Two novelties that day they saw,
That forouth in Scotland had been nene;
Timbers for helmes was the ane
That they thought then of great beautie,
And also wonder for to see.
The other crakys were of war That they before heard never air.
In another part of the same book we have the phrase gynnys for crakys, showing that the term crakys was used to denote a gun or musket of some form or other. It is curious that the English would seem to have been the first European nation that employed gunpowder in war; they used it in the battle of Crecy, fought in 1346, when it was unknown to the French, and it is supposed to have contributed materially to the brilliant victory which was obtained.
4. Raymond Lully is said to have been a scholar and a friend of Roger Bacon. He was a most voluminous writer, and acquired as high a reputation as any of the alchymists. According to Mutius he was born in Majorca in the year 1235. His father was seneschal to King James the First of Arragon. In his younger days he went into the army; but afterwards held a situation in the court of his sovereign. Devoting himself to science he soon acquired a competent knowledge of Latin and Arabic. After studying in Paris he got the degree of doctor conferred upon him. He entered into the order of Minorites, and induced King James to establish a cloister of that order in Minorca. He afterwards travelled through Italy, Germany, England, Portugal, Cyprus, Armenia and Palestine. He is said by Mutius to have died in the year 1315, and to have been buried in Majorca. The following epitaph is given by Olaus Borrichius as engraven on his tomb:
Raymundus Lulli, cujus pia dogmata nulli
Sunt odiosa viro, jacet hic in marmore miro
Hic M. et CC. Cum P. cœpit sine sensibus esse.
M C C C in these lines denote 1300, and P which is the 15th letter of the alphabet denotes 15, so that if this epitaph be genuine it follows that his death took place in the year 1315.
It seems scarcely necessary to notice the story that Raymond Lully made a present to Edward, King of England, of six millions of pieces of gold, to enable him to make war on the Saracens, which sum that monarch employed, contrary to the intentions of the donor, in his French wars. This story cannot apply to Edward III., because in 1315, at the time of Raymond’s death, that monarch was only three years of age. It can scarcely apply to Edward II., who ascended the throne in 1305: but who had no opportunity of making war, either on the Saracens or French, being totally occupied in opposing the intrigues of his queen and rebellious subjects, to whom he ultimately fell a sacrifice. Edward the First made war both upon the Saracens and the French, and lived during the time of Raymond: but his wars with the Saracens were finished before he ascended the throne, and during the whole of his reign he was too much occupied with his projected conquest of Scotland, to pay much serious attention to any French war whatever. The story, therefore, cannot apply to any of the three Edwards, and cannot be true. Raymond Lully is said to have been stoned to death in Africa for preaching Christianity in the year 1315. Others will have it that he was alive in England in the year 1332, at which time his age would have been 97.
The following table exhibits a list of his numerous writings, most of which are to be found in the Theatrum Chemicum, the Artis Auriferæ, or the Biblotheca Chemica. 1. Praxis Universalis Magni Operis. 2. Clavicula. 3. Theoria et Practica. 4. Compendium Animæ Transmutationis Artis Metallorum. 5. Ultimum Testamentum. Of this work, which professes to give the whole doctrine of alchymy, there is an English translation. 6. Elucidatio Testamenti. 7. Potestas Divitiorum cum Expositione Testamenti Hermetis. 8. Compendium Artis Magicæ, quoad Compositionem Lapidis. 9. De Lapide et Oleo Philosophorum. 10. Modus accipiendi Aurum Potabile. 11. Compendium Alchymiæ et Naturalis Philosophiæ. 12. Lapidarium. 13. Lux Mercuriorum. 14. Experimenta. 15. Ars Compendiosa vel Vademecum. 16. De Accurtatione Lapidis.
