Out of Mulberry Street: Stories of Tenement life in New York City. Jacob A. Riis

passes down the long tables, there are swift movements of grimy hands, and shirt-waists bulge, ragged coats sag at the pockets. Hardly is the file seated when the plaint rises: “I ain’t got no pie! It got swiped on me.” Seven despoiled ones hold up their hands.

      The superintendent laughs—it is Christmas eve. He taps one tentatively on the bulging shirt. “What have you here, my lad?”

      “Me pie,” responds he, with an innocent look; “I wuz scart it would get stole.”

      A little fellow who has been eying one of the visitors attentively takes his knife out of his mouth, and points it at him with conviction.

      “I know you,” he pipes. “You’re a p’lice commissioner. I seen yer picter in the papers. You’re Teddy Roosevelt!”

      The clatter of knives and forks ceases suddenly. Seven pies creep stealthily over the edge of the table, and are replaced on as many plates. The visitors laugh. It was a case of mistaken identity.

      Farthest down-town, where the island narrows toward the Battery, and warehouses crowd the few remaining tenements, the somber-hued colony of Syrians is astir with preparation for the holiday. How comes it that in the only settlement of the real Christmas people in New York the corner saloon appropriates to itself all the outward signs of it? Even the floral cross that is nailed over the door of the Orthodox church is long withered and dead: it has been there since Easter, and it is yet twelve days to Christmas by the belated reckoning of the Greek Church. But if the houses show no sign of the holiday, within there is nothing lacking. The whole colony is gone a-visiting. There are enough of the unorthodox to set the fashion, and the rest follow the custom of the country. The men go from house to house, laugh, shake hands, and kiss one another on both cheeks, with the salutation, “Kol am va antom Salimoon.” “Every year and you are safe,” the Syrian guide renders it into English; and a non-professional interpreter amends it: “May you grow happier year by year.” Arrack made from grapes and flavored with aniseed, and candy baked in little white balls like marbles, are served with the indispensable cigarette; for long callers, the pipe.

      In a top-floor room of one of the darkest of the dilapidated tenements, the dusty window-panes of which the last glow in the winter sky is tinging faintly with red, a dance is in progress. The guests, most of them fresh from the hillsides of Mount Lebanon, squat about the room. A reed-pipe and a tambourine furnish the music. One has the center of the floor. With a beer-jug filled to the brim on his head, he skips and sways, bending, twisting, kneeling, gesturing, and keeping time, while the men clap their hands. He lies down and turns over, but not a drop is spilled. Another succeeds him, stepping proudly, gracefully, furling and unfurling a handkerchief like a banner. As he sits down, and the beer goes around, one in the corner, who looks like a shepherd fresh from his pasture, strikes up a song—a far-off, lonesome, plaintive lay. “ ‘Far as the hills,’ ” says the guide; “a song of the old days and the old people, now seldom heard.” All together croon the refrain. The host delivers himself of an epic about his love across the seas, with the most agonizing expression, and in a shockingly bad voice. He is the worst singer I ever heard; but his companions greet his effort with approving shouts of “Yi! yi!” They look so fierce, and yet are so childishly happy, that at the thought of their exile and of the dark tenement the question arises, “Why all this joy?” The guide answers it with a look of surprise. “They sing,” he says, “because they are glad they are free. Did you not know?”

      The bells in old Trinity chime the midnight hour. From dark hallways men and women pour forth and hasten to the Maronite church. In the loft of the dingy old warehouse wax candles burn before an altar of brass. The priest, in a white robe with a huge gold cross worked on the back, chants the ritual. The people respond. The women kneel in the aisles, shrouding their heads in their shawls; the surpliced acolyte swings his censer; the heavy perfume of burning incense fills the hall.

      The band at the anarchists’ ball is tuning up for the last dance. Young and old float to the happy strains, forgetting injustice, oppression, hatred. Children slide upon the waxed floor, weaving fearlessly in and out between the couples—between fierce, bearded men and short-haired women with crimson-bordered kerchiefs. A Punch-and-Judy show in the corner evokes shouts of laughter.

      Outside the snow is falling. It sifts silently into each nook and corner, softens all the hard and ugly lines, and throws the spotless mantle of charity over the blemishes, the shortcomings. Christmas morning will dawn pure and white.