Oct. 1583
Amid the state and domestic troubles which shadowed the Tzar’s old age, and while he was endeavouring to bring about a marriage between himself and one of the English aristocracy (Lady Mary Hastings), the woman who was still his wife presented him with another Dimitri—a puny princeling, born surely in an evil hour, whose ghost was to haunt the land for many a woeful year. A few months later Ivan’s health began to fail, and when, from the Red Staircase of the great palace at Moskva, he observed a comet in the winter sky “of which the tail had the form of a cross,” he beheld in it the presage of his death. Sickening rapidly, he expired somewhat abruptly, while engaged in a game of chess with one of his courtiers, on the 18th March 1584.
The great death-dealing Tzar was dead himself at last, the child that had been so fervently prayed for had gone back, in the fulness of his years, whence he had come. They tonsured the grim corpse that frightened them still, and called it Jonah, in the name of the Kirillov monastery; but they buried it as the Orthodox Tzar, Ivan Vasilievitch, in the Cathedral of Mikhail the Archangel, amid the striking of the great bells of the Kreml and the sobs and lamentations of the people.
Among Russian historians Ivan IV. has found apologists as well as writers who have held him up to execration and condemned his statecraft and his cruelties alike. Even while examining critically the evidence against him on the latter score, the result arrived at is that he was probably as “terrible” as he is painted. Chronicles and historical accounts were still largely in ecclesiastical hands, and scant justice would be done to the memory of a man who had married six or seven wives. The Church might forgive his hates, but never his loves. Nor can the evidence of Kourbski be accepted as unbiassed in the matter of Ivan’s character. Other contemporary witnesses there are, however, whose testimony points in the same direction, and who were in no way interested in libelling the Tzar. Horsey, who was on terms of good fellowship with him, wrote, “The Emperour liueth in feare, daily discouers Treasons, and spends much time in torturing and execution.” A Venetian attached to the Polish Embassy at Moskva in 1570 described the Tzar as “the greatest tyrant who has ever existed,” and mentions a delinquent voevoda being thrown to a savage bear, “kept for that purpose.” The cruelties and oppressions practised by the Russian monarch were widely commented on during both the Polish elections, and the reports largely militated against his candidature. Finally the document in the Kirillov monastery, in which the Tzar complacently prays for the souls of 3470 of his victims, would, if authentic, show that the extent at least of his executions has not been exaggerated. Nor is this gloating savagery, blended as it was with a rational and understandable policy, difficult to comprehend. Ivan the Terrible was the outcome of a long line of Moskovite princes, men who had been actuated by one ruling idea, which idea was in him so developed and specialised that he was nothing short of a monomaniac. The idea was that Moskovy, and God, and Gosoudar were scarcely distinguishable entities, bound up in indissoluble bonds. With the substitution of other countries, other sovereigns in other days have fallen into the same confusion. Jealous, awe-inspiring, pain-inflicting, terrible—such was the conception of a God among peoples in most parts of the world, such was the character which came naturally to the holy, Orthodox, Moskva-bred Tzar. The religious side of Ivan’s nature was always prominent; his prostrations in the churches, his zeal in monastic regulations, the pious reflections which formed so remarkable a part of his correspondence, the solemn forebodings over Kourbski’s soul, were all indications of a mind steeped in dogmatic belief.
Grim and dreary, mean and monstrous, as the Moskovy of this period seems, with its Aleksandrovskie sloboda, its gibbets, axes, impalements, and boiling cauldrons, its man-devouring hounds and blood-splashed bear-dens, its Kromiesniki and dumb driven population, its gutters running red and carp growing bloated on human flesh, and above all, everywhere, those glittering crosses; yet not in Eastern Europe alone could “such things be.” A brilliant writer, drawing his materials from the history of mediæval Italy both before and after the Renaissance, has “pictured the awful and beautiful forms of those whom vice and blood and weariness had made monstrous or mad: Filippo, Duke of Milan, who slew his wife, and painted her lips with a scarlet poison that her lover might suck death from the dead thing he fondled; ... Gian Maria Visconti, who used hounds to chase living men, and whose murdered body was covered with roses by a harlot who had loved him; ... Ezzelin, whose melancholy could be cured only by the spectacle of death, and who had a passion for red blood as other men have for red wine; ... Sigismondo Malatesta, ... the Lord of Rimini, whose effigy was burned at Rome as the enemy of God and man, who strangled Polyssena with a napkin, and gave poison to Ginevra d’Este in a cup of emerald;”174 ... these examples, garnered from one corner of Western Europe, show that humanity and inhumanity are sometimes convertible terms under sunny Italian skies, as well as amid dark pine-forests and snow-piled wastes. The century which produced the Moskovy of Ivan the Terrible was not barren of sinister deeds in other parts of Christendom, and Russia was at least free, perhaps by very reason of its stifling autocracy, from the horrors which attended the great religious upheaval in the West; when Paris and the French provinces were glutted with Huguenot blood; when Alva was dealing out “confiscation, imprisonment, exile, torture, and death” to the Protestants of the Netherlands; when the Calvinists of Geneva were burning Servetus alive for “heresy” and roasting men and women to death for “witchcraft”; when Calvin himself was suggesting to the Lord Protector