Art in Theory. Группа авторов

From the Harmsworth History of the World On the ‘degeneration’ of indigenous Australians VB8 Ananda Coomaraswamy (1877–1947) ‘The Aims of Indian Art’ VB9 E. B. Havell (1861–1934) ‘The New Indian School of Painting’ VB10 Lucien Lévy‐Bruhl (1857–1939) from How Natives Think VB11 Leo Frobenius (1873–1938) from The Voice of Africa VB12 Sigmund Freud (1856–1939) from Totem and Taboo

      13  Part VI: In a World of Colonies VIA Modern, Primitive, Universal VIA1 Guillaume Apollinaire (1880–1918) ‘On the Art of the Blacks’ VIA2 Guillaume Apollinaire (1880–1918) On African and Oceanic sculptures VIA3 Roger Fry (1866–1934) ‘Negro Sculpture’ VIA4 Florent Fels (1891–1977) et al. ‘Opinions on Negro Art’ VIA5 Herbert Read (1893–1968) from Art Now VIA6 James Johnson Sweeney (1900–86) ‘The Art of Negro Africa’ VIA7 Alain Locke (1886–1954) ‘African Art: Classic Style’ VIA8 Robert Goldwater (1907–73) ‘A Definition of Primitivism’ VIA9 Margaret Preston (1875–1963) ‘Paintings in Arnhem Land’ VIA10 Henry Moore (1898–1986) ‘Primitive Art’ VIA11 A cluster of short texts by American painters of the 1940s on primitive art and myth VIA11(i) Adolph Gottlieb (1903–74) and Mark Rothko (1903–70) Statement VIA11(ii) Adolph Gottlieb (1903–74) and Mark Rothko (1903–70) from ‘The Portrait and the Modern Artist’ VIA11(iii) Jackson Pollock (1912–56) Answers to a questionnaire VIA11(iv) Barnett Newman (1905–70) ‘Pre‐Columbian Stone Sculpture’ VIA11(v) Barnett Newman (1905–70) ‘Art of the South Seas’ VIA11(vi) Barnett Newman (1905–70) ‘Northwest Coast Indian Painting’ VIA11(vii) Jackson Pollock (1912–56) Statement VIA11(viii) Mark Rothko (1903–70) from ‘The Romantics were prompted …’ VIB Western CivilizationFor and Against VIB1 Rosa Luxemburg (1871–1919) from The Accumulation of Capital – an Anti‐Critique VIB2 Hermann Hesse (1877–1962) ‘The European’ VIB3 Ezra Pound (1885–1972) from Hugh Selwyn Mauberley VIB4 Oswald Spengler (1880–1936) from The Decline of the West VIB5 Rabindranath Tagore (1861–1941) from Creative Unity VIB6 The Third International, ‘The Black Question’ VIB7 W. E. B. Du Bois (1868–1963) ‘Criteria of Negro Art’ VIB8 Franz Boas (1858–1942) from Primitive Art VIB9 Alain Locke (1886–1954) ‘Art or Propaganda’ VIB10 Sigmund Freud (1856–1939) from Civilization and Its Discontents VIB11 Alfred Rosenberg (1893–1946) from The Myth of the Twentieth Century VIB12 Leo Frobenius (1873–1938), ‘Reflections on African Art’ VIB13 Walter Benjamin (1892–1940) ‘Experience and Poverty’ VIB14 Narranyeri (attributed to David Unaipon 1875–1967) ‘A Blackfellow’s Appeal to White Australia’ VIB15 Edmund Husserl (1859–1938) from ‘The Vienna Lecture’ VIB16 Julius Lips (1895–1950) from The Savage Hits Back VIB17 Fernando Ortiz (1881–1969) ‘The Social Phenomenon of “Transculturation”’ VIB18 Eric Williams (1911–81) from Capitalism and Slavery VIC The Challenge of theAvant‐Garde VIC1 Voldemārs Matvejas/‘Vladimir Markov’ (1877–1914) ‘Negro Art’ VIC2 Carl Einstein (1885–1940) from Negerplastik VIC3 Tristan Tzara (1896–1963) ‘Chanson du serpent’/‘Song of the Snake’ VIC4 Oswald de Andrade (1890–1954) ‘Cannibalist Manifesto’ VIC5 Sergei Eisenstein (1898–1948) ‘The Cinematographic Principle and the Ideogram’ VIC6 Len Lye (1901–80) Two letters VIC7 The Surrealist group in Paris ‘Don’t Visit the Colonial Exhibition’ VIC8 The Surrealist group at the Sorbonne from Legitimate Defence VIC9 The Surrealist group in Paris ‘Murderous Humanitarianism’ VIC10 Michel Leiris (1901–90) from L’Afrique fantôme/Phantom Africa VIC11 Antonin Artaud (1896–1948) ‘What I Came to Mexico to Do’ VIC12 Josef Albers (1888–1976) ‘Truthfulness in Art’ VIC13 Art et Liberté group, Cairo ‘Long Live Degenerate Art’