The Collected Works of Charles Lamb and Mary Lamb. Charles Lamb. Читать онлайн. Newlib. NEWLIB.NET

Автор: Charles Lamb
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the spleen without souring the blood, and is altogether the most gentlemanly piece of Jack-Ketchery imaginable.

      Egomet, then, has been my desk-fellow for thirty years. He is a remarkable species of selfishness. I do not mean that he is attentive to his own gain; I acquit him of that common-place manifestation of the foible. I shoot no such small deer. But his sin is a total absorption of mind in things relating to himself—his house—his horse—his stable—his gardener, &c. Nothing that concerns himself can he imagine to be indifferent to you.—He does my sympathy too much honour. The worst is, he takes no sort of interest whatever in your horse, house, stable, gardener, &c. If you begin a discourse about your own household economy and small matters, he treats it with the most mortifying indifference. He has discarded all pronouns for the first-personal. His inattention, or rather aversion, to hear, is no more than what is a proper return to a self-important babbler of his own little concerns; but then, if he will not give, why should he expect to receive, a hearing? "There is no reciprocity in this."

      There is an egotism of vanity; but his is not that species either. He is not vain of any talent, or indeed properly of any thing he possesses; but his doings and sayings, his little pieces of good or ill luck, the sickness of his maid, the health of his pony, the question whether he shall ride or walk home to-day to Clapham, the shape of his hat or make of his boot; his poultry, and how many eggs they lay daily—are the never-*ending topics of his talk. Your goose might lay golden eggs without exciting in him a single curiosity to hear about it.

      I said before, he is not avaricious—not egotistical in the vain sense of the word either; herefore the term selfishness, or egotism, is improperly applied to his distemper; it is the sin of self-fullness. Neither is himself, properly speaking, an object of his contemplation at all; it is the things, which belong or refer to himself. His conversation is one entire soliloquy; or it may be said to resemble Robinson Crusoe's self-colloquies in his island: you are the parrot sitting by. Begin a story, however modest, of your own concerns (something of real interest perhaps), and the little fellow contracts and curls up into his little self immediately, and, with shut ears, sits unmoved, self-centred, as remote from your joys or sorrows as a Pagod or a Lucretian Jupiter.

      Lepus.

      REFLECTIONS IN THE PILLORY

       Table of Contents

      (1825)

      [About the year 18—, one R——d, a respectable London merchant (since dead), stood in the pillory for some alleged fraud upon the Revenue. Among his papers were found the following "Reflections," which we have obtained by favour of our friend Elia, who knew him well, and had heard him describe the train of his feelings upon that trying occasion almost in the words of the MS. Elia speaks of him as a man (with the exception of the peccadillo aforesaid) of singular integrity in all his private dealings, possessing great suavity of manner, with a certain turn for humour. As our object is to present human nature under every possible circumstance, we do not think that we shall sully our pages by inserting it.—Editor.]

      Scene, opposite the Royal Exchange

      Time, Twelve to One, Noon

      Ketch, my good fellow, you have a neat hand. Prithee, adjust this new collar to my neck, gingerly. I am not used to these wooden cravats. There, softly, softly. That seems the exact point between ornament and strangulation. A thought looser on this side. Now it will do. And have a care in turning me, that I present my aspect due vertically. I now face the orient. In a quarter of an hour I shift southward—do you mind?—and so on till I face the east again, travelling with the sun. No half-points, I beseech you; N.N. by W. or any such elaborate niceties. They become the shipman's card, but not this mystery. Now leave me a little to my own reflections.

      Bless us, what a company is assembled in honour of me! How grand I stand here! I never felt so sensibly before the effect of solitude in a crowd. I muse in solemn silence upon that vast miscellaneous rabble in the pit there. From my private box I contemplate with mingled pity and wonder the gaping curiosity of those underlings. There are my Whitechapel supporters. Rosemary Lane has emptied herself of the very flower of her citizens to grace my show. Duke's place sits desolate. What is there in my face, that strangers should come so far from the east to gaze upon it? [Here an egg narrowly misses him.] That offering was well meant, but not so cleanly executed. By the tricklings, it should not be either myrrh or frankincence. Spare your presents, my friends; I am no-ways mercenary. I desire no missive tokens of your approbation. I am past those valentines. Bestow these coffins of untimely chickens upon mouths that water for them. Comfort your addle spouses with them at home, and stop the mouths of your brawling brats with such Olla Podridas; they have need of them. [A brick is let fly.] Discase not, I pray you, nor dismantle your rent and ragged tenements, to furnish me with architectural decorations, which I can excuse. This fragment might have stopped a flaw against snow comes. [A coal flies.] Cinders are dear, gentlemen. This nubbling might have helped the pot boil, when your dirty cuttings from the shambles at three ha'-pence a pound shall stand at a cold simmer. Now, south about, Ketch. I would enjoy australian popularity.

      What my friends from over the water! Old benchers—flies of a day—ephemeral Romans—welcome! Doth the sight of me draw souls from limbo? Can it dispeople purgatory—ha!

      What am I, or what was my father's house, that I should thus be set up a spectacle to gentlemen and others? Why are all faces, like Persians at the sun-rise, bent singly on mine alone? It was wont to be esteemed an ordinary visnomy, a quotidian merely. Doubtless, these assembled myriads discern some traits of nobleness, gentility, breeding, which hitherto have escaped the common observation—some intimations, as it were, of wisdom, valour, piety, and so forth. My sight dazzles; and, if I am not deceived by the too familiar pressure of this strange neckcloth that envelopes it, my countenance gives out lambent glories. For some painter now to take me in the lucky point of expression!—the posture so convenient—the head never shifting, but standing quiescent in a sort of natural frame. But these artizans require a westerly aspect. Ketch, turn me.

      Something of St. James's air in these my new friends. How my prospects shift, and brighten! Now if Sir Thomas Lawrence be any where in that group, his fortune is made for ever. I think I see some one taking out a crayon. I will compose my whole face to a smile, which yet shall not so predominate, but that gravity and gaiety shall contend as it were—you understand me? I will work up my thoughts to some mild rapture—a gentle enthusiasmus—which the artist may transfer in a manner warm to the canvass. I will inwardly apostrophize my tabernacle.