The French newlyweds, Sylvain and Antoinette, ask to be photographed next to a donkey. Omar suggests that Antoinette climb up onto the animal as Sylvain holds the lead. Omar unwinds his tagelmust and wraps it around Sylvain’s head. He pulls off his blue gown, revealing well-worn Levis and a white T-shirt, and offers it to Antoinette. It’s like a tent around her tiny body.
The tourists shout out instructions to the pair as Omar snaps the photos. Ouistiti! Mirar al pajarito! Käsekuchen! Say cheese! Addy hovers at the edge of the group, watching Omar. He’s lean and muscular and the white of his T-shirt glows against his brown skin. His hair is a close-cropped cap of tight black curls. He moves like a swimmer, lithe and graceful and unselfconscious.
They continue through a dense olive grove, following a narrow path in a gradual descent through the trees. The morning is filled with the noisy peace of the countryside – a dog’s bark, a donkey’s bray, the underlying buzz of cicadas. The group breaks out of the shade into a meadow where the sky opens above, blue and cloudless.
Addy takes off her new straw hat. She closes her eyes and breathes in the clear air, letting the heat penetrate her skin. The weight of all the worry and anxiety of the previous months slowly falls away until she’s light and new again.
Tessa and Nicky, the two Geordie girls, buzz around Omar like chubby bees. They wear tight halter tops, cropped shorts and flip-flops. On the bank of a wide hill stream, Omar stands by to help as the group steps over the rocks to the other side. When he offers his hand to Tessa and then to Nicky, Addy sees him eye the English girls’ angel wing tattoos, which stretch across the tanned skin of their lower backs.
Addy’s the last one to cross the stream. Her breath catches when his fingers close around hers. On the other side of the stream, Omar places his hands on her waist to steady her. His breath is warm on her neck. She rests her hands on his for an instant, then steps forwards onto the path.
An hour into the hike, the group reaches a lookout platform facing the waterfalls.
Omar sweeps his hand towards the view. ‘This is my Paradise.’
The tourists crowd towards the flimsy bamboo railing, hurrying to pull out their cameras. Foaming water crashes over a red earth cliff, forming pools and mini-waterfalls as the water thunders into a churning pool at the base. A rainbow arches across the pool, its colours hazy in the river mist. The waterfalls in the Polaroid. Her father and Hanane had stood here, on this very spot, smiling for the photo that August day in 1984.
There’s a modest café at the lookout and Addy buys herself a warm bottle of Coca-Cola from a slender, sharp-faced Moroccan about Omar’s age at a bar cobbled together from produce crates. The Moroccan makes a show of wiping the Coke bottle clean with the tail of his tie-dyed turban and his fingers linger on her palm when he hands her the Coke.
When Addy returns to the lookout, Omar’s talking to the Geordie girls.
‘I studied at university,’ Omar’s saying. ‘English literature. Chakespeare. “To be or not to be, that is the question.”’ He thumps his chest with the flat of his hand. ‘I’m a graduate of the university in Beni Mellal. Nobody else in Zitoune is graduated from university.’
Addy leans against a bamboo post and sips the tepid soft drink. ‘English literature? I studied that, too. Did you study Milton? Donne? Marlowe? The Romantics?’
‘I know Chakespeare.’
Nicky rolls her blue-lined eyes. ‘You’ve got to be flipping kidding me. I’m on bloody holiday in Morocco and you’re talking about Shakespeare? I think I’m gonna gag.’ She points a long pink fingernail at the Coke bottle. ‘Where’d you get the Coke?’
‘Over there.’
‘C’mon, Tessa. Let’s get a Coke. I’m gasping.’
Omar nods at the turbaned barman. ‘It’s my friend, Yassine. He sells the best Coca-Cola in Zitoune, even if it’s not so cold. It’s better like that. Not so many calories.’
Nicky grabs Tessa’s arm. ‘Oo-er. He’s a bit of all right. C’mon, Tess, I’m getting thirstier by the minute.’
Tessa, a sun-streaked blonde with a generous cleavage and pink gloss lipstick, squints at Yassine. He gives her a slow, appreciative smile.
‘Oh, all right. I can’t be doing with Shakespeare, either. I’m on my hols.’
The girls saunter over to the bar, their flip-flops slapping on the compacted earth. Yassine flashes them a white-toothed smile as he sets out two bottles of Coca-Cola on the worktop.
Omar nods. ‘Yassine will make them happy. He likes English girls. He likes to practise his English. More tea, Vicar? See you later, alligator.’
‘In a while, crocodile.’
‘In a while, crocodile.’ Omar grins. ‘I like it.’
Addy sets her empty Coke bottle down on the ground. She lifts up her camera and focuses the lens on the rainbow. ‘Paradise Lost.’
‘What?’
‘Paradise Lost. Anyone who studied English literature would’ve heard of Paradise Lost. It’s a classic. Le Morte d’Arthur? Maybe something more modern. George Orwell? Virginia Woolf?’
‘I studied at university. It’s the truth.’
‘If you say so.’
‘You don’t believe me.’
‘Never mind. It’s not important.’
Addy glances over at Omar. His hands are on the bamboo railing and he’s staring out at the waterfalls. Why had she been so rude? If he wants to chat up girls with lies, what business is it of hers? It wasn’t like her to be so mean. That was Philippa’s domain.
‘I’m sorry. I was rude. Of course you went to university.’
‘No problem.’
She rests her hands on the railing and looks out at the waterfalls, willing her heart to calm its bouncing inside her chest. ‘I had an unusual dream last night.’
‘Yes?’
‘I dreamt about someone wearing a blue gown and turban. I couldn’t see his face. Then I saw you today and you were wearing exactly the same thing.’
Addy looks over at Omar, who’s staring at her.
‘What? What is it?’
‘It was Allah who send you this message.’
She shakes her head. ‘It was just a dream.’
‘No. Allah sent me to you in your dream. It’s our fate to meet today.’
A couple of rafts constructed of bamboo poles and blue plastic oil drums bob on the water at the base of the waterfalls. Scavenged wooden chairs are festooned with garish fabrics and plastic flowers.
Omar points to the rafts. ‘Everybody, we must take the boats to the other side. These are the Titanics of Morocco. But don’t worry, it might be they will not sink today, inshallah.’
A fine mist hangs in the air, settling on Addy’s skin like dew. Omar directs the group onto the two rafts, grabbing hands and elbows to steady the tourists as they step onto the lurching rafts. Addy settles down on a damp chair beside Sylvain and Antoinette. A middle-aged German couple in safari outfits and laden down with binoculars and cameras shift onto the chairs at the rear.
Omar jumps onto the other raft