14 Part VII: Independence and thePost‐colonial VIIA Resituating Theory and Politics VIIA1 Jean‐Paul Sartre (1905–80) from Black Orpheus VIIA2 Aimé Césaire (1913–2008) from Discourse on Colonialism VIIA3 Claude Lévi‐Strauss (1908–2009) from Tristes Tropiques VIIA4 Roland Barthes (1915–80) ‘African Grammar’ VIIA5 Frantz Fanon (1925–61) from ‘On National Culture’ VIIA6 George Kubler (1912–96) from The Shape of Time VIIA7 Michel Foucault (1926–84) from The Order of Things VIIA8 Edward Said (1935–2003) from Orientalism VIIA9 Gilles Deleuze (1925–95) and Félix Guattari (1930–92) from Mille plateaux VIIA10 Johannes Fabian (b. 1937) from Time and the Other VIIB Exhibitions, Museums and Histories Reimagined VIIB1 André Malraux (1901–76) from ‘Museum Without Walls’ VIIB2 Aimé Césaire (1913–2008) On the institution of the museum VIIB3 Carl Sandburg (1878–1967) and Edward Steichen (1879–1973) from The Family of Man VIIB4 Roland Barthes (1915–80) ‘The Great Family of Man’ VIIB5 Georges Bataille (1892–1962) ‘The Cradle of Humanity’ VIIB6 Léopold Sédar Senghor (1906–2001) from the First World Festival of Black Arts VIIB7 Robert Farris Thompson (b. 1932) ‘Yoruba Artistic Criticism’ VIIB8 Ian Burn (1939–93) ‘Art is what we do, culture is what we do to other artists’ VIIB9 Linda Nochlin (1931–2017) from ‘The Imaginary Orient’ VIIB10 Luis Camnitzer (b. 1937) ‘Report from Havana: The First Biennial of Latin American Art’ VIIB11 William Rubin (1927–2006) from ‘Primitivism’ in 20thCentury Art VIIB12 James Clifford (b. 1945) ‘Histories of the Tribal and the Modern’ VIIB13 Martin Bernal (1937–2013) from Black Athena VIIC Beyond Modernism VIIC1 David A. Siqueiros (1896–1974) ‘Towards a New Integral Art’ VIIC2 Kazuo Shiraga (1924–2008) ‘The Shaping of the Individual’ VIIC3 Ad Reinhardt (1913–67) ‘Timeless in Asia’ VIIC4 George Maciunas (1931–78) Fluxus Manifesto VIIC5 Anni Albers (1899–1994) ‘Tapestry’ VIIC6 Hélio Oiticica (1937–80) from ‘General Scheme of the New Objectivity’ and ‘Tropicália’ VIIC7 María Teresa Gramuglio (b. 1939) and Nicolás Rosa (1938–2006) Tucumán Burns VIIC8 Marshall McLuhan (1911–80) and Quentin Fiore (1920–2019) from War and Peace in the Global Village VIIC9 Robert Smithson (1938–73) ‘Incidents of Mirror‐Travel in the Yucatan’ VIIC10 Nam June Paik (1932–2006) ‘Global Groove and the Video Common Market’ VIIC11 Joseph Beuys (1921–86) ‘Manifesto on the Foundation of a “Free International School for Creativity and Interdisciplinary Research”’ VIIC12 Terry Smith (b. 1944) ‘The Provincialism Problem’ VIIC13 Robert Morris (1931–2018) ‘Aligned with Nazca’ VIIC14 Lothar Baumgarten (1944–2018) from ‘Conquering the Southern Continent in the Haze of a Sixpenny Cigar’ VIIC15 Alfredo Jaar (b. 1956) Statement VIID Asserting Identity VIID1 F. N. Souza (1924–2002) ‘Nirvana of a Maggot’ VIID2 James Baldwin (1927–87) ‘Princes and Powers’ VIID3 Uche Okeke (1933–2016) ‘Growth of an Idea’ and ‘Natural Synthesis’ VIID4 Aubrey Williams (1926–90) ‘The Predicament Of The Artist In The Caribbean’ VIID5 Larry Neal (1937–81) from ‘The Black Arts Movement’ VIID6 Frank Bowling (b. 1934) ‘It’s Not Enough to Say Black Is Beautiful’ VIID7 Faith Ringgold (b. 1930) Interview on For The Women’s House VIID8 Papa Ibra Tall (1935–2015) ‘Negritude and Contemporary Plastic Art’ VIID9 Edward ‘Kamau’ Brathwaite (1930–2020) from Contradictory Omens VIID10 Rasheed Araeen (b. 1935) ‘Preliminary Notes for a Black Manifesto’ VIID11 Ana Mendieta (1948–85) ‘Introduction’ to Dialectics of Isolation VIID12 Isaac Julien (b. 1960) and Kobena Mercer (b. 1960) ‘De Margin and De Centre’
15 Part VIII: The Global Turn VIIIA Critical Revisions VIIIA1 Rasheed Araeen (b. 1935) ‘Why Third Text?’