However, in moments when he casts aside the tragic mantle, Grushnitski is charming and entertaining enough. I am always interested to see him with women—it is then that he puts forth his finest efforts, I think!
We met like a couple of old friends. I began to question him about the personages of note and as to the sort of life which was led at the waters.
“It is a rather prosaic life,” he said, with a sigh. “Those who drink the waters in the morning are inert—like all invalids, and those who drink the wines in the evening are unendurable—like all healthy people! There are ladies who entertain, but there is no great amusement to be obtained from them. They play whist, they dress badly and speak French dreadfully! The only Moscow people here this year are Princess Ligovski and her daughter—but I am not acquainted with them. My soldier’s cloak is like a seal of renunciation. The sympathy which it arouses is as painful as charity.”
At that moment two ladies walked past us in the direction of the well; one elderly, the other youthful and slender. I could not obtain a good view of their faces on account of their hats, but they were dressed in accordance with the strict rules of the best taste—nothing superfluous. The second lady was wearing a high-necked dress of pearl-grey, and a light silk kerchief was wound round her supple neck. Puce-coloured boots clasped her slim little ankle so charmingly, that even those uninitiated into the mysteries of beauty would infallibly have sighed, if only from wonder. There was something maidenly in her easy, but aristocratic gait, something eluding definition yet intelligible to the glance. As she walked past us an indefinable perfume, like that which sometimes breathes from the note of a charming woman, was wafted from her.
“Look!” said Grushnitski, “there is Princess Ligovski with her daughter Mary, as she calls her after the English manner. They have been here only three days.”
“You already know her name, though?”
“Yes, I heard it by chance,” he answered, with a blush. “I confess I do not desire to make their acquaintance. These haughty aristocrats look upon us army men just as they would upon savages. What care they if there is an intellect beneath a numbered forage-cap, and a heart beneath a thick cloak?”
“Poor cloak!” I said, with a laugh. “But who is the gentleman who is just going up to them and handing them a tumbler so officiously?”
“Oh, that is Raevich, the Moscow dandy. He is a gambler; you can see as much at once from that immense gold chain coiling across his skyblue waistcoat. And what a thick cane he has! Just like Robinson Crusoe’s—and so is his beard too, and his hair is done like a peasant’s.”
“You are embittered against the whole human race?”
“And I have cause to be”...
“Oh, really?”
At that moment the ladies left the well and came up to where we were. Grushnitski succeeded in assuming a dramatic pose with the aid of his crutch, and in a loud tone of voice answered me in French:
“Mon cher, je hais les hommes pour ne pas les mepriser, car autrement la vie serait une farce trop degoutante.”
The pretty Princess Mary turned round and favoured the orator with a long and curious glance. Her expression was quite indefinite, but it was not contemptuous, a fact on which I inwardly congratulated Grushnitski from my heart.
“She is an extremely pretty girl,” I said. “She has such velvet eyes—yes, velvet is the word. I should advise you to appropriate the expression when speaking of her eyes. The lower and upper lashes are so long that the sunbeams are not reflected in her pupils. I love those eyes without a glitter, they are so soft that they appear to caress you. However, her eyes seem to be her only good feature... Tell me, are her teeth white? That is most important! It is a pity that she did not smile at that high-sounding phrase of yours.”
“You are speaking of a pretty woman just as you might of an English horse,” said Grushnitski indignantly.
“Mon cher,” I answered, trying to mimic his tone, “je meprise les femmes, pour ne pas les aimer, car autrement la vie serait un melodrame trop ridicule.”
I turned and left him. For half an hour or so I walked about the avenues of the vines, the limestone cliffs and the bushes hanging between them. The day grew hot, and I hurried homewards. Passing the sulphur spring, I stopped at the covered gallery in order to regain my breath under its shade, and by so doing I was afforded the opportunity of witnessing a rather interesting scene. This is the position in which the dramatis personae were disposed: Princess Ligovski and the Moscow dandy were sitting on a bench in the covered gallery—apparently engaged in serious conversation. Princess Mary, who had doubtless by this time finished her last tumbler, was walking pensively to and fro by the well. Grushnitski was standing by the well itself; there was nobody else on the square.
I went up closer and concealed myself behind a corner of the gallery. At that moment Grushnitski let his tumbler fall on the sand and made strenuous efforts to stoop in order to pick it up; but his injured foot prevented him. Poor fellow! How he tried all kinds of artifices, as he leaned on his crutch, and all in vain! His expressive countenance was, in fact, a picture of suffering.
Princess Mary saw the whole scene better than I.
Lighter than a bird she sprang towards him, stooped, picked up the tumbler, and handed it to him with a gesture full of ineffable charm. Then she blushed furiously, glanced round at the gallery, and, having assured herself that her mother apparently had not seen anything, immediately regained her composure. By the time Grushnitski had opened his mouth to thank her she was a long way off. A moment after, she came out of the gallery with her mother and the dandy, but, in passing by Grushnitski, she assumed a most decorous and serious air. She did not even turn round, she did not even observe the passionate gaze which he kept fixed upon her for a long time until she had descended the mountain and was hidden behind the lime trees of the boulevard... Presently I caught glimpses of her hat as she walked along the street. She hurried through the gate of one of the best houses in Pyatigorsk; her mother walked behind her and bowed adieu to Raevich at the gate.
It was only then that the poor, passionate cadet noticed my presence.
“Did you see?” he said, pressing my hand vigorously. “She is an angel, simply an angel!”
“Why?” I inquired, with an air of the purest simplicity.
“Did you not see, then?”
“No. I saw her picking up your tumbler. If there had been an attendant there he would have done the same thing—and quicker too, in the hope of receiving a tip. It is quite easy, however, to understand that she pitied you; you made such a terrible grimace when you walked on the wounded foot.”
“And can it be that seeing her, as you did, at that moment when her soul was shining in her eyes, you were not in the least affected?”
“No.”
I was lying, but I wanted to exasperate him. I have an innate passion for contradiction—my whole life has been nothing but a series of melancholy and vain contradictions of heart or reason. The presence of an enthusiast chills me with a twelfth-night cold, and I believe that constant association with a person of a flaccid and phlegmatic temperament would have turned me into an impassioned visionary. I confess, too, that an unpleasant but familiar sensation was coursing lightly through my heart at that moment. It was—envy. I say “envy” boldly, because I am accustomed to acknowledge everything to myself. It would be hard to find a young man who, if his idle fancy had been attracted by a pretty woman and he had suddenly found her openly singling out before his eyes another man equally unknown to her—it would be hard, I say, to find such a young man (living, of course, in the great world and accustomed to indulge his self-love) who would not have been unpleasantly taken aback in such a case.
In silence Grushnitski and I descended the mountain and walked