An Author's Mind : The Book of Title-pages. Martin Farquhar Tupper

heart of human society. And are not these unbounded pleasures, spreading over life, and comforting the struggles of a death-bed? Yes: rising as Ezekiel's river from ankle to knee, from knee to girdle, from girdle to the overflowing flood—far beyond those lowest joys, which many wise have trampled under foot, of praise, and triumph, and profit—the authorship of good, that has made men better; that has consoled sorrow, advanced knowledge, humbled arrogance, and blest humanity; that has sent the guilty to his prayers, and has gladdened the Christian in his praises—the authorship of good, that has shown God in his loveliness, and man in his dependence; that has aided the cause of charity, and shamed the face of sin—this high beneficence, this boundless good-doing, hath indeed a rich recompense, a glorious reward!

      But we must speed on, and sear these hydra-necks, or we shall have as many heads to our discourse, and as puzzling, as any treatise of the Puritan divinity. Let us hasten to be practical; let us not so long forget the promised title-pages; let it at length satisfy to show, more than theoretically, how authorship stirs up the mind to daily-teeming projects, and then casts out its half-made progeny; how scraps of paper come to be covered with the cabala of half-written thoughts, thenceforward doomed to suffer the dispersion-fate of Sibylline leaves; how stores of mingled information gravitate into something of order, each seed herding with its fellows; and how every atom of mixed metal, educationally held in solution by the mind, is sought out by a keen precipitating test, gregariously building up in time its own true crystal.

      Hereabouts, therefore, and hereafter, in as frank a fashion as heretofore, artlessly, too, and, but for crowding fancies, briefly shall follow a full and free confession of the embryo circulating library now in the book-case of my brain; only premising, for the last of all last times, that while I know it to be morally impossible that all should be pleased herewith, I feel it to be intellectually improbable that any one mind should equally be satisfied with each of the many parts of a performance so various, inconsistent, and unusual; premising, also, that wherein I may have stumbled upon other people's titles, it is unwittingly and unwillingly; for the age breeds books so quickly, that a man must read harder than I do to peruse their very names; and premising this much farther, that I profess to be a sort of dog in the manger, neither using up my materials myself, nor letting any one else do so; and that, whether I shall happen or not, at any time future to amplify and perfect any of these matters, I still proclaim to all bookmakers and booksellers, steal not; for so surely as I catch any one thus behaving—and truly, my masters, the temptation is but small—I will stick a "Sic vos, non vobis," on his brazen forehead.

      Wait! there remaineth yet a moment in which to say out the remnant of my mind, "an author's mind," its last parting speech, its dying utterances before extreme unction. I owe all the world apologies; I would pray a catholic forgiveness. Authors and reviewers, critics, and the undiscriminating many, fair women, honest men, I cry your pardons universally! I do confess the learning of my mind to lie, strangely and Pisa-like, inveterately as at Welsh Caérphilli, out of the perpendicular of truth; it is my disposition to make the most of all things, for good or for evil; I write, speak, and think, as if I were but an unhallowed special pleader; I colour highly, and my outlines are too strong; I am guilty on all sides of unintentional misstatements, consequent on the powerful gusts of feeling that burst upon my irritable breast; my heart is no smooth Dead Sea, but the still vexed Bermoothes: therefore I would print my penitence; I would publish my confessions; I would not hide my humbleness; and it pleases me to pour out in sonnet-form my unconventional

      APOLOGY TO ALL.

      —For I have sinn'd; oh! grievously and often;

       Exaggerated ill, and good denied;

       Blacken'd the shadows only born to soften;

       And Truth's own light unkindly misapplied:

       Alas! for charities unloved, uncherish'd,

       When some stern judgment, haply erring wide,

       Hath sent my fancy forth, to dream and tell

       Other men's deeds all evil! Oh, my heart!

       Renew once more thy generous youth, half perish'd;

       Be wiser, kindlier, better than thou art!

       And first, in fitting meekness, offer well

       All earnest, candid prayers, to be forgiven

       For worldly, harsh, unjust, unlovable

       Thoughts and suspicions against man and Heaven!

      Friends all, let this be my best amendment: bear with the candour, homely though it may be, of your author's mind; and suffer its further revelations of unborn manuscript with charitable listening; for they would come forth in real order of time, the first having priority, and not the best, ungarnished, unweeded, uncared-for, humbly, and without any further flourish of trumpets.

      Serjeant Ion—I beg his pardon, Talfourd—somewhere gives it as his opinion, that most people, in any way troubled with a mind, have at some time or other meditated a tragedy. Truly, too, it is a fine vehicle for poetical solemnities, a stout-built vessel for an author's graver thoughts; and the bare possibility of seeing one's own heart-stirring creation visually set before a crowded theatre, the preclusive echoes of anticipated thundering applause, the expected grilling silence attendant on a pet scene or sentiment, all the tangible, accessories of painting and music, clever acting and effective situation, and beyond and beside these the certain glories of the property-wardrobe, make most young minds press forward to the little-likely prize of successful tragedy. That at one weak period I was bitten, my honesty would scorn to deny; but fortunately for my peace of mind, "Melpomene looked upon me with an aspect of little favour," and sturdy truth-telling Tacitus made me at last but lightly regardful of my subject. Moreover, my Pegasus was visited with a very abrupt pull-up from other causes; it has been my fatality more than once or twice, as you will ere long see, to drop upon other people's topics—for who can find any thing new under the sun?—and I had already been mentally delivered of divers fag-ends of speeches, stinging dialogues, and choice tit-bits of scenes, (all of which I will mercifully spare you,) when a chance peep into Johnson's 'Lives of the Poets' showed me mine own fine subject as the work of some long-forgotten bard! This moral earthquake demolished in a moment my goodly aërial fabric; the fair plot burst like a meteor; and an after-recollection of a certain French tragedy-queen, Agrippina, showed me that the ground was still further preoccupied. But it is high time to tell the destined name of my abortive play; in four letters, then,