Several other tracts besides these are named by Gmelin; but I have never seen any of them. I have attempted several times to read over the works of Raymond Lully, particularly his Last Will and Testament, which is considered the most important of them all. But they are all so obscure, and filled with such unintelligible jargon, that I have found it impossible to understand them. In this respect they form a wonderful contrast with the works of Albertus Magnus and Roger Bacon, which are comparatively plain and intelligible. For an account, therefore, of the chemical substances with which he was acquainted, I am obliged to depend on Gmelin; though I put no great confidence in his accuracy.
Like his predecessors, he was of opinion that all the metals are compounds of sulphur and mercury. But he seems first to have introduced those hieroglyphical figures or symbols, which appear in such profusion in the English translation of his Last Will and Testament, and which he doubtless intended to illustrate his positions. Though what other purpose they could serve, than to induce the reader to consider his statements as allegorical, it is not easy to conjecture. Perhaps they may have been designed to impose upon his contemporaries by an air of something very profound and inexplicable. For that he possessed a good deal of charlatanry is pretty evident, from the slightest glance at his performances.
He was acquainted with cream of tartar, which he distilled: the residue he burnt, and observed that the alkali extracted deliquesced when exposed to the air. He was acquainted with nitric acid, which he obtained by distilling a mixture of saltpetre and green vitriol. He mentions its power of dissolving, not merely mercury, but likewise other metals. He could form aqua regia by adding sal ammoniac or common salt to nitric acid, and he was aware of the property which it had of dissolving gold.
Spirit of wine was well known to him, and distinguished by him by the names of aqua vitæ ardens and argentum vivum vegetabile. He knew the method of rendering it stronger by an admixture of dry carbonate of potash, and of preparing vegetable tinctures by means of it. He mentions alum from Rocca, marcasite, white and red mercurial precipitate. He knew the volatile alkali and its coagulations by means of alcohol. He was acquainted with cupellated silver, and first obtained rosemary oil by distilling the plant with water. He employed a mixture of flour and white of egg spread upon a linen cloth to cement cracked glass vessels, and used other lutes for similar purposes.27
5. Arnoldus de Villa Nova is said to have been born at Villeneuve, a village of Provence, about the year 1240. Olaus Borrichius assures us, that in his time his posterity lived in the neighbourhood of Avignon; that he was acquainted with them, and that they were by no means destitute of chemical knowledge. He is said to have been educated at Barcelona, under John Casamila, a celebrated professor of medicine. This place he was obliged to leave, in consequence of foretelling the death of Peter of Arragon. He went to Paris, and likewise travelled through Italy. He afterwards taught publicly in the University of Montpelier. His reputation as a physician became so great, that his attendance was solicited in dangerous cases by several kings, and even by the pope himself. He was skilled in all the sciences of his time, and was besides a proficient in Greek, Hebrew, and Arabic. When at Paris he studied astrology, and calculating the age of the world, he found that it was to terminate in the year 1335. The theologians of Paris exclaimed against this and several other of his opinions, and condemned our astrologer as a heretic. This obliged him to leave France; but the pope protected him. He died in the year 1313, on his way to visit Pope Clement V. who lay sick at Avignon. The following table exhibits a pretty full list of his works: 1. Antidotorium 2. De Vinis. 3. De Aquis Laxativis. 4. Rosarius Philosophorum. 5. Lumen Novum. 6. De Sigillis. 7. Flos Florum. 8. Epistolæ super Alchymia ad Regem Neapolitanum. 9. Liber Perfectionis Magisterii. 10. Succosa Carmina. 11. Questiones de Arte Transmutationis Metallorum. 12. Testamentum. 13. Lumen Luminum. 14. Practica. 15. Speculum Alchymiæ. 16. Carmen. 17. Questiones ad Bonifacium. 18. Semita Semitæ. 19. De Lapide Philosophorum. 20. De Sanguine Humano. 21. De Spiritu Vini, Vino Antimonii et Gemmorum Viribus.
Perhaps the most curious of all these works is the Rosarium, which is intended as a complete compend of all the alchymy of his time. The first part of it on the theory of the art is plain enough; but the second part