Out of Mulberry Street: Stories of Tenement life in New York City. Jacob A. Riis. Читать онлайн. Newlib. NEWLIB.NET

Автор: Jacob A. Riis
Издательство: Bookwire
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Жанр произведения: Языкознание
Год издания: 0
isbn: 4057664578556
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came from her Hudson-street attic—where she was known among the neighbors, as old and poor as she, as Mrs. Ben Wah, and believed to be the relict of a warrior of the name of Benjamin Wah—to the office of the Charity Organization Society, with a bundle for a friend who had helped her over a rough spot—the rent, I suppose. The bundle was done up elaborately in blue cheese-cloth, and contained a lot of little garments which she had made out of the remnants of blankets and cloth of her own from a younger and better day. “For those,” she said, in her French patois, “who are poorer than myself”; and hobbled away. I found out, a few days later, when I took her picture weaving mats in her attic room, that she had scarcely food in the house that Christmas day and not the car-fare to take her to church! Walking was bad, and her old limbs were stiff. She sat by the window through the winter evening, and watched the sun go down behind the western hills, comforted by her pipe. Mrs. Ben Wah, to give her her local name, is not really an Indian; but her husband was one, and she lived all her life with the tribe till she came here. She is a philosopher in her own quaint way. “It is no disgrace to be poor,” said she to me, regarding her empty tobacco-pouch; “but it is sometimes a great inconvenience.” Not even the recollection of the vote of censure that was passed upon me once by the ladies of the Charitable Ten for surreptitiously supplying an aged couple, the special object of their charity, with army plug, could have deterred me from taking the hint.

      Very likely, my old friend Miss Sherman, in her Broome-street cellar—it is always the attic or the cellar—would object to Mrs. Ben Wah’s claim to being the only real American in my note-book. She is from down East, and says “stun” for stone. In her youth she was lady’s-maid to a general’s wife, the recollection of which military career equally condones the cellar and prevents her holding any sort of communication with her common neighbors, who add to the offense of being foreigners the unpardonable one of being mostly men. Eight cats bear her steady company, and keep alive her starved affections. I found them on last Christmas eve behind barricaded doors; for the cold that had locked the water-pipes had brought the neighbors down to the cellar, where Miss Sherman’s cunning had kept them from freezing. Their tin pans and buckets were even then banging against her door. “They’re a miserable lot,” said the old maid, fondling her cats defiantly; “but let ’em. It’s Christmas. Ah!” she added, as one of the eight stood up in her lap and rubbed its cheek against hers, “they’re innocent. It isn’t poor little animals that does the harm. It’s men and women that does it to each other.” I don’t know whether it was just philosophy, like Mrs. Ben Wah’s, or a glimpse of her story. If she had one, she kept it for her cats.

      In a hundred places all over the city, when Christmas comes, as many open-air fairs spring suddenly into life. A kind of Gentile Feast of Tabernacles possesses the tenement districts especially. Green-embowered booths stand in rows at the curb, and the voice of the tin trumpet is heard in the land. The common source of all the show is down by the North River, in the district known as “the Farm.” Down there Santa Claus establishes headquarters early in December and until past New Year. The broad quay looks then more like a clearing in a pine-forest than a busy section of the metropolis. The steamers discharge their loads of fir-trees at the piers until they stand stacked mountain-high, with foot-hills of holly and ground-ivy trailing off toward the land side. An army-train of wagons is engaged in carting them away from early morning till late at night; but the green forest grows, in spite of it all, until in places it shuts the shipping out of sight altogether. The air is redolent with the smell of balsam and pine. After nightfall, when the lights are burning in the busy market, and the homeward-bound crowds with baskets and heavy burdens of Christmas greens jostle one another with good-natured banter—nobody is ever cross down here in the holiday season—it is good to take a stroll through the Farm, if one has a spot in his heart faithful yet to the hills and the woods in spite of the latter-day city. But it is when the moonlight is upon the water and upon the dark phantom forest, when the heavy breathing of some passing steamer is the only sound that breaks the stillness of the night, and the watchman smokes his only pipe on the bulwark, that the Farm has a mood and an atmosphere all its own, full of poetry, which some day a painter’s brush will catch and hold.

