I have said that Albertine had not seemed to me that day to be the same as on previous days and that afterwards, each time I saw her, she was to appear different. But I felt at that moment that certain modifications in the appearance, the importance, the stature of a person may also be due to the variability of certain states of consciousness interposed between that person and us. One of those that play an important part in such transformations is belief; that evening my belief, then the vanishing of my belief, that I was about to know Albertine had, with a few seconds’ interval only, rendered her almost insignificant, then infinitely precious in my sight; some years later, the belief, then the disappearance of the belief, that Albertine was faithful to me brought about similar changes.
Of course, long ago, at Combray, I had seen shrink or stretch, according to the time of day, according as I was entering one or the other of the two dominant moods that governed my sensibility in turn, my grief at not having my mother with me, as imperceptible all afternoon as is the moon’s light when the sun is shining, and then, when night had come, reigning alone in my anxious heart in the place of recent memories now obliterated. But on that day at Balbec, when I saw that Elstir was leaving the girls and had not called me, I learned for the first time that the variations in the importance which a pleasure or a pain has in our eyes may depend not merely on this alternation of two moods, but on the displacement of invisible beliefs, such, for example, as make death seem to us of no account because they bathe it in a glow of unreality, and thus enable us to attach importance to our attending an evening party, which would lose much of its charm for if, on the announcement that we were sentenced to die by the guillotine, the belief that had bathed the party in its warm glow was instantly shattered; and this part that belief plays, it is true that something in me was aware of it; this was my will; but its knowledge is vain if the mind, the heart continue in ignorance; these last act in good faith when they believe that we are anxious to forsake a mistress to whom our will alone knows that we are still attached. This is because they are clouded by the belief that we shall see her again at any moment. But let this belief be shattered, let them suddenly become aware that this mistress is gone from us for ever, then the mind and heart, having lost their focus, are driven like mad things, the meanest pleasure becomes infinitely great.
Variance of a belief, annulment also of love, which, pre-existent and mobile, comes to rest at the image of any one woman simply because that woman will be almost impossible of attainment. Thenceforward we think not so much of the woman of whom we find difficult in forming an exact picture, as of the means of getting to know her. A whole series of agonies develops and is sufficient to fix our love definitely upon her who is its almost unknown object. Our love becomes immense; we never dream how small a place in it the real woman occupies. And if suddenly, as at the moment when I had seen Elstir stop to talk to the girls, we cease to be uneasy, to suffer pain, since it is this pain that is the whole of our love, it seems to us as though love had abruptly vanished at the moment when at length we grasp the prey to whose value we had not given enough thought before. What did I know of Albertine? One or two glimpses of a profile against the sea, less beautiful, assuredly, than those of Veronese’s women whom I ought, had I been guided by purely aesthetic reasons, to have preferred to her. By what other reasons could I be guided, since, my anxiety having subsided, I could recapture only those mute profiles; I possessed nothing of her besides. Since my first sight of Albertine I had meditated upon her daily, a thousandfold, I had carried on with what I called by her name an interminable unspoken dialogue in which I made her question me, answer me, think and act, and in the infinite series of imaginary Albertines who followed one after the other in my fancy, hour after hour, the real Albertine, a glimpse caught on the beach, figured only at the head, just as the actress who creates a part, the star, appears, out of a long series of performances, in the few first alone. That Albertine was scarcely more than a silhouette, all that was superimposed being of my own growth, so far when we are in love does the contribution that we ourself make outweigh—even if we consider quantity only—those that come to us from the beloved object. And the same is true of love that is given its full effect. There are loves that manage not only to be formed but to subsist around a very little core—even among those whose prayer has been answered after the flesh. An old drawing-master who had taught my grandmother had been presented by some obscure mistress with a daughter. The mother died shortly after the birth of her child, and the drawing-master was so broken-hearted that he did not long survive her. In the last months of his life my grandmother and some of the Combray ladies, who had never liked to make any allusion in the drawing-master’s presence to the woman, with whom, for that matter, he had not officially ‘lived’ and had had comparatively slight relations, took it into their heads to ensure