Youth movements and other oppositional countercultures provide examples of how individual lifestyle may take up an antagonistic character. The emergence of punk at the end of the 1970s had elements that could easily be reduced to fashion, but also a powerful symbolic antagonism, in the sense of breaking away from consolidated canons of decorum and good taste. In other words, it also had a distinctive countercultural flavor (Crossley 2015). Similar remarks may apply to other forms of youth cultural experience, from rap to rave. More recently, alternative cultures and lifestyles have been nurtured in the Italian and Spanish squatted youth centers, as well as in the radical wing of the antiroad movement in the United Kingdom (Doherty 1998; della Porta, Andretta, et al. 2006). In the late twentieth century, various sectors of social movements have indeed reserved considerable space to action concerning consumer goods and cultural elaboration. Women’s, squatters’, or youth movements have promoted the construction of alternative networks offering autonomous opportunities for support and social contacts to their participants (Melucci 1984; Taylor and Whittier 1992; see Chapter 7).
In other cases, collective action on lifestyles has been concerned with the defense of values and traditions which, it was held, were threatened. Movements such as the American Moral Majority or those against the introduction of divorce in Italy in the early years of the 1970s also chose the private sphere and the criteria by which one can define a particular lifestyle as ethically desirable as their favored terrain for political mobilization (Wood and Hughes 1984; Wallis and Bruce 1986; Oberschall 1993, Chapter 13).
The growing importance of lifestyle has also led to consumerism becoming a specific object of collective action. The consumer has been increasingly identified as a political, and not simply as an economic, actor. Consumer organizations have addressed their mobilization attempts to the public in general. Structures for the production and distribution of alternative goods, for example, in the food sector, have been created; campaigns and mobilizations in favor of consumers have also been launched. They have taken forms ranging from quasi‐countercultures (for example, in the alternative networks promoting and distributing organic food in the early stages of environmental movements) to classic public interest‐group action (for example, in the form of mass professional organizations like Common Cause) (Baek 2010; Boström, Micheletti, and Peter Oosterveer 2019; Earl, Copeland, and Bimber 2017; Forno and Graziano 2014). Fair trade and boycotts have grown enormously in recent years, with a particularly successful trend among young people (Micheletti 2003; see also Chapter 7).
Although not always connected with each other, all these activities, from different points of view, draw our attention once again to the new importance assumed by collective action concerned with the defense of certain models of behavior and moral codes, rather than with the conquest of political power or the protection of economic interests. Various transformations in the private sphere and in forms of cultural production appear to have increased potential for conflicts of a symbolic nature. The variety of life experiences to which the individual has access is a result of the multiplication of group allegiances. Each of these can provide relationship and identity resources essential in turning some of the possible sources of inequality into a public debate, defining them as social problems rather than individual difficulties. As Pierre Bourdieu observes, indeed, “Each society, at each moment, elaborates a body of social problems taken to be legitimate, worthy of being debated, of being made public and sometimes officialized and, in a sense, guaranteed by the state” (1992, p. 236).
In parallel, the map of adversaries against which collective energies can, from time to time, be mobilized is equally varied: mass media, technoscientific elites, educational and social welfare institutions, entrepreneurial classes that control mass consumption, and so on. In this situation of uncertainty, instead of representing the preconditions for action concerned with economic or political goals, the definition of collective identity tends to become an autonomous problem, an object of collective action as such (although this may also apply to class conflict: Pizzorno 1978; see also Chapter 4). The same thing can be said about the search for lifestyles and ways of acting that are ethically desirable and appropriate. These needs do not result inevitably in the development of social movements.
2.3.3 Between the Global and the Local
Identities are increasingly defined within a process of accelerated cultural globalization. Globalization has produced significant cultural changes in today’s world, a growing interdependence in which social actions in a given time and place are increasingly influenced by actions that occur in distant places. As Giddens suggested (1990, p. 64), globalization implies the creation and intensification of a “worldwide social relationship which links distinct localities in such a way that local happenings are shaped by events occurring miles away and vice versa.” The shortening of space and time in communication processes affects the production and reproduction of goods, culture, and the tools for political regulation. Indeed, globalization has been defined as “a process (or set of processes) which embodies a transformation in the spatial organization of social relations and transactions – assessed in terms of their extensity, intensity, velocity and impact – generating transcontinental or interregional flows and networks of activity” (Held et al. 1999, p. 16).
One of the dangers perceived in globalization is the predominance of a single way of thinking, which apparently emerged from the defeat of “real socialism.” The international system had been tied to a bipolar structure in which each of the two blocs represented a different ideology; the fall of the Berlin Wall, which symbolically marked the demise of the Eastern bloc, made capitalism seem the single, dominant model. In cultural terms, “modernization” processes promoted by science and the leisure industry have paved the way for what Serge Latouche (1989) called “the westernization of the world,” i.e., the spread on a global scale of Western values and beliefs. Although the scenario of a single “McDonaldized” world culture (Ritzer 2000) is an exaggeration, there is an undeniable increase in cultural interactions with the exportation – albeit filtered through local culture – of Western cultural products and values (Robertson 1992). The metaphor of a “global village” stresses that we are targeted in real time by messages sent from the most faraway places. The spread of satellite TV and the internet have made instantaneous communication possible, easily crossing national boundaries.
While national and subnational identities do not fade, the impact of values from other cultures and the growth of interaction between cultures increase the number of identifications that interweave into and compete with those anchored in the territory. Globalization is not only “out there” but also “in here” (Giddens 1990, p. 22): it transforms everyday life and leads to local resistance oriented to defending cultural traditions against the intrusion of foreign ideas and global issues. The resurgence of forms of nationalism, ethnic movements, religious mobilizations, and Islamic (and other) fundamentalism(s) are in part a reaction to this type of intrusion. While cultural globalization risks causing a loss of national identity, new technologies also provide a formidable array of tools for global mobilization, easing communication between worlds once distant, with a language that defies censorship. Increased perception of issues as global also heightens people’s willingness to mobilize at a transnational level. Through the presence of transnational networks of ethnocultural communities, local traditions also become delocalized and readapt to new contexts (Thompson 1995).
With some pessimism about the capacity of a new collective subject to emerge, Zygmunt Bauman has located in liquid modernity the cultural dimension of the social conflicts.