The famous Gunnings referred to in the last passage figure often in Walpole’s letters. These two ladies were the daughters of Irish parents, and though of noble blood on the mother’s side, are said to have been originally so poor that they had thought of being actresses; and when they were first presented at Dublin Castle, they were supplied with clothes for the occasion by Mrs. Woffington, the actress. On their arrival in England, their beauty created such an impression, that they were followed by crowds in the Park and at Vauxhall. We even read that Maria, the elder, some years after her marriage, having been mobbed in the Park, was attended by a guard of soldiers. Maria married the Earl of Coventry, and died many years before her husband. Her younger sister, Elizabeth, who was reckoned the less beautiful of the two, married, first, the Duke of Hamilton, and, secondly, Colonel John Campbell, afterwards Duke of Argyll, for whom she had refused the Duke of Bridgewater. The penniless Irish girl, Elizabeth Gunning, was the mother of two Dukes of Hamilton and two Dukes of Argyll. Walpole’s niece, of whom he suggests Lady Coventry was jealous, was a natural daughter of his brother, Sir Edward Walpole, and was then the bride of the Earl of Waldegrave, after whose death she became Duchess of Gloucester, by a clandestine marriage with George III.’s younger brother. By her first husband she had three daughters, the Ladies Waldegrave, whose portraits, by Reynolds, are included in this volume.
Before we leave that portion of Horace Walpole’s correspondence which belongs to the reign of George II., we will give one letter of a character different from those we have previously selected. It is addressed to Sir David Dalrymple, afterwards Lord Hailes, and deals entirely with literary subjects. The “Irish poems” referred to in it are, of course, the first fragments of “Ossian,” then recently published by Macpherson:
“Strawberry Hill, April 4, 1760.
“As I have very little at present to trouble you with myself, I should have deferred writing till a better opportunity, if it were not to satisfy the curiosity of a friend; a friend whom you, Sir, will be glad to have made curious, as you originally pointed him out as a likely person to be charmed with the old Irish poetry you sent me. It is Mr. Gray, who is an enthusiast about those poems, and begs me to put the following queries to you; which I will do in his own words, and I may say truly, Poeta loquitur.
“ ‘I am so charmed with the two specimens of Erse poetry, that I cannot help giving you the trouble to inquire a little farther about them, and should wish to see a few lines of the original, that I may form some slight idea of the language, the measures, and the rhythm.
“ ‘Is there anything known of the author or authors, and of what antiquity are they supposed to be?
“ ‘Is there any more to be had of equal beauty, or at all approaching to it?
“ ‘I have been often told, that the poem called Hardykanute[28] (which I always admired and still admire) was the work of somebody that lived a few years ago. This I do not at all believe, though it has evidently been retouched in places by some modern hand; but, however, I am authorised by this report to ask, whether the two poems in question are certainly antique and genuine. I make this inquiry in quality of an antiquary, and am not otherwise concerned about it; for if I were sure that anyone now living in Scotland had written them, to divert himself and laugh at the credulity of the world, I would undertake a journey into the Highlands only for the pleasure of seeing him.’
“You see, Sir, how easily you may make our greatest southern bard travel northward to visit a brother. The young translator has nothing to do but to own a forgery, and Mr. Gray is ready to pack up his lyre, saddle Pegasus, and set out directly. But seriously, he, Mr. Mason, my Lord Lyttelton, and one or two more, whose taste the world allows, are in love with your Erse elegies: I cannot say in general they are so much admired—but Mr. Gray alone is worth satisfying.
“The ‘Siege of Aquileia,’ of which you ask, pleased less than Mr. Home’s other plays.[29] In my own opinion, ‘Douglas’ far exceeds both the others. Mr. Home seems to have a beautiful talent for painting genuine nature and the manners of his country. There was so little of nature in the manners of both Greeks and Romans, that I do not wonder at his success being less brilliant when he tried those subjects; and, to say the truth, one is a little weary of them. At present, nothing is talked of, nothing admired, but what I cannot help calling a very insipid and tedious performance: it is a kind of novel, called ‘The Life and Opinions of Tristram Shandy;’ the great humour of which consists in the whole narration always going backwards. I can conceive a man saying that it would be droll to write a book in that manner, but have no notion of his persevering in executing it. It makes one smile two or three times at the beginning, but in recompense makes one yawn for two hours. The characters are tolerably kept up, but the humour is for ever attempted and missed. The best thing in it is a Sermon, oddly coupled with a good deal of indecency, and both the composition of a clergyman. The man’s head, indeed, was a little turned before, now topsy-turvy with his success and fame. Dodsley has given him six hundred and fifty pounds for the second edition and two more volumes (which I suppose will reach backwards to his great-great-grandfather); Lord Fauconberg, a donative[30] of one hundred and sixty pounds a year; and Bishop Warburton gave him a purse of gold and this compliment (which happened to be a contradiction), ‘that it was quite an original composition, and in the true Cervantic vein:’ the only copy that ever was an original, except in painting, where they all pretend to be so. Warburton, however, not content with this, recommended the book to the bench of bishops, and told them Mr. Sterne, the author, was the English Rabelais. They had never heard of such a writer. Adieu!”
Sir Joshua Reynolds. Pinx. A. Dawson. Ph. Sc. E. Fisher. Sc.
Lawrence Sterne.
CHAPTER III.
A new reign.—Funeral of the late King.—Houghton revisited.—Election at Lynn.—Marriage of George the Third.—His Coronation.
The accession of George III. was the beginning of a new era in English society. The character of George II. could inspire no respect. His successor, with all his faults, did as much perhaps towards reforming the manners of the higher classes as a more enlightened prince could have effected. His regular life and the strictness of his Court applied a pressure answering to that which grew daily stronger from below. The chief want of the aristocracy at this time was not so much culture as something more vitally important. Culture they did, indeed, sorely lack, but many influences among themselves were tending to promote this. What they mainly needed to have enforced upon them from without was some regard to the first principles of social order, some recognition of moral and religious obligations. Those who despise the formalism of George III.’s reign, may reflect that to impose external decorum on the society represented in Hogarth’s pictures was of itself no trifling improvement. Even this was some time in coming. It was retarded by the mistaken system of government which for a long while rendered the Crown unpopular. Still the signs of a change for the better gradually became apparent; and when the close of the American War had removed the last subject of national discontent, the great majority of the upper, as well as of the middle ranks, rallied round the throne as the mainstay of public morality, supporting the King and the sedate minister of his choice against a rival whose irregularities recalled the disorders of a former time.
We give the letter in which Walpole describes the funeral of George II. It should be stated that the writer did not long retain the favourable opinion he here expresses of the new Sovereign:
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