      Into the ugliest tenement street Christmas brings something of picturesqueness as of cheer. Its message was ever to the poor and the heavy-laden, and by them it is understood with an instinctive yearning to do it honor. In the stiff dignity of the brownstone streets up-town there may be scarce a hint of it. In the homes of the poor it blossoms on stoop and fire-escape, looks out of the front window, and makes the unsightly barber-pole to sprout overnight like an Aaron’s rod. Poor indeed is the home that has not its sign of peace over the hearth, be it but a single sprig of green. A little color creeps with it even into rabbinical Hester street, and shows in the shop-windows and in the children’s faces. The very feather-dusters in the peddler’s stock take on brighter hues for the occasion, and the big knives in the cutler’s shop gleam with a lively anticipation of the impending goose “with fixin’s”—a concession, perhaps, to the commercial rather than the religious holiday: business comes then, if ever. A crowd of ragamuffins camp out at a window where Santa Claus and his wife stand in state, embodiment of the domestic ideal that has not yet gone out of fashion in these tenements, gazing hungrily at the announcement that “A silver present will be given to every purchaser by a real Santa Claus.—M. Levitsky.” Across the way, in a hole in the wall, two cobblers are pegging away under an oozy lamp that makes a yellow splurge on the inky blackness about them, revealing to the passer-by their bearded faces, but nothing of the environment save a single sprig of holly suspended from the lamp. From what forgotten brake it came with a message of cheer, a thought of wife and children across the sea waiting their summons, God knows. The shop is their house and home. It was once the hall of the tenement; but to save space, enough has been walled in to make room for their bench and bed. The tenants go through the next house. No matter if they are cramped; by and by they will have room. By and by comes the spring, and with it the steamer. Does not the green branch speak of spring and of hope? The policeman on the beat hears their hammers beat a joyous tattoo past midnight, far into Christmas morning. Who shall say its message has not reached even them in their slum?

      Where the noisy trains speed over the iron highway past the second-story windows of Allen street, a cellar door yawns darkly in the shadow of one of the pillars that half block the narrow sidewalk. A dull gleam behind the cobweb-shrouded window-pane supplements the sign over the door, in Yiddish and English: “Old Brasses.” Four crooked and moldy steps lead to utter darkness, with no friendly voice to guide the hapless customer. Fumbling along the dank wall, he is left to find the door of the shop as best he can. Not a likely place to encounter the fastidious from the Avenue! Yet ladies in furs and silk find this door and the grim old smith within it. Now and then an artist stumbles upon them, and exults exceedingly in his find. Two holiday shoppers are even now haggling with the coppersmith over the price of a pair of curiously wrought brass candle-sticks. The old man has turned from the forge, at which he was working, unmindful of his callers roving among the dusty shelves. Standing there, erect and sturdy, in his shiny leather apron, hammer in hand, with the firelight upon his venerable head, strong arms bared to the elbow, and the square paper cap pushed back from a thoughtful, knotty brow, he stirs strange fancies. One half expects to see him fashioning a gorget or a sword on his anvil. But his is a more peaceful craft. Nothing more warlike is in sight than a row of brass shields, destined for ornament, not for battle. Dark shadows chase one another by the flickering light among copper kettles of ruddy glow, old-fashioned samovars, and massive andirons of tarnished brass. The bargaining goes on. Overhead the nineteenth century speeds by with rattle and roar; in here linger the shadows of the centuries long dead. The boy at the anvil listens open-mouthed, clutching the bellows-rope.

      In Liberty Hall a Jewish wedding is in progress. Liberty! Strange how the word echoes through these sweaters’ tenements, where starvation is at home half the time. It is as an all-consuming passion with these people, whose spirit a thousand years of bondage have not availed to daunt. It breaks out in strikes, when to strike is to hunger and die. Not until I stood by a striking cloakmaker whose last cent was gone, with not a crust in the house to feed seven hungry mouths, yet who had voted vehemently in the meeting that day to keep up the strike to the bitter end—bitter indeed, nor far distant—and heard him at sunset recite the prayer of his fathers: “Blessed art thou, O Lord our God, King of the world, that thou hast redeemed us as thou