of the loveliness of Zenith. For weeks together he noticed nothing but clients and the vexing To Rent signs of rival brokers. To-day, in mysterious malaise, he raged or rejoiced with equal nervous swiftness, and to-day the light of spring was so winsome that he lifted his head and saw.
He admired each district along his familiar route to the office: The bungalows and shrubs and winding irregular drive ways of Floral Heights. The one-story shops on Smith Street, a glare of plate-glass and new yellow brick; groceries and laundries and drug-stores to supply the more immediate needs of East Side housewives. The market gardens in Dutch Hollow, their shanties patched with corrugated iron and stolen doors. Billboards with crimson goddesses nine feet tall advertising cinema films, pipe tobacco, and talcum powder. The old “mansions” along Ninth Street, S. E., like aged dandies in filthy linen; wooden castles turned into boarding-houses, with muddy walks and rusty hedges, jostled by fast-intruding garages, cheap apartment-houses, and fruit-stands conducted by bland, sleek Athenians. Across the belt of railroad-tracks, factories with high-perched water-tanks and tall stacks-factories producing condensed milk, paper boxes, lighting-fixtures, motor cars. Then the business center, the thickening darting traffic, the crammed trolleys unloading, and high doorways of marble and polished granite.
It was big — and Babbitt respected bigness in anything; in mountains, jewels, muscles, wealth, or words. He was, for a spring-enchanted moment, the lyric and almost unselfish lover of Zenith. He thought of the outlying factory suburbs; of the Chaloosa River with its strangely eroded banks; of the orchard-dappled Tonawanda Hills to the North, and all the fat dairy land and big barns and comfortable herds. As he dropped his passenger he cried, “Gosh, I feel pretty good this morning!” III
Epochal as starting the car was the drama of parking it before he entered his office. As he turned from Oberlin Avenue round the corner into Third Street, N.E., he peered ahead for a space in the line of parked cars. He angrily just missed a space as a rival driver slid into it. Ahead, another car was leaving the curb, and Babbitt slowed up, holding out his hand to the cars pressing on him from behind, agitatedly motioning an old woman to go ahead, avoiding a truck which bore down on him from one side. With front wheels nicking the wrought-steel bumper of the car in front, he stopped, feverishly cramped his steering-wheel, slid back into the vacant space and, with eighteen inches of room, manoeuvered to bring the car level with the curb. It was a virile adventure masterfully executed. With satisfaction he locked a thief-proof steel wedge on the front wheel, and crossed the street to his real-estate office on the ground floor of the Reeves Building.
The Reeves Building was as fireproof as a rock and as efficient as a typewriter; fourteen stories of yellow pressed brick, with clean, upright, unornamented lines. It was filled with the offices of lawyers, doctors, agents for machinery, for emery wheels, for wire fencing, for mining-stock. Their gold signs shone on the windows. The entrance was too modern to be flamboyant with pillars; it was quiet, shrewd, neat. Along the Third Street side were a Western Union Telegraph Office, the Blue Delft Candy Shop, Shotwell's Stationery Shop, and the Babbitt-Thompson Realty Company.
Babbitt could have entered his office from the street, as customers did, but it made him feel an insider to go through the corridor of the building and enter by the back door. Thus he was greeted by the villagers.
The little unknown people who inhabited the Reeves Building corridors — elevator-runners, starter, engineers, superintendent, and the doubtful-looking lame man who conducted the news and cigar stand — were in no way city-dwellers. They were rustics, living in a constricted valley, interested only in one another and in The Building. Their Main Street was the entrance hall, with its stone floor, severe marble ceiling, and the inner windows of the shops. The liveliest place on the street was the Reeves Building Barber Shop, but this was also Babbitt's one embarrassment. Himself, he patronized the glittering Pompeian Barber Shop in the Hotel Thornleigh, and every time he passed the Reeves shop — ten times a day, a hundred times — he felt untrue to his own village.
Now, as one of the squirearchy, greeted with honorable salutations by the villagers, he marched into his office, and peace and dignity were upon him, and the morning's dissonances all unheard.
They were heard again, immediately.
Stanley Graff, the outside salesman, was talking on the telephone with tragic lack of that firm manner which disciplines clients: “Say, uh, I think I got just the house that would suit you — the Percival House, in Linton.... Oh, you've seen it. Well, how'd it strike you?... Huh? ...Oh,” irresolutely, “oh, I see.”
As Babbitt marched into his private room, a coop with semi-partition of oak and frosted glass, at the back of the office, he reflected how hard it was to find employees who had his own faith that he was going to make sales.
There were nine members of the staff, besides Babbitt and his partner and father-in-law, Henry Thompson, who rarely came to the office. The nine were Stanley Graff, the outside salesman — a youngish man given to cigarettes and the playing of pool; old Mat Penniman, general utility man, collector of rents and salesman of insurance — broken, silent, gray; a mystery, reputed to have been a “crack” real-estate man with a firm of his own in haughty Brooklyn; Chester Kirby Laylock, resident salesman out at the Glen Oriole acreage development — an enthusiastic person with a silky mustache and much family; Miss Theresa McGoun, the swift and rather pretty stenographer; Miss Wilberta Bannigan, the thick, slow, laborious accountant and file-clerk; and four freelance part-time commission salesmen.
As he looked from his own cage into the main room Babbitt mourned, “McGoun's a good stenog., smart's a whip, but Stan Graff and all those bums — ” The zest of the spring morning was smothered in the stale office air.
Normally he admired the office, with a pleased surprise that he should have created this sure lovely thing; normally he was stimulated by the clean newness of it and the air of bustle; but to-day it seemed flat — the tiled floor, like a bathroom, the ocher-colored metal ceiling, the faded maps on the hard plaster walls, the chairs of varnished pale oak, the desks and filing-cabinets of steel painted in olive drab. It was a vault, a steel chapel where loafing and laughter were raw sin.
He hadn't even any satisfaction in the new water-cooler! And it was the very best of water-coolers, up-to-date, scientific, and right-thinking. It had cost a great deal of money (in itself a virtue). It possessed a non-conducting fiber ice-container, a porcelain water-jar (guaranteed hygienic), a drip-less non-clogging sanitary faucet, and machine-painted decorations in two tones of gold. He looked down the relentless stretch of tiled floor at the water-cooler, and assured himself that no tenant of the Reeves Building had a more expensive one, but he could not recapture the feeling of social superiority it had given him. He astoundingly grunted, “I'd like to beat it off to the woods right now. And loaf all day. And go to Gunch's again to-night, and play poker, and cuss as much as I feel like, and drink a hundred and nine-thousand bottles of beer.”
He sighed; he read through his mail; he shouted “Msgoun,” which meant “Miss McGoun”; and began to dictate.
This was his own version of his first letter:
“Omar Gribble, send it to his office, Miss McGoun, yours of twentieth to hand and in reply would say look here, Gribble, I'm awfully afraid if we go on shilly-shallying like this we'll just naturally lose the Allen sale, I had Allen up on carpet day before yesterday and got right down to cases and think I can assure you — uh, uh, no, change that: all my experience indicates he is all right, means to do business, looked into his financial record which is fine — that sentence seems to be a little balled up, Miss McGoun; make a couple sentences out of it if you have to, period, new paragraph.
“He is perfectly willing to pro rate the special assessment and strikes me, am dead sure there will be no difficulty in getting him to pay for title insurance, so now for heaven's sake let's get busy — no, make that: so now let's go to it and get down — no, that's enough — you can tie those sentences up a little better when you type 'em, Miss McGoun — your sincerely, etcetera.”
This is the