Indignant authors, be not merciless on my candour: I confess too much whereof I hold you guilty; I am one of yourselves, and I question not that few of you can beat me in a certain sort of—I will say, unintended, plagiarism; you are thieves—patience—I thieve from thieves; Diogenes cannot see me any more than you; you copy phrases, I am perpetually and unconsciously filching thoughts; my entomological netted-scissors, wherewith I catch those small fowl on the wing, are always within reach; you will never find me without well-tenanted pill-boxes in my pocket, and perhaps a buzzing captive or two stuck in spinning thraldom on my castor; you are petty larceners, I profess the like métier of intellectual abstractor; you pilfer among a crowd of volumes, manuscripts, rare editions, conflicting commentators, and your success depends upon rëusage of the old materials; whereas I sit alone and bookless in my dining-parlour, thinking over bygone fancies, rëconsidering exploded notions, appropriating all I find of lumber in the warehouse of my memory, and, if need be, without scruple, quietly digesting, as my special provender, the thoughts of others, originated ages ago.
Is it necessary to remind you—dropping this lightsome vein for a precious moment—that I am penning away my "crudites," off-hand, at the top of my speed? that my set intention is, if possible, to jot down instanter my heavy brainful, and feel for once light headed?—I stick to my title, 'An Author's Mind,' and that with a laudable scorn of concealment, and an honest purpose not to pretend it better or wiser than it is; then let no one blame me on the score of my fashion of speech, or my sarcasms mingled with charity; for consistency with me were inconsistent.
Neither let me, poor innocent, be accused of giving license to what a palled public and dyspeptical reviewers will call for the thousandth time a cacoethes; word of cabalistic look, unknown to Dr. Dilworth. Truly, my masters, though disciple I be of venerable Martinus the Scribbler; though, for aught I know, himself in progress of transmigration; still, I submit, my cornucopia is not crammed with leaves and chopped straw; and if, in utter carelessness, the fruit is poured out pell-mell after this desultory fashion, yet, I wot, it is fruit, though whether ripe or crude, or rotten, my husbandry takes little thought: the mixture serves for my cider-press, and, fermentation over, the product will be clarified. Judge me too, am I not consecutive? I've shown man to be a writing animal; and writing, what it is and is not; and meanwhile have been routing recreatively at pen's point whims, and fancies, and ideas, and images, pulled in manfully by head and shoulders: and now—after an episode, quite relevant and quite Herodotean, concerning the consequences of a bit of successful authorship on a man's scheme of life, to illustrate yet more the "author's mind"—I shall proceed to tell all men how many books I might, could, should, or would have written, but for reiterated and legitimated buts, and how near of kin I must esteem myself to the illustrious J. of nursery rhymes, being, as he is or was, "Mister Joe Jenkins, who played on the fiddle, and began twenty tunes, but left off in the middle." Moreover, no one can be ignorant of the close consanguinity recognised in every age and every dictionary between I and J. But now for the episode:
If ever a toy were symbolical of life, that toy was a kaleidoscope: the showy bits of tinsel, coloured glass, silk, beads, and feathers, with here and there perchance a stray piece of iridescent ore or a pin, each, in its turn of ideal multiplication, filling successively the field of vision; the trifling touch that will disenchant the fairest patterns; the slightest change, as in chemical arithmetic, that will make the whole mixture a poison or a cordial. A man is vexed, the nerve of his equanimity thrillingly touched at the tender elbow, and forthwith his whole wholesome body writhes in pain; while, to speak morally, those useful reminders of life's frailty, the habitual side-thorns—spurs of diligence, incentives to better things—are exaggerated into sixfold spears, and terribly stop the way, like long-lanced Achæans: a careless fit succeeds to one of spleen, and vanity well spangled, pretty baubles, stars and trinkets and trifles, fill their cycle, to magnetize with folly that rolling world the brain: another twist, and love is lord paramount, a paltry bit of glass, casually rose-coloured, shedding its warm blush over all the reflective powers: suddenly an overcast, for that marplot, Disappointment, has obtruded a most vexatiously reiterated morsel of lamp-black: again Hope's little bit of blue paint makes azure rainbows all about the firmament of man's own inner world; and at last an atom of gold-dust specks all the glasses with its lurid yellow, and haply leaves the old miser to his master-passion. So, ever changing day by day, every man's life is but a kaleidoscope. Stay; this simile is somewhat of the longest, but the whim is upon me, and I must have my way; the fit possesses me to try a sonnet, and I shall look far for a fairer thesis; he that hates verse—and the Muses now-a-days are too old-maidish to look many lovers—may skip it, and no harm done; but one or two may like this stave on
LIFE.
I saw a child with a kaleidoscope,
Turning at will the tesselated field;
And straight my mental eye became unseal'd,
I learnt of life, and read its horoscope:
Behold, how fitfully the patterns change!
The scene is azure now with hues of Hope;
Now sobered gray by Disappointment strange;
With Love's own roses blushing, warm and bright;
Black with Hate's heat, or white with Envy's cold;
Made glorious by Religion's purple light;
Or sicklied o'er with yellow lust of Gold;
So, good or evil coming, peace or strife,
Zeal when in youth, and Avarice when old,
In changeful, chanceful phases passeth life.
It is well I was not stopped before my lawful fourteenth rhyme by yonder prosaic gentleman, humbly listening in front, who asks, with somewhat of malicious triumph, whereto does all this lead?—Categorically, sir, [there is no argument in the world equal to a word of six syllables,] categorically, sir, to this: of all life's turns and twists, few things produce more change to the daring debutant than successful authorship; it is as if, applying our simile, a fragment of printed bookishness among those kaleidoscopic morsels, having worked its way into the field of vision, had there got stereotyped by a photogenic process: in fact, it fixes on it a prëdestinated "author's mind."
An author's mind! what a subject for the lights and shadows of metaphysical portraiture! what a panorama of images! what a whirling scene of ever-changing incidents! what a store-house for thoughts! what a land of marvels! what untrodden heights, what unexplored depths of an ever-undiscovered country! That strange world hath a structure and a furniture all its own; its chalcedonic rocks are painted with rare creatures floating in their liquid-seeming hardness; forms of other spheres lie buried in its lias cliffs; seeds of unknown plants, relics of unlimnèd reptiles, fragments of an old creation, the ruins of a fanciful cosmogony, lie hid until the day of their requiral beneath its fertile soil: and then its lawless botany; flowers of glorious hue hung upon the trees of its forests; luscious fruits flung liberally among the mosses of its banks; air-plants sailing in its atmosphere; unanchored water-lilies dancing in its bright cascades; and this, too, a world, an inner secret world, peopled with unthought images, specimens of a peculiar creation; outlandish