The story had come down, that Ann Holyoake spoke these words in a prayer she offered up at the stake, after the fagots were kindled. There had always been a secret feeling in the family, that none of her descendants could finally fall from grace, in virtue of this solemn “covenant.”
There had been also a legend in the family, that the martyred woman's spirit exercised a kind of supervision over her descendants; that she either manifested herself to them, or in some way impressed them, from time to time; as in the case of the first pilgrim before he cast his lot with the emigrants—of one Mrs. Winslow, a descendant in the third generation, when the Indians were about to attack the settlement where she lived—and of another, just before he was killed at Quebec.
There was a remarkable resemblance between the features of Ann Holyoake, as shown in the portrait, and the miniature likeness of Myrtle's mother. Myrtle adopted the nearly obsolete superstition more readily on this account, and loved to cherish the fancy that the guardian spirit which had watched over her ancestors was often near her, and would be with her in her time of need.
The wife of Selah Withers was accused of sorcery in the evil days of that delusion. A careless expression in one of her letters, that “ye Parson was as lyke to bee in league with ye Divell as anie of em,” had got abroad, and given great offence to godly people. There was no doubt that some odd “manifestations,” as they would be called nowadays, had taken place in the household when she was a girl, and that she presented many of the conditions belonging to what are at the present day called mediums.
Major Gideon Withers, her son, was of the very common type of hearty, loud, portly men, who like to show themselves at militia trainings, and to hear themselves shout orders at musters, or declaim patriotic sentiments at town-meetings and in the General Court. He loved to wear a crimson sash and a military cap with a large red feather, in which the village folk used to say he looked as “hahnsome as a piny,”—meaning a favorite flower of his, which is better spelt peony, and to which it was not unnatural that his admirers should compare him.
If he had married a wife like himself, there might probably enough have sprung from the alliance a family of moon-faced children, who would have dropped into their places like posts into their holes, asking no questions of life, contented, like so many other honest folks, with the part of supernumeraries in the drama of being, their wardrobe of flesh and bones being furnished them gratis, and nothing to do but to walk across the stage wearing it. But Major Gideon Withers, for some reason or other, married a slender, sensitive, nervous, romantic woman, which accounted for the fact that his son David, “King David,” as he was called in his time, had a very different set of tastes from his father, showing a turn for literature and sentiment in his youth, reading Young's “Night Thoughts,” and Thomson's “Seasons,” and sometimes in those early days writing verses himself to Celia or to Chloe, which sounded just as fine to him as Effie and Minnie sound to young people now, as Musidora, as Saccharissa, as Lesbia, as Helena, as Adah and Zillah, have all sounded to young people in their time—ashes of roses as they are to us now, and as our endearing Scotch diminutives will be to others by and by.
King David Withers, who got his royal prefix partly because he was rich, and partly because he wrote hymns occasionally, when he grew too old to write love-poems, married the famous beauty before mentioned, Miss Judith Pride, and the race came up again in vigor. Their son, Jeremy, took for his first wife a delicate, melancholic girl, who matured into a sad-eyed woman, and bore him two children, Malachi and Silence.
When she died, he mourned for her bitterly almost a year, and then put on a ruffled shirt and went across the river to tell his grief to Miss Virginia Wild, there residing. This lady was said to have a few drops of genuine aboriginal blood in her veins; and it is certain that her cheek had a little of the russet tinge which a Seckel pear shows on its warmest cheek when it blushes.—Love shuts itself up in sympathy like a knife-blade in its handle, and opens as easily. All the rest followed in due order according to Nature's kindly programme.
Captain Charles Hazard, of the ship Orient Pearl, fell desperately in love with the daughter of this second wife, married her, and carried her to India, where their first and only child was born, and received the name of Myrtle, as fitting her cradle in the tropics. So her earliest impressions—it would not be exact to call them recollections—besides the smiles of her father and mother, were of dusky faces, of loose white raiment, of waving fans, of breezes perfumed with the sweet exhalations of sandal-wood, of gorgeous flowers and glowing fruit, of shady verandas, of gliding palanquins, and all the languid luxury of the South. The pestilence which has its natural home in India, but has journeyed so far from its birth place in these later years, took her father and mother away, suddenly, in the very freshness of their early maturity. A relation of Myrtle's father, wife of another captain, was returning to America on a visit, and the child was sent back, under her care, while still a mere infant, to her relatives at the old homestead. During the long voyage, the strange mystery of the ocean was wrought into her consciousness so deeply, that it seemed to have become a part of her being. The waves rocked her, as if the sea had been her mother; and, looking over the vessel's side from the arms that held her with tender care, she used to watch the play of the waters, until the rhythm of their movement became a part of her, almost as much as her own pulse and breath.
The instincts and qualities belonging to the ancestral traits which predominated in the conflict of mingled lives lay in this child in embryo, waiting to come to maturity. It was as when several grafts, bearing fruit that ripens at different times, are growing upon the same stock. Her earlier impulses may have been derived directly from her father and mother, but all the ancestors who have been mentioned, and more or less obscurely many others, came uppermost in their time, before the absolute and total result of their several forces had found its equilibrium in the character by which she was to be known as an individual. These inherited impulses were therefore many, conflicting, some of them dangerous. The World, the Flesh, and the Devil held mortgages on her life before its deed was put in her hands; but sweet and gracious influences were also born with her; and the battle of life was to be fought between them, God helping her in her need, and her own free choice siding with one or the other. The formal statement of this succession of ripening characteristics need not be repeated, but the fact must be borne in mind.
This was the child who was delivered into the hands of Miss Silence Withers, her mother's half—sister, keeping house with her brother Malachi, a bachelor, already called Old Malachi, though hardly entitled by his years to such a venerable prefix. Both these persons had inherited the predominant traits of their sad-eyed mother. Malachi, the chief heir of the family property, was rich, but felt very poor. He owned this fine old estate of some hundreds of acres. He had moneys in the bank, shares in various companies, wood-lots in the town; and a large tract of Western land, the subject of a lawsuit which seemed as if it would never be settled, and kept him always uneasy.
Some said he hoarded gold somewhere about the old house, but nobody knew this for a certainty. In spite of his abundant means, he talked much of poverty, and kept the household on the narrowest footing of economy. One Irishwoman, with a little aid from her husband now and then, did all their work; and the only company they saw was Miss Cynthia Badlam, who, as a relative, claimed a home with them whenever she was so disposed.
The “little Indian,” as Malachi called her, was an awkward accession to the family. Silence Withers knew no more about children and their ways and wants than if she had been a female ostrich. Thus it was that she found it necessary to send for a woman well known in the place as the first friend whose acquaintance many of the little people of the town had made in this vale of tears.
Thirty years of practice had taught Nurse Byloe the art of handling the young of her species with the soft firmness which one may notice in cats with their kittens—more grandly in a tawny lioness mouthing her cubs. Myrtle did not know she was held; she only felt she was lifted, and borne up, as a cherub may feel upon a white-woolly cloud, and smiled accordingly at the nurse, as if quite at home in her arms.
“As fine a child as ever breathed the breath of life. But where did them black eyes come from? Born in Injy—that 's it, ain't it? No, it's her